Cabiria

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Cabiria is a Roman child when her home is destroyed by a volcano. Sold in Carthage to be sacrificed in a temple, she is saved by Fulvio, a Roman spy. But danger lurks, and hatred between Rom... Read allCabiria is a Roman child when her home is destroyed by a volcano. Sold in Carthage to be sacrificed in a temple, she is saved by Fulvio, a Roman spy. But danger lurks, and hatred between Rome and Carthage can only lead to war.Cabiria is a Roman child when her home is destroyed by a volcano. Sold in Carthage to be sacrificed in a temple, she is saved by Fulvio, a Roman spy. But danger lurks, and hatred between Rome and Carthage can only lead to war.

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IMDb RATING

7.1/10

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Trivia
This was the first film to use a dolly-track system, the effects of which were pegged "Cabiria movements" in the industry.

Alternate versions
Eighteen Frame, Inc. copyrighted a version in 1990 with a piano music score based on the original score by Manlio Mazza, and performed by Jacques Gauthier. Intertitles were translated by Charles Affron and Mirella Jona Affron. It was distributed by Kino Video and runs 125 minutes, but there is also a two-minute introduction.

Connections
Edited into Bellissimo: Immagini del cinema italiano (1985)

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Review

Featured review

10/10

Remarkable Silent Italian Epic

Kidnapped by Phoenician pirates from her Sicilian home, the infant CABIRIA grows to become involved in Rome's conflict with Carthage during the Second Punic War.

Vast, intricate in plot & completely fascinating, here is one of the great silent epics which, fortunately, lives up to its legend. Full of daring rescues & breathless escapes, the film also features innovative camerawork & lighting techniques which would greatly influence D. W. Griffith & Cecil B. DeMille. (Some viewers may also see a strong resemblance between CABIRIA and the gigantic sets & bravado action highlighted in the Douglas Fairbanks swashbucklers of the 1920's.)

Prolific director Giovanni Pastrone (1883-1959), using the pseudonym Piero Fosco, wrote the script and helped design the huge, elaborate sets, wanting to make his film the biggest, most thrilling epic ever produced. A million lira was budgeted for CABIRIA, a tremendous sum then, and location shooting was extended to Tunisia, Sicily & the Alps. The result was a tremendous success and ensured Pastrone's name would be enshrined in the history of world cinema. A true Renaissance Man, Pastrone left films in 1923 to devote himself to medical research.

The acting is often rather ripe & sensationalized, but that was the prevailing style in Italian epics, which were doubtless influenced by Grand Opera's florid stage mannerisms. Special mention should be made of Umberto Mozzato as a heroic Roman spy, Bartolomeo Pagano as the muscular Maciste & Italia Almirante-Manzini playing a wicked Carthaginian queen.

Sequences remain in the viewer's mind: the destructive eruption of Mount Etna; the truly terrifying scenes in the vile Temple of Moloch, with tiny naked children being thrown into the flames; and Hannibal's march - with elephants - over the mountains. Ancient Archimedes setting fire to the Roman fleet attacking Syracuse is unexpectedly amusing, while the movie climaxes with one of the most ostentatious suicides ever filmed.

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There were three Punic Wars, which kept the ancient world embroiled from 264 BC until 146 BC while Rome & Carthage engaged in a death struggle to see who would emerge as the master of the Mediterranean. Battles raged in Europe & Africa, as well as on the Sea, but the last War ultimately ended with Rome's total victory and the complete & utter destruction of Carthage. The innocents sacrificed to the hideous Moloch were finally avenged.