IMDb RATING
7.1/10
3.8K
YOUR RATING
The cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.The cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.The cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.
- Awards
- 1 win total
Photos
Storyline
Did you know
- TriviaSome film histories erroneously cite this as the first animated cartoon, ignoring not only Humorous Phases of Funny Faces (1906) (probably the first true animated cartoon), but even Winsor McCay's own earlier work, Little Nemo (1911) and How a Mosquito Operates (1912).
- Quotes
Winsor McCay: [Gertie swallows a large stump, later on, Gertie is thrilled to see a small mastodon] Gertie, don't hurt Jumbo.
- ConnectionsEdited into Los comienzos de la animación (1995)
Featured review
Winsor McCay's "Gertie the Dinosaur", is an early animation masterpiece that I believe can be enjoyed by both extreme animation buffs, and the average casual viewer. On different levels of course. The average viewer would see a pleasant little film about a baby like dinosaur showing off for us. An animation fanatic like me would see a lot more. For the time it was made, the animation is fantastic. It's leaps and bounds ahead of anything else I have seen from that time. The detail is sharp, the movements are smooth, and the backgrounds, all hand drawn frame by frame, are vivid and hardly shake at all. I overheard someone mentioning during the class break that he could see an early use of rotoscoping when "McCay" walks onto the screen. The guy was mistaken. Rotoscoping wasn't invented until the 1930's. This is a testament to McCay's artistry: to make characters so life-like that people still think today that they are real.
That previous statement was in reference to McCay's realistic drawing style. However, it could also be applied to the character of Gertie. She is very believable as a real "person." We come to like Gertie and her child-like antics, understanding her needs to be the focus of attention. I liked the way Gertie tried to hog the screen from Jumbo, first by throwing him into the lake, then by hurtling a rock at him. This of course shows us Gertie's infantile character, but, going back to the artwork, is also a perfect example of McKay's mastery of smooth animated movement. All said, this is probably one of the key films in the transition from cartoon characters just being moving drawings to being characters that we can understand and care about.
That previous statement was in reference to McCay's realistic drawing style. However, it could also be applied to the character of Gertie. She is very believable as a real "person." We come to like Gertie and her child-like antics, understanding her needs to be the focus of attention. I liked the way Gertie tried to hog the screen from Jumbo, first by throwing him into the lake, then by hurtling a rock at him. This of course shows us Gertie's infantile character, but, going back to the artwork, is also a perfect example of McKay's mastery of smooth animated movement. All said, this is probably one of the key films in the transition from cartoon characters just being moving drawings to being characters that we can understand and care about.
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Gertie
- Filming locations
- American Museum of Natural History - Central Park West at 79th Street, Manhattan, New York City, New York, USA(exterior and interior with dinosaur skeleton)
- Production companies
- See more company credits at IMDbPro
- Runtime12 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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