68
Metascore
6 reviews · Provided by Metacritic.com
- 80The New York TimesJeannette CatsoulisThe New York TimesJeannette CatsoulisThe result is an exceedingly well-made first feature, a simple genre movie elevated by strong visuals, potent performances and a mood that falls somewhere between resignation and guttering hope.
- 80Time OutTime OutAt first glance, actor-turned-director Philip Barantini’s Villain looks like a box-ticking exercise in Laandan gangsterism. But it’s not. By playing it completely straight, it avoids campy Guy Ritchie clichés.
- 70The Hollywood ReporterFrank ScheckThe Hollywood ReporterFrank ScheckTo say it's unoriginal is an understatement. Nonetheless, Villain exerts a powerful pull, thanks both to the effective use of gritty East London locations and the terrific lead performance by Craig Fairbrass, displaying his intimidating physical presence and simmering, low-key charisma. The veteran actor keeps the film percolating despite its overfamiliar aspects.
- 70VarietyDennis HarveyVarietyDennis HarveyActor Philip Barantini’s first directorial feature is nothing wildly original in content or style. Still, it punches both elements across with a satisfying low-key confidence, and does not shrink from occasionally letting things get pretty rough.
- 60The GuardianLeslie FelperinThe GuardianLeslie FelperinSometimes a seemingly unprepossessing genre film comes along that has finer qualities than you would expect. Such is the case here.
- 50RogerEbert.comSimon AbramsRogerEbert.comSimon AbramsVillain is the kind of stiflingly reverent genre picture that is so beholden to its main characters’ pity-me worldview that its predictably downbeat ending feels like the kind of hero worship that you often find in either a cloying biopic or a hidebound true crime adaptation.