User reviews

I wouldn't categorize Lamb as a horror movie, more a mystery drama. In my case I figured out the "mystery" from almost the beginning but still it's worth a watch. It's not fast paced, but it's well filmed and the acting is more than decent. Strange to hear Noomi Rapace speaking Icelandic for the first time in a movie. Strange is also the plot, a bit weird but that doesn't mean bad. It's probably not going to be to everyone's taste but if you have an open mind and like something different you might enjoy this one.

This isn't going to be a film that everyone is going to be pleased with. So, if you are considering it, go into it with an open mind and understanding that it's not for everyone.

Let me start by saying that I wouldn't consider this to be a "horror" film. It had suspense, weird and fantastical aspects but it just didn't cross over into horror for me. However, if you are a horror lightweight, the situation may cross the line into horror for you.

The camera work and acting was great. The setting was beautiful, well suited due to it's isolation and it is so well shot that it created a lonely, longing atmosphere that had me investing in the growing happiness this couple found despite how weird it was. Let me just say that after seeing her in several movies I have found Noomi Rapace to be a rather skilled actress. She plays these darker rolls quite well so I was pleased with her performance.

Some people have complained about the CGI but for the most part, I thought it was pretty good. Not perfect but definitely not awful.

Overall, the story was, as I said, unique. There are a lot of questions left. So many that they could play around with the idea of a sequel if they wanted to. Leaving questions unanswered is what has me still thinking about it though.

I say check it out. It was an experience.

I've not watched much Icelandic cinema. So I can't tell you if this is typical. I can tell you it's good though. It's sparse and wintery as you might guess. It's also a bit dark and magical. Maria (Noomi Rapace) and Ingvar (Hilmir Snær Guõnason) live on a remote farm. It's quiet, idyllic. Lots of hard work and they're vastly outnumbered by animals. They seem lonely. Unhappy even. Something missing. Iceland looks incredible. Almost unreal and it's used to great effect. It's all beautifully shot, from the amazing mountain vistas to the barns housing the sheep they tend. They're lives are changed, seemingly for the better when a new lamb is born, a little different from the rest. It's clear that shes used to mask an earlier unseen loss and for this reason things are going to end badly. Now this newborn creature is quite literally fantastic. So much so, it could rip you right out of the otherwise believable narrative, but she's so adorable you just go with it. Things get a little more complicated when Ingvar's brother Pétur (Björn Hlyner Haraldsson) turns up, but that's really not the half of it. Calling this Lamb and having one with such an arresting role is misleading though, there's a lot more to unpack. Iceland is gorgeous. Lambs are very cute. Loneliness is deadly.

The story that "Lamb" tells is so bizarre that I imagine just coming up with it would warrant an involuntary admission to an inpatient psychiatric hospital. I, for one, definitely felt like I needed to give myself over to the authorities after watching this movie - not because I committed any crime, but instead to allow the detectives to piece the plot together for me. "Lamb" is either a surrealistic folktale that its audience is meant to take very literally, or a sort of metaphorical, symbolic tale that we are supposed to decipher through careful observation of the film's characters. And truth be told, however you decide to view this film, it works.

Whether you want to watch this movie with the viewpoint that everything it is showing you is actually happening or with the perspective that there is something deeper beyond the surface level, "Lamb" does require a certain amount of effort from the viewer in order to be fully compelling - you'll know within the first 60 seconds of the movie starting whether or not it's your cup of tea. To give you an example of how polarizing this movie is, during my showing three teenage males walked out after about 20 minutes, and one girl was so bored and in a rush to exit the cinema that she actually fell down the stairs. That's right, "Lamb" is single handedly responsible for what I imagine could have only been the breaking of one of her bones, because upon her tumble she started sniffling and crying like a newborn baby - at the least, she's sure never to forget this movie experience! But by no means do you have to go on and break your own bones to find some entertainment value from this movie, as long as you have the patience to sit still and watch it.

If you don't like slow movies, you won't like this - it's that simple. "Lamb" features long, drawn out scenes of (gorgeous) Icelandic scenery, minimal dialogue, and characters doing random things such as tending to their fields, helping sheep give birth, and dancing (what A24 film doesn't have dancing at this point? It's becoming their staple). Not until Ada is introduced does the movie start to slightly pick up some steam. And who is Ada? Well, you know from the trailer: Ada is the baby lamb that our two main characters start to take care of as if it were their own child.

"Lamb" markets itself as a horror film, but it is anything but. It can be considered a drama, but to be honest it isn't very dramatic. Yes, there is some drama in it, as well as a few scenes of suspense, but as a whole, when you watch this movie, you're watching a movie about a couple take care of a baby lamb - that's the spoiler-free synopsis. Sure, there is more at play here than just that, but that's basically the gist. And if that sounds entertaining to you, then you'll probably like this movie. If that sounds boring to you, then you'll want to avoid this film like the plague. There are some slight twists and turns that may manage to catch your attention, but most of them will be too little too late, especially for viewers who aren't initially captivated by the hypnotic tone and snail-like pace.

Look, I don't have much to say here. With its bonkers plot, stunning scenery, and excellent acting, I found myself mildly entertained throughout the film. And if you're not excruciatingly bored while watching this movie, then I believe that you will also find something to enjoy. However, if slow burn films aren't your thing, then by no means should you watch this. Does "Lamb" fit into the October, Halloween theme? Not at all, but if you want to watch something extremely different, then give this a go.

Lamb is a suspenseful and artistic film that showcases some great performances. I loved its beautiful cinematography and stunning colour palette. I also found it's themes of parenthood, loss and isolation interesting. At times, I wondered if the makers were commenting on real-world issues such as The Stolen Generation of Indigenous children in Australia.

But, as interesting as the concept was, the storyline just felt a little thin and not enough happened over the 90 minutes. Also, I don't think this film has been categorised correctly. There are a couple of violent scenes, but Lamb doesn't really qualify as a horror in my opinion. Instead, I'd describe it as a 'folk drama'.

What did I just watch? These were the first words running through my mind at the conclusion of 'Lamb'. This was not the film I expected by any measure. To be fair I don't think many who go in blind are going to be expecting what they get. A bizarre experience to say the least.

The film is set in a beautiful location. It's a pleasure to look at. You're going to see the horror tag attached to this movie, and it is in a odd sort of way I suppose, but mostly this is a drama with a twist. If you go in expecting a horror you're likely going to come away disappointed.

Whether this story will connect with you or not is anyone's guess. There are people who are going to hate every second of it, and there are people who will love it. I fell somewhere in the middle personally. It's unapologetically different though and I respect that a lot. 6/10.

María and Ingvar are sheep farmers in Iceland, stuck in both a rut and a one-sided loveless marriage as each day of tending to the sheep rolls into the next. Upon the birth of a lamb that doesn't seem to quite be a lamb, the couple's caring for it ultimately changes the dynamic of their relationship. What seems to be a happy development for this couple is marred for the audience by the constant feeling of something not quite being on the level, with both this new lamb and the circumstances around its birth. As the film progresses, other outside elements creep into María and Ingvar's happy little domestic life, changing them forever.

Two fair warnings for Lamb upfront: first, beware for any viewers that might be a bit squeamish, as we are treated to multiple live birthing of animals. Second, Lamb isn't what you think it is. While being billed as a supernatural horror film, the trailers are cut to slightly deceive those expecting something more on the level of Hereditary or Midsommar, also movies distributed by the vaunted company A24. A24 has become synonymous with producing and distributing off kilter movies that aren't afraid to take risks and delight in serving up horror that can shake the faith of even the staunchest fans of the genre. Lamb is not that. What the film is, however, is a meditation on grief and loss, the processing of said grief, and how that processing can negatively impact others. Through an incredibly sparse script, co-written by director Valdimar Jóhannsson, the real horror is the time spent waiting for the other shoe to inevitably drop. Lamb is a 95 minute buildup waiting for the last five or so minutes to deliver. While Jóhannsson excels at maintaining the overall creepy atmosphere of an isolated couple dealing with the birth of an unnatural mammal, the overall story itself is a bit thin. Again, Lamb isn't what you think it is.

Starring Noomi Rapace as María and Hilmir Snaer Gudnason as her husband Ingvar, a lot of the story between the couple is conveyed in its subtlety between the actors. The film opens on the immediate realization that the feelings in this marriage have all but faded for one of them, with the appearance of the titular Lamb as the catalyst for change between the two. The cause of the waning feelings is never explicitly stated but left for the audience to pick up on; Jóhannsson trust the audience to fit the pieces together. While difficult to pick up on at first, the signs of slow, hopeful transformation are there: a smile, a light brush of the hand. Seeing the love creep back into a couple is far more refreshing than its opposite and both actors play their parts well. Just as things seem to be changing for the better, Björn Hlynur Haraldsson enters the fray as Pétur, Ingvar's brother, who seems to be much more interested in María than in Ingvar. While this rouge element is meant to shake up this newly forming status quo and send the story on its head, the resulting unraveling of events more fizzles than explodes.

Directed by Valdimar Jóhannsson, his first feature-length film, Lamb is more concerned with mood and tone than anything else; a word isn't spoken between our two main characters for the first 10 minutes. While the story lacks any narrative thrust, the direction attempts to make up for that. Smart camera placement that hints at subtle reminders of the placement of certain objects shows the care and detail that went into the production of the film. Jóhannsson's pacing is slow, methodical. Lamb takes its time in the unraveling of events, letting the audience fully understand the dynamic between the characters and Ada, the lamb. The real standout of the film is in its cinematography; lingering beautiful establishing shots of the countryside the couple live in makes Lamb less of a supernatural horror and more an invitation to visit Iceland.

Overall, Lamb is a visually dazzling movie with little in the way of an actual story. The incredibly slow burn from Jóhannsson moves at a glacial pace, letting the mood do much of the heavy lifting. While Guðnason and Haraldsson turn in fairly subdued performances, Noomi Rapace is the obvious star of the film with the widest emotional journey. The supernatural elements lurk in the background, lending a possible misnomer for what the film actually is: a domestic drama between a couple whose lives are upheaved by the birth of this unnatural animal. Lamb hits theaters October 8th.

While I basically agree with the main statement the film makes, and perhaps the statement is even timely to some degree. However the film starts to feel very ho-hum nearing the midpoint. It's not all that interestingly told, nor does it come across as a meditation on it's main idea or ideas as well as it was likely intended to. To me it spent too much time in nowhere land. Perhaps if I understood Icelandic I would have gotten more out of it, I'm not entirely sure about that. Also, this is really not a horror film at all. It's somewhat dark, like an old folktale but mostly quite overt and not at all scary. I was enjoying the film for the first while, it sets up reasonably well, but it really never ends up giving you much of anything very interesting to chew on. There likely is some symbolism in the film that I didn't fully unravel; However what is here really seems too unimportant to care much for given the overall fairly aimless and stale feeling the film mostly has past the midway point. It's all very simple for the most part and in the end, a little silly really. This could've possibly made a great short film. There just isn't enough heart or guts or real substance in the film to be a feature in my view. It's not bad, but I would say skip it unless you're really into these kinds of old folktales. I love a good thinker and a good slow burn, but honestly there's not all that much here to think about. It tries to strike a fire in the viewers mind perhaps, but there's not enough fuel to light it and nothing much to burn. 5.5/10.

There are certain things that can not be explained. And then even if they are explained - you do not get the full explanation. You just get an answer to one question - but there are so many other questions that open up. One thing that is for sure, as our two main characters do not question certain things, you shouldn't either - you will likely have less fun, if you try to depict things that happen and the sense they may or may not make.

Yes even in the realm of the world the movie is playing in. There is not much dialog here, but the sound design and the cinematography make up for that - and for the movie being slow paced. You have to be into that sort of films to consider watching this. I had no idea what the movie would do - and I would say I was kind of shocked by certain reveals. But it does make sense - if you think of the beginning and where it ends. Even if you may have wished a different one ... just don't start asking ...

It's certainly not lacking for visual splendour and unique ambition, but Lamb is a film that has such an overinflated sense of self-importance yet has so little to actually say.

It's not that I don't understand the film-I do. The primary theme of the story is the notion that people will accept and embrace some truly bizarre, unsettling things in order to alleviate their grief and start anew. It's just that this story is really stupid.

These characters are all selfish and naïve. The timing of the plot's final reveal doesn't make sense. And worst of all, this is one of the most unnecessarily slow-paced movies I have ever seen. I'm convinced that I could make a cut of all the scenes in Lamb that are completely inconsequential and it would be about 60 minutes long.

Lamb is a film that I admire for its ambition but it's unfortunately too frustrating and unintentionally hilarious to fully recommend.

"Lamb" is one of those movies that even after you watch you still try to take in and process it, call it what you want drama, or thriller it's one strange mixed film with love and realism. Set in rural Iceland on a farm a couple named Maria(Noomi Rapace) and Ingvar enjoy life only something is missing and that is they are childless something that is a place in their heart that is burning and dripping.

So aside from the hard work of farming and feeding the place is surrounded with animals they have a dog and cat, yet lamb come into play a flock of beautiful sheep. Then things get strange and crazy when a calf is delivered and born as it is then raised as the couple's own and feels like a human baby. The film shows the strain and attachment of worry, love, and uncertainty. Only in the end the picture twist like a strange folk fairy tale. Overall "Lamb" may not be liked by everyone still it's worth a watch for it's different and strange feel as it leaves a viewer to think and process it's meaning and story of life and love.

Valdimar Jóhannsson's 'Lamb' works like a soul sequel to Robert Eggers' 'The VVitch' - with Black Phillip having an offspring and Noomi Rapace being dragged into the eerie situation of the story. It might be viewed as an allegory for parenting, a terrifying horror film, or even a deadpan comedy because it's funny, disturbing, and horrific, often at the same time. It is Jóhannsson's first film, but it is directed with confidence and skill. The performances are superbly subtle at first, building in intensity as the film progresses. The underwhelming conclusion fails to pull punches, but it is still very worth to experience.

All I can say is.. Wow. The most interesting horror film I've seen in a long, long time.

Don't expect action, gore, and hatchets. Expect a feeling of uncomfortableness, creepiniess, and... Hmm... Ah, yes - I have it now... - weirdness. Human beings are strange. I really wonder what made Noomi want to produce this. I really wonder what the writer was going for. Again, wow. Enjoy.

Lamb: While this film is based on Icelandic folklore it is also influenced by Director Valdimar Jóhannsson's childhood experiences on his grandparents farm The quotidian experiences of farm life are shown as couple Maria (Noomi Rapace) and Ingvar (Hilmir Snær Guðnason) share the chores, sometimes he drives the tractor, on other occasions she does. Life is quite, they seem relatively happy but a lot seems unsaid. The strangeness is present from Lamb's opening scenes though, a creature trudges through a blizzard breathing heavily, scattering a herd of wild ponies. A ram watches through a window as the entity approaches a shed. It enters and the ewes are disturbed. The next day Maria and Ingvar see a ewe give birth to a hybrid sheep/human, while they are surprised they accept it as does Ingvar's brother Pétur (Björn Hlynur Haraldsson) when he arrives at the farm. The film presupposes a reality where such things occur. At times the narrative of the film unfolds like a soap and might flippantly be described as Emmerdale/Glenroe with Weresheep. But it is far stranger than such a facile interpretation. Ada is intelligent and though she cannot speak understands what the humans say. There are some disturbing scenes, a few of stark horror but most of this occurs in the final twenty minutes of the film. An intriguing tale set in the beautiful Icelandic mountain scenery where the farm abuts a mountain whose crags and peaks look suitably sinister in the mist. Directed & Co-Written by Valdimar Jóhannsson. 8/10.

As a cinematographer and editor myself.... this is a nicely shot movie.

I am totally cool with and enjoy slow movies, but a slow movie needs to keep me from wanting to hang in and wait for the reveal. The movie needs to keep me from picking up my phone multiple times, going to IMDB and reading reviews on the movie, as I watch it, to see whether I need to hang in there or give up on this.

With Lamb you need to be prepared to hang in there for 40 minutes before you say, "Oh... okay, I think I will continue watching this."

I did not time how long it took me to begin questioning again as to whether I want to finish this movie but I hung in there again.

The last two minutes of the film I, again, was like,"Oh, okay, cool," and then it was over.

I can't say as to whether I want to tell me friends to watch this or not.

I think it would have been better as a short story, a twenty minute film.

When I hear critics say that "slow burn" I immediately am fearful of a boring movie. I wanted this one to be good tho. I was patient 30 min in, telling me lady it's just the setup. Then 60 min in. It never got any better. It was a "Slow Crawl" all the way till the end and I was left wondering what the purpose was of the movie. Not the script or story... the movie itself. What was the point of making this. I read online articles thinking I missed something like "Hereditary" and "Witch" but I didn't. The directors and actors were talking about it like it's a big 20 foot tall abstract painting in the museum that people just stand in front of for hours and it means something different to everybody. The director talked about "nature" messsages, Noomi about pain and happiness from letting go of her sheep-baby. Only thing it meant to me after 2+ hours was "what a waste of time standing in front of this pointless painting/movie for hours, and why did they waste months making it".

My title says it all. This is an interesting but not very involving fable. I love solid mainstream films and even some commercial blockbusters if they aren't too formula, lazy, or stupid, but I really enjoy finding unusual, risky smaller films. And this Icelandic option fits that perfectly. And I'll see anything with Noomi Rapace since "Girl with the Dragon Tattoo". It's great to see her playing a non-action type role again. The pace of this film is decidedly slow but it works for it. Where it suffers a bit is that it never makes an effort to let us get to know the characters as fully fleshed out real people. Everything is so distant. That fits with the simple fable aspect of it but it removes the viewer from caring as much. Not enough to be a negative, but enough to keep it from being the small scale wonderful film I think it could have been.

The film from one of the Nordic countries delivers one of the most unusual , strange , depressing and dark tales... It is difficult to process , maybe even understand , but there is magic in it: because , even at a very slow pace , I was just mesmerised by it ... Definitely not mainstream , definitely worth the watch !