As a person who seldom watches Guoman, this work surprises me.
1⃣ The fighting is relatively smooth, especially in the first episode of the interplanetary spaceship fight, which makes me have high expectations for the whole animation, but such pictures rarely appear in subsequent episodes (may be due to insufficient funds?) In short, the fighting scene after the fight did not have the amazing feeling at the beginning, and the fighting moves were single. The operation of "enlarging the weapon directly to a" made the good setting feel "in vain".
2⃣ OP and ED are both very good, and the preview of each episode is also unique and full of surprises. The setting of the story background is very good. There are more private settings. I can feel that there are foreshadows in many places.
3⃣ The narration of the story (Interlude and flashback) is very good, but the overall rhythm is too fast at the beginning and the end is too hasty. In the first few episodes of the beginning, I introduced too many characters. Each character has a very full shape, and there will be a kind of one that I saw an episode and found that I didn't remember anyone's name; The final episode, which ended in a hurry, simplified a lot of the fight scenes that should have been there (may be insufficient funds?)
4⃣ From the content dialogue, it can be seen that the works should be for younger (?) Audience, some too preaching and second form.
5⃣ "Rice circle" is serious, and the official secretly pokes rotten sugar. I'm indifferent. Maybe people who love this mouth should like it very much. But if the positioning of a work is burning man, see migrant workers man, whether as an official, we should pay more attention to the "burning" part, and pay more attention to "friendship" rather than "affection"? (there is no meaning of blowing the sun)
