User reviews

I had no idea this movie even existed. I was looking on Netflix for something to watch and I was delightfully surprised to find this film. Helen Reddy quite frankly is one of those icons that immediately transports me back to my '70s AM radio listening. This movie doesn't claim to be anything more than it is. It is a director's version of Helen Reddy's life. The lead, Tilda Cobham-Hervey, is actually quite good as Helen. The supporting players, Evan Peters as Jeff Wald and Danielle McDonald as Lilian Roxon, support her well and are the standouts in the piece. Some may argue that this is nothing but a lifetime movie, but all Helen's songs are there, the backstory is one that I really didn't know anything about and I thoroughly enjoyed revisiting that era. Look it's not Shakespeare, but it doesn't pretend to be. As biopics go, it held my interest and it was very entertaining. People forget about how big Helen was. This movie will remind them and hopefully introduce her to a new generation.

A film about Australian Helen Reddy's rise to fame as a singer during the 60s and 70s. A vibrant and entertaining retro movie with familiar songs that enliven and enrich the storyline. A strong performance by Tilda Cobham-Hervey as Helen Reddy captures the difficulties and feminist setting in the entertainment business. The inclusion of both the trials of being a mother as well as husband/manager offer up a nicely balanced, rounded portrait of Reddy. Surprisingly undervalued and likely unable to receive a world-wide release like the tennis movie of Billie Jean King (2013). This decent biographical rendition was likely overshadowed when most of the public attention gravitated to John Elton's Rocketman (2019) that incorporated some amazing movie-making photography and the release of the biography about the very popular Mr. Roger in A Beautiful Day in the Neighborhood (2019) as well as Judy Garland's Judy (2019).

With a relatively short run time, they did a good job of doing justice to Helen as a person and her personal life, her drive and ambition, her marriage, and contemporaneous politics. In fact, it was often exciting and emotionally engaging. I think the movie represented things honestly. Her husband's weaknesses were on full display and in painful detail, but he was also more of an asset for her than I was expecting. It touches on what was apparently important to her, her kids, her career, her best friend, and the women's movement. So, I think it gave an accurate overview of major life events, and also plausibly portrayed her as a decent person, with a lot of self-respect and integrity. The movie also gives insight into what a badass she was. It's a pleasant surprise that she demanded respect from the record execs and guided her career in her own way. This was all capably expressed by both leads, and Tilda in particular. She was great with the steely glint or strong speech that shows Helen's determination and will, and also her vulnerability during some heartbreaking moments. I'm grateful to this movie for giving me a renewed appreciation for a remarkable woman.

I didn't know about Helen, and after watching this film it feels as if I do know her. I feel her passion and dedication to her empowering music. I enjoyed this film.

This is an enjoyable watch, and showcases some of Helens great songs which I, as a thirty-something year old, was not already privy too. But it's very easy to see that this is very much sugar coated. I found myself far more intrigued by Lilian Roxons story...

Greetings again from the darkness. Does penning and recording a feminist anthem warrant a film biopic? Well, when the singer is Helen Reddy and the song is "I Am Woman", the answer is a resounding yes. This is director Unjoo Moon's first narrative feature film, and she is working with a script from Emma Jensen (MARY SHELLEY, 2017). As with any biopic, its effectiveness comes down to the lead performance. Here, Tilda Cobham-Hervey is both strong and invincible as Ms. Reddy.

We first see a wide-eyed Helen Reddy walking through New York City clutching the hand of her very young daughter Traci after arriving from Australia in 1966. She's in pursuit of a recording contract, but instead ends up singing at a mostly empty nightclub and living in a roach-infested rundown hotel. It takes almost no time for her to experience multiple instances of sexism and chauvinism. With no prospects for a better life, Helen meets up with fellow ex-pat Lilian Roxon (Danielle Macdonald, PATTI CAKE$, 2017), a journalist who shows her the town and offers her friendship.

Lilian throws a party for Helen, and after locking eyes across the room, Helen meets Jeff Wald (Evan Peters, "American Horror Story"), an up and coming agent at William Morris. By 1968, Wald has convinced Helen that Los Angeles is the place to kick off her singing career, and along with Traci, they move into a beautiful home and fill it with typical California dreaming. Jeff's managing career starts to build, and Helen gets frustrated at his lack of attention to her career. There are some funny comparisons of Deep Purple, Tiny Tim, and Helen's singing styles, but finally Capitol Records gives her a shot at recording a single.

Helen's career takes off, as does her friend Lilian's, who becomes the 'Mother of Rock' with her Rock 'n Roll Encyclopedia, and subsequent reviews and articles. In fact, Ms. Roxon deserves a biopic or documentary highlighting her influence on rock journalism. As Helen puts out hit records, her husband Jeff is managing many successful acts. Money is pouring in (and out) and in contrast to Helen's common sense manner, Jeff partakes of drugs and alcohol to extremes. Of course, the key component of Helen's career and the movie is in regards to her writing the title song ... a song that the skeptical executives of Capitol Records said made her sound "too angry".

It was Lilian who introduced the women's movement to Helen, but Helen was inherently ambitious and strong-willed ... it ended up being the perfect match. Reddy supported the Equal Rights Amendment (ERA), even as Phyllis Schlafly fought hard against it. Helen's 1972 song "I Am Woman" became a huge hit, and later the anthem for a movement. But Helen Reddy's story isn't all rainbows and unicorns, and despite a dose of clichés, and some overacting on the part of Peters, the movie does an admirable job showing how she reacted to the challenges.

Director Moon's husband Dion Beebe (Oscar winner for MEMOIRS OF A GEISHA, 2005) is the cinematographer, and he does nice work with the stage performances, as well as the more intimate moments. However, it's Ms. Cobham-Hervey who stands out. I've only previously seen her in HOTEL MUMBAI (2018), and she captures the determination and charisma of Helen Reddy. We see her strength as she instills life lessons in her kids, and goes toe-to-toe with her husband. It's an impressive performance.

The movie shows us Helen's 1982 Las Vegas act, and we hear most, if not all, of her hits, "Delta Dawn", "Leave Me Alone" (actually a pretty annoying song), "You and Me Against the World", "Angie Baby", and obviously, "I Am Woman". Later, in 1989, we see a grown up Traci talk her retired mother into performing her most famous song at the Washington DC rally of the National Organization of Women. It's quite a moment that encapsulates the empowerment that Helen Reddy devoted her life to. The movie doesn't go there, but it's unfortunate that Ms. Reddy has been afflicted with dementia since 2015. Like all great artists, her work will survive her.

The first thing I saw was Tilda's eyes, they are a match for Sandra Bullock, in every way. Now to the nitty gritty.

I enjoyed the watch, especially as I only became aware of it very recently. One can be critical, I won't. To view a current movie in the current pandemic times, is wonderful.

It is actually a good movie. I have no idea of Helen's history therefore, I cannot speak of it, all I know of is her songs, and that's enough. I presume that is the hook for the movie, and I was hooked.

I'm 97 years old so, I presume what I think anymore, no matters. What I think matters to me, and Helen Reddy mattered to me, and many others.

To coin a modern idiom, Nuff said.

My Review- Netflix. "I Am Woman." My Rating 7/10

I remember seeing Helen Reddy perform at The Hodern Pavillion in Sydney and the billing was Helen Reddy October 4, 1975 Hordern Pavilion, Sydney, AUS (supported by Peter Allen) Helen was a huge star in America after a very bumpy start in Los Angeles thinking the she had prize won on Brian Henderson's Bandstand included an American recording contract. Helen had just won The Starflight International Contest but arrived in America and the Recording Executives didn't want to know her at first. At that Sydney Concert Helen Reddy had a triumphant return to her native country and Peter Allen was just gaining popular success ,what a great show that night in Sydney with two great performances on stage. In those days Australia unlike today was more isolated from the entertainment media frenzy we have today and Helen Reddy's great success wasn't really appreciated apart from her Anthem for Women's Equality the title of this Biopic "I Am Woman." In 1974, at the inaugural American Music Awards, Helen won the award for Favorite Pop/Rock Female Artist. In television, she was the first Australian to host a one-hour weekly primetime variety show on an American network, along with specials that were seen in more than 40 countries. This movie's screenplay by Emma Jensen drew from Helen Reddy's auto-biography 'The Woman I Am: A Memoir' (2005). The film was made and first released just under fifteen year's after its first publication. It was intended for Cinema release but due to COVID 19 had its Netflix premiere today and it's a very entertaining and well directed debut movie for Unjoo Moon . Director Unjoo Moon was awarded the Athena Breakthrough Award for this picture at the 2020 Athena Film Festival in New York City. The best thing for me in this familiar "Star Is Born" type scenario of girl singer eclipsing her husbands talent and success is Tilda Cobram-Hervey . She was very impressive in Hotel Mumbai 2018) and she is much more impressive in "I Am Woman." especially capturing so well the unique tone of Helen Reddy's voice and also the look and character of this strong woman ,who changed the history of Women's Liberation by writing such a historic song with collaborator Ray Burton. "I Am Woman" was the first number one single for Capitol Records since "Ode to Billie Joe" by Bobbie Gentry five years earlier, in 1967. It was the first number one hit on the Billboard chart by an Australian-born artist and the first Australian-penned song to win a Grammy Award (in her acceptance speech for Best Female Performance, Reddy thanked "God, because Shemakes everything possible"). It also became the second Helen Reddy hit - after "I Don't Know How to Love Him" - to peak at number 2 in Australia. Tilda Cobram-Hervey certainly deserves all the critical praise she has received for her performance as Helen Reddy. Tilda was named by Entertainment Weekly magazine as one of the breakout stars of the 2019 Toronto International Film Festival (TIFF) for her role in this movie. Helen Reddy's husband Jeff Wald played well by Evan Peters is not a sympathetic character and his addictions included gambling and substance abuse so I was pleased to see in the credits that he did find recovery from his vices. It's an entertaining and well done film and worth a look to appreciate another example of the talent our nation has produced .

This film, six years in the making, tells the story of Helen Reddy, from her arrival in the United States in 1966 to her triumphant performance of I Am Woman at the Women's March in Washington, D.C. in 1989. It is not a documentary and does not claim to be. Therefore, the excellent script by Emma Jensen, focuses on only three periods of time in Helen's life. Tilda Cobham-Hervey glows as Helen Reddy. Her movements, especially in the concert sequences are spot on. Anyone who has ever seen Helen in concert will instantly recognize the gestures of "Angie Baby!" Danielle Macdonald and Evan Peters (as Lillian Roxon and Jeff Wald respectively) turn in powerhouse performances that add character and nuance to the overall treatment in an inspiring and uplifting film. In the telling of the Helen Reddy story, the movie shows us all that believing in ourselves will give us the courage to be strong and invincible.

I listened to Helen Reddy when I was in my mid-teens. "I Am Woman" was my least favorite song. I love her music but the acting of the woman portraying her was stiff and stilted. Not a horrible movie but not great

I was a youngster living in Australia when Helen Reddy hit the scene and although she was kicking it in America she was proudly Australian and Australia was certainly proud to own her. I know her politics caused a huge stir and she was either loved or hated because of her politics. Either way she had presence and was a power house singer. Watch any you tube video and she commanded respect. None of this came across. I don't know Tilda's work but this felt far too big for her. Her build was tiny and lithe where as Helen Reddy was a strong looking solid woman. Check out her abs and broad shoulders on her performance 'I am Woman' on the Midnight special 1971. I wish I'd had abs like that and I'm a male! Also, Helen Reddy was a confident in your face singer and stared directly into the camera, often closing her eyes as she hit the soul part of the song. Tilda looked like she was timid and about to run off the stage, particularly when she sang in front of the crowd at the monument. So, nope. Her voice fell short too, reedy and lacking the force Helen Reddy was famous for. An unconvincing performance in my view. Helen Reddy did so much more than this movie showed and it's a shame her parts in movies and TV specials was left out. It only touched lightly on her politics so we never got to see her fierce avocation for women's rights. It was as if all she did was the songs and it wasn't.

This should have been a 2 or 3 part mini series or at least touched on other work on stage and screen. I felt a little cheated and to be honest, the story felt sanitised. No disrespect to to Tilda Cobham-Hervey who did her best. Unjoo Moon said she didn't know her before doing the movie, it showed.

I had chills from the very beginning as one of Helen's original recordings begins the film. Helen paved the way for a generation and her story must be told and should not be forgotten. If you have followed her career here is your chance to reminisce. If you only know the songs this is your chance to delve a bit deeper into the woman behind them. If you never heard of Helen, well here is your chance to learn about an amazing artist and woman. And yes, I'm proud to say she's also my friend.

Beautiful and inspiring story. Unfortunately not well acted or directed or written. Really wanted it to be good but a bit slow. None the less, bravo to the woman who made this film and keep hope alive for equal rights. We'll get there. One day...

My wife and I watched this at home on BD from our public library. We both grew up in the 1960s, we both are familiar with Helen Reddy and her music. But we never knew the backstory, her origins and the obstacles she encountered when she traveled from Australia to the USA to make a music career.

I find myself wondering how the younger (under 40) viewers react to this movie, we found it very interesting and a very worthwhile viewing. The acting is spot on and they found a young 20-something Australian singer to sing the Reddy songs.

Overall a very worthwhile movie.

7.2 stars.

I was so very surprised to see a film about an apparently super famous female grammy winner from the 70's. Listen to that voice, what an angel. I am so very ashamed that I knew almost nothing about this most amazing female artist named Helen Reddy. Sure, I recognize at least five of her hits, and yet I never remembered her name. Are you kidding me? There are some singers that slip between the cracks I suppose, but this woman had a fantastic smooth and silky voice and her music had so much spunk and pizzaz it was simply brilliant. I suppose maybe it's because she is Australian that I wasn't really familiar with her persona. I even recognize her face, yet my recognition is brief and minimal. She does not quite venture into my realm of well-known 70's artists and that's a travesty.

I can't get over the irony of the fact that the male 'oppressor' in the film, is the stand out character.

We all know Evan Peters is a phenomenal actor, and he didn't let the acting profession down in this.

So, why, for a feminist movie that is meant to inspire women and girls, was he the standout actor? And not for his character arc!

Was it the dialogue? Was it the filming? Was it the editing?

I'm so sad. This should have been a wonderful, inspiring film. Instead, it was mediocre at best. Still, it's a pleasant love letter to a mom from a child, which is nice. The son, not the daughter though, right?

I really enjoyed this movie. I enjoyed learning about Helen's journey. I had no idea of her personality struggles. What a great example of courage and perseverance. Acting was great and I got a greatest hits so I could continue to enjoy her songs.

Reddy is a fantastic and ripe subject but this biopic is no more then a fuzzy Lifetime TV movie cover of her life. The movie glosses over her rise and stormy relationship with Wald (a sorely miscast Evan Peters with amateurish uneven Bronx by way of Midwest accent). It comes off as most other run of the mill rising star flicks - ambitious talented unknown from the sticks meets bad boy who gets hooked on drugs, mismanages career loses everything then star triumphs in the end regardless... Shout out to Cobham-Hervey who pulls off a convincing portrayal of Reddy. There should have been way more of her and less of Peters.

I Am Woman

I enjoyed this movie very much and this was largely down to the two brilliant central performance by Tilda Cobham Hervey as Ready and Evans Peters as Jeff Wald, her husband.

The plot was tight and well paced, the musical hits delivered in their entirety, and the styling was comprehensive. The director here did a fabulous job here, marshalling the forces and yet keeping a light touch on the actors so they could shine.

You do not need to be a Ready fan to enjoy this movie as it has something to offer everyone, even if you don't want to burn your bra!

Im giving this a good 7

Her career even though great was not a one woman show, she co wrote I Am Woman but this gives no indication of that, This is more about the woman's movement than the WOMAN. In the hands of another director there was so much more to be told.

I found the whole biopic to be wonderfully mastered in acting, directing as well as being well written. I do realize when tackling any type of biopic film some will be disappointed that certain aspects are not covered or glossed over. I didn't find this to be the case. I found it completely entertaining & was fully immersed from the start to the end. This film brought a lot of wonderful memories back to me of the songs in the movie since I grew up listening to Helen. She is truly an amazing, kind & wonderful woman & entertainer! And yes, she does roar! 👍👍👍👍👍

Every biopic producer has to make the tough choice off the top and it is has literally been that way almost a century. Here the wrong choice was made. Tilda Cobham-Hervey is a wonderful actor but her voice barely comes close to the original. I am not an audio engineer but I can guarantee you that an entire range of the waveform is missing here. To put that in another kinder, more gentler, way ... had this been what the real Helen Reddy sounded like, there never would have been a Helen Reddy to write a script about in the first place.

Sadly this film doesn't come close to touching the depth and essence of Helen Reddy. As an overdramatic bio pic, with large doses of creative license, it is absolutely lackluster. The leading actress who plays Helen Reddy does a fine job, but unfortunately the film itself overshadows her talent. Another downside to the film is not using Helen's original recordings throughout the movie. The vocals the director uses carries a karaoke type mood while the actress lip-syncs. Why only use a few of Helen's original recordings for scenes with no dialogue or for dramatic purposes? And my last little pet peeve... There's way too much Jeff Wald in this movie. Helen Reddy is a remarkable woman. And this movie unfortunately does not fully reflect that. If you want to know the real story read Helen's biography The Woman I Am. This movie claims that it was inspired by her book, but I don't see the inspiration anywhere.