In a near future, a family reckons with questions of love, connection, and loss after their A.I. helper unexpectedly breaks down.In a near future, a family reckons with questions of love, connection, and loss after their A.I. helper unexpectedly breaks down.In a near future, a family reckons with questions of love, connection, and loss after their A.I. helper unexpectedly breaks down.
- Awards
- 13 wins & 38 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMemorabilia on the bulletin board in Russ' repair shop reveals that the story takes place after a six-decades-long war between the US and China.
- GoofsThe camera that Yang uses to take the family portrait is a Pentax K1000, a common SLR film camera. The film shows Yang setting a self-timer (you can hear it buzzing) but the Pentax K1000 has no self-timer function.
- SoundtracksAir on the G String (From Orchestral Suite No. 3, BWV 1068) [For Piano - Siloti]
Written by Johann Sebastian Bach
Performed by Luis Sarro
Featured review
"There's no something without nothing."
When Yang - a lifelike, artificially intelligent android - abruptly stops functioning, a father's quest to repair him eventually becomes one of existential introspection and contemplating his own life, as it passes him by. After Yang is Kogonada's second feature after Columbus. I haven't seen Columbus but it's become a must see in the indie feature selection from the past few years. Foreign to his style and skills, I found his work to be masterful. Firstly, the script, based on a short story, is incredibly thought provoking. It plays heavy on the ethics of life and technology leaving us to wonder if an A. I. is worth saving. Filled to the brim with beautiful moments, everything is bittersweet and sentimental. One of the big aspects is memories. Kogonada writes and execute this memories much like how our mind process them. Little things repeat and change to bring out the correct portrayal. At first it feels like your mind processed the scene wrong but quickly you'll pick up on that. Another thing I loved is the camera placement throughout. He has the vision of what we should be looking at specifically, even if it's not the focus of the scene, and it all flows together nicely. The cinematography is stunning, popping with life and great production design. The score is also really beautiful.
Colin Farrell has a difficult character to play. The complexity of managing a different persona from actual growing feelings is hard to convey with what the film deals with. There's a few scenes he nails perfectly. Hayley Lu Richardson does well in her smaller role. We slowly learn who she is and how she fits into this story. Once we find out the full story, it's emotional and profound. Justin H. Min as Yang only has a few scenes but his presence is felt throughout. Most of his dialogue is poetic and adds so much to his character. The film is never too on the nose or explains everything to the audience. We're piecing details and thoughts together just as much as they are. This is a slow burn. Sometimes the pacing falls flat within scenes. As everything progresses, it's hard not to be mesmerized by the topics and story as a whole. I really want to read the short story now. Though the film may end on a note that doesn't work for everyone, I think it ends at the perfect moment. The last few scenes are a knock out. I'm really pleased with After Yang and want to rewatch it again. Earnest and profound, it'll be hard to forget.
When Yang - a lifelike, artificially intelligent android - abruptly stops functioning, a father's quest to repair him eventually becomes one of existential introspection and contemplating his own life, as it passes him by. After Yang is Kogonada's second feature after Columbus. I haven't seen Columbus but it's become a must see in the indie feature selection from the past few years. Foreign to his style and skills, I found his work to be masterful. Firstly, the script, based on a short story, is incredibly thought provoking. It plays heavy on the ethics of life and technology leaving us to wonder if an A. I. is worth saving. Filled to the brim with beautiful moments, everything is bittersweet and sentimental. One of the big aspects is memories. Kogonada writes and execute this memories much like how our mind process them. Little things repeat and change to bring out the correct portrayal. At first it feels like your mind processed the scene wrong but quickly you'll pick up on that. Another thing I loved is the camera placement throughout. He has the vision of what we should be looking at specifically, even if it's not the focus of the scene, and it all flows together nicely. The cinematography is stunning, popping with life and great production design. The score is also really beautiful.
Colin Farrell has a difficult character to play. The complexity of managing a different persona from actual growing feelings is hard to convey with what the film deals with. There's a few scenes he nails perfectly. Hayley Lu Richardson does well in her smaller role. We slowly learn who she is and how she fits into this story. Once we find out the full story, it's emotional and profound. Justin H. Min as Yang only has a few scenes but his presence is felt throughout. Most of his dialogue is poetic and adds so much to his character. The film is never too on the nose or explains everything to the audience. We're piecing details and thoughts together just as much as they are. This is a slow burn. Sometimes the pacing falls flat within scenes. As everything progresses, it's hard not to be mesmerized by the topics and story as a whole. I really want to read the short story now. Though the film may end on a note that doesn't work for everyone, I think it ends at the perfect moment. The last few scenes are a knock out. I'm really pleased with After Yang and want to rewatch it again. Earnest and profound, it'll be hard to forget.
- sweidman-28016
- Jan 21, 2022
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Khoảng Cách Kỳ Lạ
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $46,872
- Opening weekend US & Canada
- $46,872
- Mar 6, 2022
- Gross worldwide
- $729,254
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 2.39 : 1
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