IMDb RATING
5.6/10
9.9K
YOUR RATING
A plains-woman faces the harshness and isolation of the untamed land in the Western frontier of the late 1800s.A plains-woman faces the harshness and isolation of the untamed land in the Western frontier of the late 1800s.A plains-woman faces the harshness and isolation of the untamed land in the Western frontier of the late 1800s.
- Awards
- 1 win & 6 nominations
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- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe character Emma seems to enjoy Gothic literature. Among the books from her collection that read aloud at various points in the film are Mary Shelley's Frankenstein and Ann Radcliffe's The Mysteries of Udolpho.
- GoofsThe double-barrel shotgun Lizzy uses requires percussion caps, but whenever she fires it or prepares to fire it by pulling back the hammers, there are no caps. Without them, the weapon is inoperable.
- Quotes
Lizzy Macklin: I don't suspect God has much business out here.
- ConnectionsFeatured in Woodlands Dark and Days Bewitched: A History of Folk Horror (2021)
Featured review
"The Wind" follows a young woman and her husband who attempt to make a settlement in New Mexico in the late 19th century. They are the only people on the plain until another young couple arrives and moves into an adjacent derelict cabin. Both women share a common experience: There seems to be something living in the surrounding land that is trying to destroy them.
First off, I am a major fan of Western horror films, and frankly believe there are not enough of them--this period in U.S. history is ripe for horror movies, but it doesn't seem to be mined nearly as much as it could--so from that alone, I was thrilled at the concept of this film.
Director Emma Tammi really nails it here in terms of mood and atmosphere; the film is impeccably dressed, beautifully shot, and evokes a consistent dread that seems to close in on the protagonist. The narrative is told in a fragmented, non chronological manner, which might frustrate some, but it allows for a few clever juxtapositions and plot developments that wouldn't be possible otherwise, so it serves a purpose. Caitlin Gerard delivers a great performance here as pioneer woman Lizzy, the tormented lead. Hers eclipses the other performances from the small cast, and Julia Goldani Telles, though decent, seems miscast here. There are a few minor inconsistencies here in terms of the characters' appearances, as they all look far too primped and pressed for pioneers living in brutal conditions--but that aside, the period is well-represented.
The final act is where the film's screenplay starts to show its cracks. The explanation behind the events, albeit ultimately vague, is not entirely satisfying--it feels in some ways arbitrary, and the mythos is not fleshed out enough for the audience to ultimately care; it feels like a tacked-on afterthought that has little to support it. Despite this, though, I still found the film entertaining and at times thrilling. As far as Western horrors go, "The Wind" is a fine (albeit flawed) entry. 6/10.
First off, I am a major fan of Western horror films, and frankly believe there are not enough of them--this period in U.S. history is ripe for horror movies, but it doesn't seem to be mined nearly as much as it could--so from that alone, I was thrilled at the concept of this film.
Director Emma Tammi really nails it here in terms of mood and atmosphere; the film is impeccably dressed, beautifully shot, and evokes a consistent dread that seems to close in on the protagonist. The narrative is told in a fragmented, non chronological manner, which might frustrate some, but it allows for a few clever juxtapositions and plot developments that wouldn't be possible otherwise, so it serves a purpose. Caitlin Gerard delivers a great performance here as pioneer woman Lizzy, the tormented lead. Hers eclipses the other performances from the small cast, and Julia Goldani Telles, though decent, seems miscast here. There are a few minor inconsistencies here in terms of the characters' appearances, as they all look far too primped and pressed for pioneers living in brutal conditions--but that aside, the period is well-represented.
The final act is where the film's screenplay starts to show its cracks. The explanation behind the events, albeit ultimately vague, is not entirely satisfying--it feels in some ways arbitrary, and the mythos is not fleshed out enough for the audience to ultimately care; it feels like a tacked-on afterthought that has little to support it. Despite this, though, I still found the film entertaining and at times thrilling. As far as Western horrors go, "The Wind" is a fine (albeit flawed) entry. 6/10.
- drownsoda90
- Jan 7, 2020
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Details
Box office
- Gross US & Canada
- $28,252
- Opening weekend US & Canada
- $14,138
- Apr 7, 2019
- Gross worldwide
- $130,974
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 2.39:1
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