User reviews

There's a mess of subplots and side plots so that most of the movie is filler for the central story. 2hrs 20 is a long slog for a pretty simple story if they just stuck to it but they have to drag along so much. Keep in mind also she's a terrible detective who does almost no detective work.

But different than the first movie. More dark and disturbing. Still entertaining and suspenseful.

The investigation of the numerous children's skeletons and body parts continues to get murkier as Amaia (Marta Etura) is now certain that her mother Rosario was a part of a cult that indulged in human sacrifice. She is also certain that her mother isn't dead, and vehemently opposes the funeral without the body. Her fact finding mission exposes a number of facts, including wealthy families and their protective circle that partook in the sacrifices and a doctor and his nurse sister who seem to know about it all. But it isn't easy to prove anything as all documentation and leads appear to vanish, in spite of all her efforts.

Strangely enough and almost inexplicably, Amaia becomes sexually involved with Judge Javier Markina the moment her husband and her baby son have to travel to the US on an emergency, adding a complication to the plot. On top of all that, her trusted lieutenant Jonan is brutally murdered as he seemed to be closing in on the leads, setting her back significantly. Amaia now has to battle her newfound romantic liaisons, the promise to avenge Jonas' murder and more murders around her to finally zero in on the kingpin that's behind all the murky affairs.

Offering To The Storm is an apt finale to The Baztan Trilogy, whipping up intense suspense but incapable of keeping it that way until the very end as there are enough clues for the takers. Amaia's indulgence in the extramarital affair is a mere distraction that could have been avoided in the story as it weakens her character, adding a conflict of interest to her job. Marta Etura acts well, especially where she discovers Jonas' deadbody. Her mother's finale comes as an underwhelming end to a cruel and unapologetic woman, devoted to the cult. The film could have been more taut and thrilling if director Fernando Gonzalez Molina had taken certain creative liberties.

One of the best Spanish serial killer-mystery movies in recent times with incredible suspense , tense , surprises and plot twists . Intriguing and twisted thriller with plenty of tension , shocks , ancient mythology and turns . Inspector Amaia Salazar (Marta Etura) returns to the complex case at the Baztán's valley . And this time even the most beloved for her will not be safe. In this third episode of the mysterious trilogy Inspector Amaia Salazar confronts the origins of her nightmares as she unfolds the darkest secrets of the Baztan valley. It is set in Pamplona (autonomous community of Navarra's capital; north to Spain). .It despite the fact that both the Civil Guard and Judge Markina consider the case closed, Amaia feels that she is not free from danger. Other sudden deaths and the forensic analysis lead Amaia to investigate other murders of similar origin that will lead the inspector to the final resolution of the events that have devastated the Baztán valley. While , Amaia's husband , sculptor and artist gallery James Westford (Benn Northover) has to go to see his sick father in the US . Reinstated to the active service four months later , the sudden appearance of bones and other corpses are really suspicious and the analysis of the forensic examiner (Paco Tous) leads Amaia to investigate other deaths of similar origin that will lead the inspector to the ending resolution of the events that have devastated the Baztán valley. As Amaia along with other Ertzaintza members (Nene , Francec Orella) investigate the hard cases : the series of grisly killings happening surround , and while other suspicious people appearing here and there , such as : Padre Sarasola (Imanol Arias) , Fina Hidalgo (Ana Wagener) or Dr. Berasategui (Álvaro Cervantes) . Along the way, Amaia feels that she is not free from danger.

This is a top-notch thriller in which step by step mystery and suspense start to be unfold . Dealing with the young Police Inspector faces off difficult cases of murders , while she becomes involved with the ghosts of her past and other mysterious people . It packs twistedintrigue , emotion , thrills , action and suspense . This is a highly mysterious and cerebral thriller , filled with plot twists , including an unexpected denouement in its ending part . From start to finish the complicated intrigue , well-paced , thrills , and suspenseful result to be continuous . A psychological thriller , being surprisingly good and compellingly shot . Complementing with ancient traditions on a dark as well as rainy land with plenty of supertitions , witchery and fantastic beings as The Tarttalo , a mythological giant creature anti-Catholic that mutilates his victims . It belongs to the successful trilogy based on the novels written by Dolores Redondo, with the respective cinematic adaptations formed by ¨El guardián invisible¨ (2017), ¨Legado en los huesos¨(2019) and this ¨Ofrenda a la Tormenta¨ (2020) . The original as well entertaining premise is overspread across the movie adding some brief conventional pitfalls . Including mythological and fantasy elements , as the serial killers laced with an enormous , hairy hominid dwelling in the woods . The picture is pretty well , though sometimes confusing as well as overlong and it has a lot of turns . However , being very entertaining for its successive suspense and intrigue enough . Stars Marta Etrura who gives a fine acting as the stubborn Inspector , being well accompanied by a good cast with full of Spanish familiar faces , such as : Nene , Leonardo Sbaraglia , Francesc Orella, Imanol Arias , Itziar Aizpuru, Patricia López Arnaiz , Ana Wagener , Pedro Casablanc, Paco Tous , Elvira Minguez , Marta Larralde, Alicia Sánchez , Patricia López Arnaiz, , Susi Sánchez , Colin McFarlane , Tomás del Estal, Álvaro Cervantes , among others .

This mystery murder was stunningly produced by various prestigious producers : Sofía Fábregas , Mercedes Gamero , Adrián Guerra , Mikel Lejarza, Garikoitz Martinez , Peter Nadermann, Simon Ofenloch , Rosa Pérez , Núria Valls , Thomas Distch , all of them have financed a great number of hits in the recent Spanish cinema . This over-the-top thriller displays a colorful and luxurious cinematography full of lights and shades by cameraman Xavi Giménez . Being shot on location in Valley of Baztan , Navarra . And stirring and emotive score , plenty of emotion and intriguing sounds by Fernando Velázquez . Interesting and nail-biting screenplay by Luiso Berdejo based on the the second eponymous novel written by Dolores Redondo , "Legado en los huesos". This recent film by Spanish writer/director Fernando González Molina was well and professionally directed .This Spanish filmmaker Fernando González Molina has made various box-office films , being his first big hit : ¨Tres metros sobre el cielo¨ (2010). And he also made the sequel : ¨Tengo Ganas De Ti¨ (2012) , in which ¨H¨ Mario Casas falls for a gorgeous dancer called Gin , Clara Lago , but he discovers again his first great love : Maria Valverde . He went on directing successes as the $13.5 million period drama "Palm Trees in the Snow" also with Mario Casas and a thriller , ¨El Guardian Invisible¨ , followed by ¨Legado en los huesos¨and the recently premeired , ¨Ofrenda a la Tormenta¨ (2020) , the second sequel with Marta Etura again . And he has made several TV series as ¨Luna , Misterio De Calenda¨ , ¨Bienvenidos Al Lolita¨ and ¨Los Hombres De Paco¨ . Rating : 6.5/10 . Well worth seeing for the saga followers .

The thread of continuity and flow is great with these movies, as if filmed consecutively. The acting, aesthetic and production are all great and the dramatic timing and info release is good. Would recommend the trilogy to anyone into serial killers, ritualistic folklore and crime.

Offering To The Storm: So the Baztan Trilogy comes to a conclusion. Just as The Legend Of The Bones cast a new light (or darkness) on The Invisible Guardian, this third offering recasts the previous two films. The three (and all of the killings) are inextricably linked as a tale of Folk Horror. Inspector Salazar continues her investigations but suspects die or commit suicide, even those in prison. Someone appears to exercise mind control over life and death. Salazar's mother is missing after jumping in the river but still operates through others. Infants are sacrificed to the Old Gods in the hope of gaining wealth and good fortune. A Cult has revived an age old tradition that lived on in the shadows in the Baztan Valley. The Opus Dei Priest/Psychiatrist appears again as does the enigmatic Investigating Magistrate. Some truly disturbing scenes involving true horror. A worthy addition to the Folk Horror Film Canon. Directed by Fernando González Molina from a screenplay by Luiso Berdejo. In Spanish, English and Basque, subtitled and dubbed. On Netflix. 8/10.

Independently scenario,adequate production.what if they fill in it by some crosswise plots.

"Oferenda à Tempestade" encerra a trilogia Baztan (após "O Guardião Invisível" e "Legado nos Ossos") com o mesmo tom de um filme policial cheio de suspense e componentes exotéricos, tendo como ponto interessante o fato de que você pode assistir a cada um dos três separadamente e obter uma história com começo, meio e fim, mas também assistir aos três e ter uma história completa. Divirta-se! No Netflix.

"Offering to the Storm" ends the Baztan trilogy (after "The Invisible Guardian" and "Legacy on the Bones") with the same tone as a thriller full of suspense and exoteric components, with the interesting fact that you can watch each of the three separately and get a story with a beginning, middle and end, but also watch the three and have a complete story. Have a good time! On Netflix. #movieslover #netflix.

Ofrenda a la tormenta is the closing chapter in the Baztán Trilogy, culminating in a dark and atmospheric conclusion that both satisfies and infuriates in equal measure. Taut atmosphere and high voltage performances-especially from Marta Etura as the tortured detective, more riveting and believable than ever-make this film stand out. On the downside, what dooms it is an excessively complicated plot, riddled with supernatural elements and dangling plot threads, leaving the audience scratching its head in an effort to put the pieces of the puzzle together. It has a very uneven pace, and although there are moments of very tight suspense, they are practically drowned out by the long parts of extremely slow and disconnected storytelling. Where "Ofrenda a la tormenta" does manage to sew up some of the remaining threads left behind by its predecessors, it does so at the cost of complete coherence, leaving the viewer with a conclusion that is little more than chaotic rather than climactic.

The final installment of the Basque Trilogy, Ofrenda a la Tormenta (Offering to the Storm), is an action-packed, emotionally charged thriller that delivers a satisfying conclusion to the beloved series.

The film picks up shortly after the events of its predecessor, with Inspector Amaia Salazar (Marta Etura) still reeling from the traumatic birth of her son and the loss of her mother. As she struggles to balance her new role as a mother with the demands of her job, a new threat emerges in the form of a serial killer targeting infants.

The killer's MO is gruesome and personal: they kidnap babies and drown them in rivers, mirroring the near-death experience Amaia herself endured as a child, as depicted in the first film. This creates a deeply unsettling atmosphere and adds a layer of personal investment in the case for Amaia, pushing her to her limits both physically and emotionally.

The investigation takes Amaia back to her childhood hometown, where she must confront her own demons and the lingering shadows of her past. The stunning, misty landscapes of the Basque Country provide a haunting backdrop to the film, enhancing the sense of isolation and dread.

The performances in Offering to the Storm are exceptional. Marta Etura delivers a powerful portrayal of a woman grappling with postpartum depression and PTSD while trying to maintain her professional composure. Her vulnerability and strength are palpable, making her one of the most compelling characters in Spanish cinema in recent years.

The supporting cast is equally impressive. Leonardo Sbaraglia returns as psychiatrist Dr. San Martín, providing a calm and compassionate presence amidst the turmoil. Itziar Aizpuru is haunting as the ghostly presence of Amaia's mother, while Pedro Casablanc adds complexity as Amaia's father, whose role in the family's dark history is slowly unveiled.

Director Fernando González Molina masterfully builds tension, employing a mix of tight, intimate shots and sweeping landscape visuals. The film's pacing is relentless, with twists and turns that will keep viewers on the edge of their seats. The action sequences are expertly crafted, showcasing the production's impressive scale and attention to detail.

However, amidst the thrilling set pieces, the film occasionally loses focus on the deeper exploration of its themes. The intricate web of family secrets and the supernatural elements that were so effectively woven into the first two films feel somewhat rushed and underdeveloped here.

While the conclusion provides a sense of closure, it also feels a bit too neat and convenient, wrapping up various storylines in a way that might leave some viewers wanting more complexity. The inclusion of a few new characters, such as a potential love interest for Amaia, also feels unnecessary and takes away from the development of existing relationships.

Despite these minor shortcomings, Offering to the Storm is a gripping and emotionally resonant conclusion to the trilogy. It explores thought-provoking themes of motherhood, trauma, and the enduring impact of childhood experiences, all set against the stunning and evocative backdrop of the Basque Country.

Perfection in mystery, suspense and of course don't watch Offering to the storm if you haven't seen previous part 1 & 2. Having studied history, mythology regarding ancient basque mythology and mysticism, one can see that most of these macabre events in this trilogy have actually occurred in mankind's history. Of course read the books and you will find that the story follows to the letter.

The Baztan trilogy is packed full of unusual happenings, murders and unexplainable events. I believe viewers were excited to see some of the unsolved mysteries come to a climax that would bring closure. Unfortunately, this is not the case at all! After hours of watching the characters get pushed to the limit, enduring horrific life-threatening circumstances and even some cryptic elements, we get cheated out of some answers.

Offering to the Storm holds one's attention with similar tactics that we see in the first two films. It's basically a fast pace crime drama with multiple twists and turns that loom over our main character pushing her to the brink. In the end, the villain turns out to be exactly who everyone thought it was, yet the writer took a very unsatisfying route. I honestly believe the characters, the film and the entire trilogy fall apart during the last half our. The last scene is so open-ended that it feels like there could be another sequel. That's a problem because a franchise has to have one element to keep a fanbase........interesting characters. This is especially true concerning the protagonist. Unfortunately she's just not very intriguing.

I enjoyed the first film, The Invisible Guardian, and was surprised that a certain someone wasn't revisited in the other films. I will not be viewing any of these a second time.

I really enjoyed this but I can't make out a single word her husband says in any of the 3 films, the Spanish is fine.

Watch this it's really good, creepy and atmospheric and it rains a lot.

Not as good as the first two parts. Inspector Salazar also evolves into a creep screwing around on her husband and newborn baby. Disappointing storyline which didn't flow well.

This is an amazing movie. However there are some silly sex scenes between characters which can be disturbed for some viewers. Definitely those silly sex scenes are quite unnecessary or unrelatable with the original storyline/theme of the movie. if they are absent in this movie, i will give 10/10. Still a pretty much decent typical spanish crime thriller movie.