Metacritic reviews

What makes Ever After so intriguing is how Hellsgård and Vieweg put these familiar characters and ubiquitous premise into a mythology that’s wholly unique.

Hellsgård and writer Olivia Vieweg have crafted a morbidly beautiful, uniquely character-focused, and decidedly feminine take on familiar apocalyptic tropes, and while it doesn’t always entirely deliver on a narrative or visceral level, Endzeit – Ever After emotional resonance – and the singularity of its worldview – is undeniable.

The splatter violence is fairly tame by modern gore standards, and the episodic narrative sags in places, but the ecological subtext and feminist folk-horror elements make this almost entirely female-driven road movie an agreeably fresh addition to the zombie canon.

With the imperfect but fascinating Endzeit, director Carolina Hellsgård ultimately guides her ravenous wanderers down an original and largely unbeaten track.

Once Vivi and Eva are forced off the train and start wandering the countryside, the forest seems to fold its arms around them, and Endzeit modestly deepens into beguiling mystery.

Hellsgård’s direction undermines the ritual and portent of Eva’s actions, but the excellent performances nevertheless convey their significance.