User reviews

There is such an abundance of terrible films lately. Either no story to speak of, or an ok idea but executed extremely poorly. Most of them feel like money laundering schemes instead of films.

But every now and then, there is still one that gives me hope, and shows that some people still know how movies should be made.

I enjoyed And Mrs from start to finish, I shed some tears, got angry, and laughed very hard. The story, as simple as it was, kept me engaged, the humour was alive and mostly adorable, and Aisling Bea felt very genuine, carrying the movie with ease.

Was it a perfect movie? Not by a long shot. There's a long list of movies that I love with a passion and think they are better than this one. Not every movie needs to be The Shawshank Redemption or Steel Magnolias. This one, I probably would not watch every weekend, but I sure had fun watching it once, and probably would give it another go some time later.

A fresh romantic comedy directed by Daniel Reisinger and penned by Melissa Bubnic takes a contemporary approach, reflecting the latest cultural shifts. The mention of Soros in the credits sheds light on the underlying influences at play. Marketed as a charming and humorous exploration of grief and everlasting love, this film challenges the notion that death is a taboo subject. Reisinger's AND MRS skillfully employs humor to navigate a challenging premise. After the sudden death of her fiancé, Gemma finds herself torn between her hesitations about marriage and her overwhelming sorrow. When she learns of an obscure law permitting posthumous weddings, she and her estranged future sister-in-law embark on a quest for an extraordinary solution. However, complications arise...

Aisling Bea delivers a standout performance as Gemma, and the film offers several thought-provoking quotes that linger long after viewing.

"And Mrs," the 2024 romantic dramedy, falls into the category of films that leave you with mixed feelings. While it has moments of charm, it often suffers from a lack of energy and depth, making the overall experience somewhat flat and occasionally boring.

The story, which tries to blend romance and drama, often feels too predictable and meandering. Pacing is a significant issue here; there are moments where scenes drag on, losing the viewer's attention. Some parts feel stretched without adding much to character development or plot progression.

That said, the film is not without its merits, and much of its appeal comes from Billie Lourd's performance. She brings a spark to her role that elevates an otherwise mediocre script. Lourd manages to carry the emotional weight of the film with grace and charisma, making her character the most engaging aspect of the story. Her nuanced portrayal is one of the few reasons to keep watching, and it's safe to say the majority of my 6/10 rating is owed to her talent.

In conclusion, while "And Mrs" has its flaw, it's still somewhat redeemable thanks to Billie Lourd's standout performance. For those looking for a light, if sometimes slow, romantic watch, it might be worth a try. But don't expect too much.

A very modern romcom drama tragedy hybrid kinda film with some funny moments and watchable enough but without ever hitting the heights. The writing is ok, the story of a bereaved girlfriend wanting to still go through with the marriage to her recently dearly departed is novel enough and the cast is in the main decent but it just doesn't come together as a whole. It flits between comedy and drama but the transitions are a bit jarring, the chemistry between the characters isn't there and you just don't care enough to engage with them nor the story. It isn't terrible and as said it's worth a watch, but it feels like it's trying to be a Richard Curtis style film and to be honest, it falls a long way short...

Yes, I watched it. I find it very silly. No character in this film is anywhere warm as those in Richard Curtis films and I won't state the ones I like because there are so many. Aisling Bea, well, mostly I find her unlikeable. Billy Lourd, throwing up in a Prada bag, disgusting...why there is a repetition of people throwing up in films lately shocks me. If this is a new trend, I don't like it. Is this raw, unsophisticated and trying to be trendy? Good luck to you.... If my review is too short, I will elaborate. Four Weddings and a Funeral, must see, funny, sad and poignanat. Notting Hill,, wonderful, true to life, and fantastical. Love actually, who woudn't like this film? The cast in these three films is amazing, their stories, heart warming. The fact that the woman who wants to get married to her dead fiance doesn't quite resonate with me. Sorry. I hope this is enough words.

What starts quite enoyable and funny, building on a promising premise, takes a turn to the bad, boring and trite astoundingly quickly.

It's as if the film makers tried to do stereotype bingo for a british comedy. The forced quirkiness, the funny overemotional gays, the people with no self-esteem who bounce back from tragedy, the hilariously blunt parents ... Whatever it is, it has been seen countless times, but funnier. And yes, Richard Curtis, he has been mentioned by other reviewers, but even the Godfather of british cliché comedy, has written better stuff than this. Although he clearly serves as an inspiration here - which is not a good omen either.

The actors are not to blame. They are just left with a boring script, too many punchlines that fall flat and an inept direction.

The often lamented fact that the characters are not likeable is really not the problem here. That they are kind of annoying is one of the better things here, because it actually makes them relatable ... Probably the only thing that Richard Curtis could learn from this mess here.

I hope this film gets the audience and recognition it deserves as an instant classic.

It deals with death and grief but manages to be a genuinely hilarious film all the way through - while never cheapening or avoiding the subject.

When I was a child grieving the loss of my dad, there was a period of time when I felt a stab of guilt for laughing at a joke, as though it was a betrayal of the sadness I felt. Now that I'm older I know that's not right, but I think there is still something 'taboo' about combining the subjects of grief and humour, despite how intertwined they actually are.

Grief creates a sombre background which serves to amplify the absurd. Death is personally shocking, but also everyday and mundane. These contrasts are handled so skilfully in this film.

The star-studded cast? Outstanding - standing ovation to whoever did the casting on this film. What a cast list!! Many had fairly small but very impactful and memorable roles.

Aisling Bea was perfect in the lead role, flawless performance. Billie Lourd and Elizabeth McGovern were fantastic. Loved Sinéad Cusack and Peter Egan as the parents.

The double act of Harriet Walter and Samuel Barnett- I would watch a whole series with these two in the lead (spin-off when?) Loved all of their scenes, absolutely hilarious.

I loved the way this film was directed, especially in the moments where Aisling's character Gemma is completely overwhelmed. It resonated and I've never seen it portrayed in such an accurate way before.

One of those satisfying British films that makes the whole thing look effortless and natural - 10/10.

It's been a while since I've seen a film at the movies that had that classic blend of humor and drama, striking a perfect balance between heartfelt moments and lighthearted comedy. The characters felt so genuine, their emotions raw and relatable, which made it easy to get completely invested in their journeys. There were times when the tension or sorrow of a scene had me on the edge of my seat, really feeling for what they were going through, and then, just when it felt like the emotions were about to peak, a burst of humor would land and lighten the mood. Some of those comedic moments were so well-timed, I found myself cackling a bit too loud, unable to hold back my laughter. It reminded me of how films can take us through a rollercoaster of emotions, leaving you both touched and entertained by the time the credits roll.

I watched this film because I love Aisling Bea and Susan Wokoma, they both are brilliant in it

I think the story is great, you don't really know what it going happen or how. It's not trying to be a rom com so it's different from any of the classics but just as warm. The eccentricity is believable, Billie Lourd does well to not be too exaggerated.

It's also good because it's not too long. It means a lot is left up to then imagination but not in a way that creates holes, because details do get mentioned.

Harriet Walter and Nish Kumar and Sunil Patel and are also so funny. Plus everyone else, I don't know all the names. Arthur Darvill as American feels like a niche British joke that he pulls off. I love that there is queer representation.

The credits with dedications is beautiful, so many people to remember and love, but also showing that not everyone is "in the club" because not everyone chose a person. Some people with never understand what this film is really for, if you are like me you should watch it.

I had not heard about this movie. But I love Ashley Bee. So I gave it a chance. I was surprised and delighted to be watching this movie. With all the different characters felt like being at home with my family. No one can agree and we are all fighting. But I really enjoyed it. I hope more give it likes.

I did find the name hard to search on IMDb possibly why the rating is so low. But has a lovely charm to this movie.

I would watch it again. And recommended it to my friends. Very family and older people friendly. No offence language or sexy bits. Can be enjoyed by all.

Must watch in PJ's with wine.

"And Mrs." is dedicated to the grievers and the grieving. So from someone who grieves, "Thank you, everyone, who worked on this movie!" One of the characters says in the film that love is eternal. This is so true. People's spirits are with us long after those people have passed on. May we always treasure the love people have given us. I also especially appreciated the writing, the integrity of the characters, and the humour. Didn't hurt to have an American TV love song at the center of the movie (that is, the Partridge Family's "I Think I Love You"). Wonderful to see one of Tom Hanks' sons and Carrie Fisher's daughter in action. (If a fan of Fisher, I recommend reading Billie Lourd's quotes, particularly the one where she says she had 3 parents). And remember on Trivia Night: no googling the answers!