Hema Hema

"Be who you really are!" This slogan, which has been pushed by the West to the position of absolute truth, has no ethical and moral justice, just as the evil deeds of the hero are the real result of their own, the postmodern modern society is often faced with such a difficult problem: we are shrewd in all knowledge, but at the same time shake the foundation of good and evil, there is no more good and evil, if not the buffer of all kinds of traditional forces, that rational, scientific, godless new world, is a terrible hell, is a way for no one to guide. Everyone will have to be in a state of displeasionment under the desire of the naked self.

The Western world's "God is dead" makes ethics the measurements of interests and norms of violence. Without interests, without violent machines such as the police, there will be no place for morals.

In the dense forest, after the white-faced god who hears the cry for help and defys his own life dies, how will morality save us?

As a Khyentse directed movie, Hema Hema points directly to human nature. It makes us think that there is no possibility of relief, whether in the norm of others or in our own desires, and that only endless reincarnations keep making choices that will not be right in any case. We suddenly found that the Buddha, who had proved his way under the Bodhi tree two thousand years ago, was so right that no matter how free you were, if you left the right guidance, what else end you would be getting, but commiting fouls again and again.

Twenty-four years later, the hero wearing a double-sided mask back to the dense forest, a joy and a sorrow, the main face is sad, because he still has the knot in his heart, the back is happy, because after all, he seems to have some understanding in his heart.

Finally he was willing to take off his mask and begin the road of redemption.