5 reviews
Spiked with actual footage from Fritz Langs "M". For a German movie this is pretty neatly done and you have quite a few crazy ideas thrown in there. I haven't read anything about Langs personal life but the movie tries to rebuild things that may have happened around the time he did "M". I don't know how close to the truth (actual events) this stays, but you could imagine things happening like they are depicted.
Of course "reality" and fiction do collide or at merge together and the movie is also shot in black and white. A mixture of making of and biopic this is not afraid to show nudity, sexual situations (and violence) and craziness overall. Tough to kind of like anyone, but that is not what the movie is aiming for
Of course "reality" and fiction do collide or at merge together and the movie is also shot in black and white. A mixture of making of and biopic this is not afraid to show nudity, sexual situations (and violence) and craziness overall. Tough to kind of like anyone, but that is not what the movie is aiming for
- Horst_In_Translation
- Mar 28, 2017
- Permalink
Filmmaker Fritz Lang (Heino Ferch) seeks inspiration for his first sound film, "M", by immersing himself in the case of serial killer Peter Kürten.
While there is no denying that Lang is one of the all-time great directors, it may not be said that he is one of the greatest human beings. This film offers a not so flattering portrayal of Lang – as a sexual deviant, spiteful, and so on, but it may be quite possibly accurate. Lang even almost identifies with the killer, at least on some level. Any good person can find sympathy or pity for even the worst of people, but Lang's feelings are different.
A good deal of artistic freedom is taken up, of course. There is no reason to believe that Lang had access to the victims of Kurten, or had extended conversations with him in jail. This makes for a good narrative, but is almost wholly invented. The portrayal of Lang as a questionable person, however, is quite true and the filmmakers should be given credit for not polishing him. Karl Freund, possibly the greatest cinematographer in history, broke off his friendship with Lang after it appeared that Lang had murdered his wife. Freund was one of the first on the scene and would know. Lang was never charged.
Heino Ferch is absolutely excellent in portraying Lang, and gives off just the right "vibe" that screams "misunderstood genius". If he looks familiar to English-speaking audiences, it may be from his roles in either "Run Lola Run" or "Downfall". Few German actors have an international following, but Ferch is the sort of actor who deserves one. (Seriously, try to think of a German actor. You might think of Christoph Waltz, but he is technically Austrian.)
The film is interspersed with Lang film clips, most noticeably from "M", and they blend in surprisingly well. Though they should be familiar to anyone who knows Lang's work, if you are less than familiar you may even believe that these were shot special to the film. And that is actually a great achievement.
Plotwise, it was a brilliant choice for a time in Lang's life, as it allows for a juicier story with child serial murder all around; the script gives Kurten a revenge motive rather than the traditional "lustmorder" motive, but this does tend to make him deeper and more interesting. Really, there are numerous incidents in Lang's life that could have worked for a film (as mentioned above, the murder of his wife is one). But as far as a behind-the-scenes making-of, there is no better choice than "M", possibly his masterpiece (though others would argue for "Metropolis").
"Fritz Lang" is screening at the Fantasia International Film Festival on July 28, 2017. It is the perfect film for those who love the history of film. And even if not, it just so happen to be a very interesting story.
While there is no denying that Lang is one of the all-time great directors, it may not be said that he is one of the greatest human beings. This film offers a not so flattering portrayal of Lang – as a sexual deviant, spiteful, and so on, but it may be quite possibly accurate. Lang even almost identifies with the killer, at least on some level. Any good person can find sympathy or pity for even the worst of people, but Lang's feelings are different.
A good deal of artistic freedom is taken up, of course. There is no reason to believe that Lang had access to the victims of Kurten, or had extended conversations with him in jail. This makes for a good narrative, but is almost wholly invented. The portrayal of Lang as a questionable person, however, is quite true and the filmmakers should be given credit for not polishing him. Karl Freund, possibly the greatest cinematographer in history, broke off his friendship with Lang after it appeared that Lang had murdered his wife. Freund was one of the first on the scene and would know. Lang was never charged.
Heino Ferch is absolutely excellent in portraying Lang, and gives off just the right "vibe" that screams "misunderstood genius". If he looks familiar to English-speaking audiences, it may be from his roles in either "Run Lola Run" or "Downfall". Few German actors have an international following, but Ferch is the sort of actor who deserves one. (Seriously, try to think of a German actor. You might think of Christoph Waltz, but he is technically Austrian.)
The film is interspersed with Lang film clips, most noticeably from "M", and they blend in surprisingly well. Though they should be familiar to anyone who knows Lang's work, if you are less than familiar you may even believe that these were shot special to the film. And that is actually a great achievement.
Plotwise, it was a brilliant choice for a time in Lang's life, as it allows for a juicier story with child serial murder all around; the script gives Kurten a revenge motive rather than the traditional "lustmorder" motive, but this does tend to make him deeper and more interesting. Really, there are numerous incidents in Lang's life that could have worked for a film (as mentioned above, the murder of his wife is one). But as far as a behind-the-scenes making-of, there is no better choice than "M", possibly his masterpiece (though others would argue for "Metropolis").
"Fritz Lang" is screening at the Fantasia International Film Festival on July 28, 2017. It is the perfect film for those who love the history of film. And even if not, it just so happen to be a very interesting story.
Many people, myself among them, consider Fritz Lang's 1931 film "M" to be his masterpiece; this 2016 film imagines how Lang himself came up with that movie. Mixing real newsreel footage, scenes from the 1931 film and present-day actors re-enacting scenes from Lang's life, this could have been a mess. Instead, it is an absolutely glorious picture about a man who, if Heino Ferch's portrayal of him is accurate, was deeply unpleasant and arrogant - but a genius, nonetheless. I would assume that flashbacks concerning Lang's WWI service, his first marriage and other part of his personal life are based on his real life; I know that Lang, along with much of Germany, Europe and the world, became obsessed with the search for the real Beast of Dusseldorf, as the killer (played both icily and self-pitying here by Samuel Finzi) was known. I would recommend a revisit with the film "M" followed by this film as perhaps the perfect double feature as far as great filmmaking goes. Stunning.