Directed by
Stephan Elliott |
Writing Credits
Stephan Elliott |
Cast (in credits order)
Produced by
Al Clark | ... | producer |
Christopher Figg | ... | executive producer |
Ester Harding | ... | co-producer |
Jamie Hilton | ... | producer |
Lisa Lambert | ... | executive producer |
Lesley Parker | ... | line producer |
Robert Whitehouse | ... | executive producer |
Music by
Guy Gross |
Cinematography by
Brad Shield | ... | director of photography |
Editing by
Sue Blainey | ||
Annette Davey | ||
Laurie Hughes |
Casting By
Ann Robinson |
Production Design by
Colin Gibson |
Art Direction by
Jodie Whetter |
Set Decoration by
Justine Dunn |
Costume Design by
Lizzy Gardiner |
Makeup Department
Jacqui Deacon | ... | additional hairstylist / additional makeup artist |
Rick Findlater | ... | hair designer / makeup designer |
Georgia Lockhart-Adams | ... | hair stylist / key makeup artist |
Cora Montalban | ... | makeup artist / hair stylist |
Natalie Stanfield | ... | hair stylist: crowd dailies / makeup artist: crowd dailies |
Tia Stephanou | ... | hair stylist / makeup artist |
Desiree Vogelsang | ... | hair stylist / makeup artist |
Fiona Willard | ... | makeup artist |
Production Management
Michael Pontin | ... | Production Executive Pick Up Unit |
Second Unit Director or Assistant Director
Deborah Antoniou | ... | first assistant director (as Deb Antoniou) |
Christian Debney | ... | second unit director |
Sophie McWilliam-Kerry | ... | third assistant director |
Joanne Pearce | ... | second assistant director |
Elisha Rashleigh | ... | onset production assistant |
Art Department
Jodie Allen | ... | buyer/dresser |
Steven Brown | ... | whale mould maker |
Jason Cowie | ... | swing gang |
Melissa Crabtree | ... | art department coordinator |
Andrew Gardiner | ... | construction manager |
Simon Gill | ... | buyer |
Jack Hammonds | ... | production designer attachment |
Adam Head | ... | prop maker |
Stephen L. Jones | ... | set dresser |
Jo Kuipers | ... | graphic designer |
John Lambert | ... | standby props |
Rhys William Nicolson | ... | art department production assistant |
Emma Rudkin | ... | head buyer / dresser |
Hannah Teefy | ... | graphic designer |
Joseph Tiernan | ... | runner (as Joe Tiernan) |
Sound Department
Tristan Atkins | ... | boom operator |
Matthew Ault | ... | 2nd Boom Operator |
Jed M. Dodge | ... | supervising dialogue and adr editor |
Mitch Dorf | ... | adr mixer |
Simon Hicks | ... | head of sound |
Andy Neil | ... | sound designer (as Andrew Neil) / supervising sound editor (as Andrew Neil) |
Michael Newton | ... | sound effects editor / sound supervisor |
Paul Pirola | ... | re-recording mixer |
Liam Price | ... | sound effects editor/additional sound designer |
John Simpson | ... | foley artist |
Craig Walmsley | ... | sound recordist |
Special Effects by
Chris Corbee | ... | pyrotechnic effects |
Robbie Dale | ... | special effects technician |
Nicholas Forbes | ... | pyrotechnic effects |
Ceri Nicholls | ... | senior special effects technician |
Julian Summers | ... | special effects supervisor |
Visual Effects by
Artin Aryaei | ... | senior compositor |
Niki Bern | ... | compositing supervisor: Cutting Edge |
Kate Bernauer | ... | digital compositor |
Erik Charlebois | ... | lighting and lookdev |
Ryan Coates | ... | compositor |
Darren Coombes | ... | digital compositor |
Simon Cowell | ... | concept artist |
Stewart Dean | ... | di producer |
Jake Dobbie | ... | digital artist (as Tainui Dobbie Jake) |
Antony Haberl | ... | compositor: Cutting Edge |
Jonathan Hairman | ... | visual effects supervisor |
Silvio Jemma | ... | visual effects artist |
Mark Kwanten | ... | digital compositor |
Monique O'Halloran | ... | compositor |
Liam O'Kane | ... | visual effects coordinator |
Jane Reynolds | ... | vfx producer |
Evan Shipard | ... | digital matte artist |
Jensen Toms | ... | cg supervisor |
Ethan Vellacott | ... | visual effects editor |
Randy Vellacott | ... | digital compositor |
David Williams | ... | compositor / lighting and effects / titles and design |
Benjamin James Ying | ... | compositor (as Ben Ying) |
Stunts
Cameron Ambridge | ... | key stunt rigger / utility stunts |
Keir Beck | ... | stunt coordinator |
Toby Fuller | ... | stunt double |
Nathan Kannegiesser | ... | utility stunts |
Nathan Lawson | ... | assistant stunt coordinator |
Cody Mackie | ... | stunt performer |
Kelly Marie | ... | stunt double: Radha Mitchell (as Kelly Young) |
Karl Van Moorsel | ... | stunt driver |
Daniel Weaver | ... | utility stunts |
Casey Wright | ... | stunt performer |
Camera and Electrical Department
Steph Atkinson | ... | video split operator |
Mark Bannister | ... | lighting technician |
Harvey Beck-Cowper | ... | grip |
Jason Binnie | ... | first assistant camera: "a" camera |
Jasin Boland | ... | still photographer: additional |
Mal Booth | ... | dolly grip: "a" camera |
Simon Christidis | ... | underwater director of photography |
Elliott Deem | ... | data wrangler |
Harry Fleet | ... | best boy |
Nathan Frost | ... | best boy |
Mark Glindeman | ... | gaffer |
Sami Gustafsson | ... | lighting technician |
Billy Harmer | ... | key grip |
Dillan Harmer | ... | grip |
Jake Koning | ... | second assistant camera: "a" camera |
Jay A. Lind | ... | dolly grip: "b" camera |
Drew Macdonald | ... | epk camera |
Robbie MacKinnon | ... | second assistant camera: "b" camera |
Hamish McCorkindale | ... | grip |
Vince Valitutti | ... | still photographer |
Casting Department
Hannah Charlton | ... | casting associate |
Bud Hopes | ... | extras casting director |
Costume and Wardrobe Department
Travis Briton | ... | costume assistant/assistant costume standby |
Brett Cooper | ... | costume cutter |
Adam Dalli | ... | costume supervisor |
Melanie Shepherd | ... | key costumer |
Jade Sims | ... | costume buyer |
Madeline Turner | ... | background costumer |
Julie Willis | ... | costumer |
Editorial Department
Angus Bell Young | ... | post-production coordinator |
Marcus Bolton | ... | head of post production |
Patrick Buckley | ... | dailies operator |
Phoenix Chisholm | ... | digital dailies |
Stewart Dean | ... | digital intermediate producer |
Alex Elliott | ... | creative technology specialist |
Adrian Hauser | ... | colorist / digital intermediate colorist |
Regan Hughes | ... | first assistant editor |
Alice Lonegro | ... | post production assistant (as Alice Royds) |
Claire O'Brien | ... | post production supervisor |
Rory Rea | ... | media operator |
Daniel Scott | ... | media operator |
Finn Spencer | ... | titles designer |
Philip Vincent | ... | creative technology specialist |
John Warneke | ... | media supervisor |
Sally Wortley | ... | dailies producer |
Location Management
Kathryn Metcalfe | ... | location manager/scout |
Grace Uther | ... | location coordinator (as Grace Bolt) |
Music Department
Maria Alfonsine | ... | music editor / singer |
Damian De Boos-Smith | ... | composer: additional music |
Michelle De Vries | ... | music supervisor |
Andrew Scott | ... | composer: additional music |
Transportation Department
Spencer Faulkner | ... | unit driver |
Additional Crew
H.W. Wood Australia | ... | insurance broker |
Lucie Braverman | ... | head of marketing: WestEnd Films |
Frankie-Rae Clapham | ... | legals |
Georgeia De Araugo | ... | insurance broker |
Shaelyn Downing | ... | production secretary |
Clement Dunn | ... | legals |
Adam Eldon | ... | stand-in: guy pearce |
Jack Grigg | ... | unit assistant |
Emmalene Howard | ... | stand-in |
Helen Howard | ... | acting coach |
Sophie Kurz | ... | assistant to producer |
Sara McFarlane | ... | business affairs executive: Fulcrum Media Finance (as Sara Gajic) |
Bryce Menzies | ... | legals |
Lyndel Miller | ... | food stylist |
Nadine Rothschild | ... | head of marketing: WestEnd Films |
Phil Rymer | ... | legal services: Piccadilly Pictures |
Darrell Scanlon | ... | caterer |
Todd Slater | ... | sales and distribution |
Richard Stafford | ... | publicist |
Terri Svoronos | ... | child chaperone |
Saskia Thomas | ... | production executive: Piccadilly Pictures |
Felicity Wegemund | ... | nurse |
Samantha Dilena | ... | body double: Darcey Wilson (uncredited) |
Thanks
Sonia Borella | ... | thanks |
Brian Trenchard-Smith | ... | thanks |