Directed by
Angus MacLachlan |
Writing Credits (WGA)
Angus MacLachlan | ... | (written by) |
Cast
Steve Coulter | ... | Charles | |
Max Gail | ... | Hans | |
Francis Guinan | ... | Tom | |
Terry Kinney | ... | Jesse | |
Amy Ryan | ... | Tracy |
Produced by
Kate Churchill | ... | producer |
Jeanne Hagerty | ... | executive producer |
Jennifer Haire | ... | line producer |
Angus MacLachlan | ... | producer |
Martin Scorsese | ... | executive producer |
Lauren Vilchik | ... | post producer (as Lauren Moews) |
Music by
Jeffrey Dean Foster |
Cinematography by
Andrew Reed |
Editing by
Michael R. Miller |
Casting By
Henry Russell Bergstein | ||
Allison Estrin |
Production Design by
Lisa Myers |
Set Decoration by
Teresa Strebler |
Costume Design by
Tere Duncan |
Makeup Department
Holland Berson | ... | makeup department head |
Chelsea J. Raitor | ... | key makeup artist |
Production Management
Jennifer Haire | ... | unit production manager |
Second Unit Director or Assistant Director
Kether Abeles | ... | second assistant director |
Vic Coram | ... | second second assistant director |
Scott Larkin | ... | first assistant director |
Art Department
Chelsey Danielsen | ... | property master |
Andrew Fenske | ... | leadman |
James Hagedorn | ... | set dresser |
Alice Myers | ... | graphic designer |
Anna Myers | ... | graphic designer |
Brandon Rife | ... | set dresser |
Grace Smith | ... | art department coordinator (as Grace Roulston) |
Sound Department
Kaitlyn Ali | ... | post sound assistant |
Brian Best | ... | foley recordist / foley supervision |
Scott Cannizzaro | ... | adr mixer |
Landon Cline | ... | boom operator |
Chris Dold | ... | foley artist |
Kyle Meyers | ... | boom operator |
Westley Moore | ... | sound mixer |
Alex Nomick | ... | sound editor |
Mark Wilkening | ... | adr mixer |
Allison Wilson | ... | sound effects editor |
Wade Wilson | ... | re-recording mixer / supervising sound editor & designer |
Camera and Electrical Department
Max Batchelder | ... | first assistant camera |
Wesley L. Carrier | ... | gaffer |
Diana Greene | ... | still photographer |
Tyler Harmon-Townsend | ... | best boy lighting |
Jessica Hoffman | ... | dolly grip / key grip |
Rachel Kessler | ... | electrician |
Ian Leisy | ... | grip |
Pete Lutz | ... | digital imaging technician |
Donald R. Monroe | ... | second assistant camera |
Josh Ruffner | ... | best boy grip |
Adam Schaeffer | ... | grip |
Costume and Wardrobe Department
Leah Bubeck | ... | wardrobe supervisor |
Editorial Department
Alex Bickel | ... | digital intermediate colorist |
Isabel Cafaro-Anderson | ... | digital intermediate producer |
Pete Olshansky | ... | account executive |
Dalton Price | ... | assistant editor |
Music Department
Chris Heckman | ... | music editor |
Script and Continuity Department
Anna Lomakina | ... | script supervisor |
Transportation Department
Sasha Bagdasarov | ... | transportation coordinator |
Additional Crew
Victoria Adams | ... | production intern (as Victoria Rupert) |
Sasha Bagdasarov | ... | basecamp coordinator |
Barbara Dole | ... | craft service head |
Guy Gaster | ... | film comissioner |
Jonathan Gray | ... | production counsel |
Susan Haley | ... | production accountant |
Sara Newell | ... | production intern |
Sandra Painter | ... | set medic |
Julie Pechanek | ... | production coordinator |
Johnny Robbins | ... | set pa |
Michael Samilow | ... | production intern |
Brad Tarnowsky | ... | set pa |
Matt Walkowski | ... | key set pa |
Marki Zander | ... | office production assistant |