Explicit Milf

I've lost count of how many MILF titles from British director Kendo I've seen -apparently no one ever emailed him the memo on how the MILF genre of the last decade has been way overdone and milked for all its worth by now. This edition merely transfers the action to Budapest, rather stupidly described on the daring! Media DVD back-liner as "a city of a million people" including the title creatures: "the urban women who know exactly how to turn a man on".

This drivel is appropriate given the tired contents of the video, which has a largely Eastern European cast of which only Cathy Heaven ranks up there with the current Brit superstars Kendo usually attracts to his projects.

It's porno pantomime, with no dialog whatsoever, merely five repetitive vignettes of hot ladies servicing cold dudes. Kendo has no theatrical background or training, and his male "models" (as he calls them) are not allowed to emote at all. They retain a sang-froid demeanor in the hundreds of videos he's shot over the last decade or so, with self-expression relegated to the glorious cum shot.

Kendo's fetish background once again is pervasive, with nearly every segment dominated by high-top sexy hose worn by the girls. Often they don't disrobe at all, but like their sisters in the supposedly (except for the occasional euphemistic "escort" gig) unrelated world's oldest profession, they service the men sometimes only exposing a vagina to the probing Kendo cameras.

My ongoing pet peeve with the maestro is much in evidence here - a supposedly artsy penchant for poor framing, egregious cropping of image and shallow focus. Am I the only one on Planet Earth who notices these glaring deficiencies? Apparently so, as way too tight closeups, missing faces, foreheads and chins, and clumsy racking of focus for effect are pervasive. Almost laughable is the "hiding" of Cathy Heaven's newly enlarged to hugeness breasts, which either remain covered or are out of frame for 99% of her otherwise hot segment.

The maestro's oddball editing keeps mixing up the cast (repeating shots over & over in the manner of flash-forwards) in a way that confuses matters rather than enhancing them, because this is strictly five separate vignettes, regardless of Kendo's misguided effort in the editing process (he calls it "splintering") to try and knit the disparate elements together.