Two years after the afterlife is scientifically proven, a man attempts to help a young woman break away from her dark past.Two years after the afterlife is scientifically proven, a man attempts to help a young woman break away from her dark past.Two years after the afterlife is scientifically proven, a man attempts to help a young woman break away from her dark past.
M.J. Karmi
- Janice
- (as MJ Karmi)
Willie C. Carpenter
- Hospital Janitor
- (as Willie Carpenter)
Adam Khaykin
- Oliver
- (as Adam Morrison Khaykin)
Colin Allen
- Green Jumpsuit Person
- (uncredited)
Paul Bellefeuille
- Pat Phillips
- (uncredited)
Jim Boyd
- Man in Red 1
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCharlie McDowell directed his then girlfriend Rooney Mara and his mother Mary Steenburgen in this film.
- GoofsWill rules out the possibility of the image retrieved from a corpse being a memory of the deceased person, on the grounds that it does not match the events that took place in real life. Science has discovered, however, that memory is in fact not an accurate record of what one perceives but rather a distorted and malleable one, and Will, being a neurologist, must have been aware of this.
- SoundtracksA Fancy Place to Cry
Written by Billy Hayes
Performed by Patsy Maples
Courtesy of Fervor Records
Featured review
Talk about a wasted opportunity.
A fine cast led by the underrated Jason Segal (still doing his best to break out from his How I Met Your Mother persona and delivering a so-so turn when you look back at his role in End of the Tour) and backed up by Rooney Mara, Robert Redford and one of the finest supporting players going around Jason Plemon's isn't enough to save Charlie McDowell's Netflix original Sci-Fi/Drama The Discovery from a disappointing result and ending its runtime as one of the most frustratingly forgettable films in many a moon.
The core idea behind The Discovery, that Redford's scientist Thomas Harber has discovered evidence of a confirmed afterlife, leading to a world in which the suicide rates have ramped up to epidemic levels with Harber then working on a secret project that looks to record this afterlife for those alive to witness is a fantastic one and an idea that strikes up many a various conversation point but McDowell's film which ends up being more of an unbelievable romance between Segal's charisma free Will and Mara's mumbling and emo Isla than anything else feels unable to make the most of its idea.
Perhaps hampered by budget restraint's (although this hardly seems to be a problem for Netflix originals these days) or perhaps just a lack of overall vision. The Discovery showcases glimmers of what could be in stall for us whether it's the oft mentioned suicides, the cult like following Harber has garnered thanks to his work or Will's and Isla's investigation into a possible glimpse of the afterlife they have recorded but all these intriguing elements are quickly swept under the rug and while the film's final reveal makes the journey feel more rewarding than it actually is, you can't help but escape the feeling The Discovery has short-changed its viewers with a mediocre effort of a far more interesting story.
It's great seeing Netflix continue to invest in unique and original film properties but The Discovery will be marked down as one of their clear failures and while this intellectual thinking man's Sci-Fi has moments of greatness, overall this emotionally void experience is one of the dominate companies worst original studio efforts this side of their Sandler "comedies".
2 bunk beds out of 5
A fine cast led by the underrated Jason Segal (still doing his best to break out from his How I Met Your Mother persona and delivering a so-so turn when you look back at his role in End of the Tour) and backed up by Rooney Mara, Robert Redford and one of the finest supporting players going around Jason Plemon's isn't enough to save Charlie McDowell's Netflix original Sci-Fi/Drama The Discovery from a disappointing result and ending its runtime as one of the most frustratingly forgettable films in many a moon.
The core idea behind The Discovery, that Redford's scientist Thomas Harber has discovered evidence of a confirmed afterlife, leading to a world in which the suicide rates have ramped up to epidemic levels with Harber then working on a secret project that looks to record this afterlife for those alive to witness is a fantastic one and an idea that strikes up many a various conversation point but McDowell's film which ends up being more of an unbelievable romance between Segal's charisma free Will and Mara's mumbling and emo Isla than anything else feels unable to make the most of its idea.
Perhaps hampered by budget restraint's (although this hardly seems to be a problem for Netflix originals these days) or perhaps just a lack of overall vision. The Discovery showcases glimmers of what could be in stall for us whether it's the oft mentioned suicides, the cult like following Harber has garnered thanks to his work or Will's and Isla's investigation into a possible glimpse of the afterlife they have recorded but all these intriguing elements are quickly swept under the rug and while the film's final reveal makes the journey feel more rewarding than it actually is, you can't help but escape the feeling The Discovery has short-changed its viewers with a mediocre effort of a far more interesting story.
It's great seeing Netflix continue to invest in unique and original film properties but The Discovery will be marked down as one of their clear failures and while this intellectual thinking man's Sci-Fi has moments of greatness, overall this emotionally void experience is one of the dominate companies worst original studio efforts this side of their Sandler "comedies".
2 bunk beds out of 5
- eddie_baggins
- Apr 8, 2017
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Khám Phá Thế Giới Bên Kia
- Filming locations
- Aquidneck Island, Rhode Island, USA(Newport, Rhode Island)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 42 minutes
- Color
- Aspect ratio
- 2.35 : 1
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