User reviews

With a stellar cast, you might wonder how this production could be anything but great. Well, it starts off somewhat shakily.

The story is rooted in the 1939 classic film, though there are substantial changes--including the entire song list. But it is best to evaluate this work on its own, without comparisons to the MGM classic. It is easy to miss the film's "Over the Rainbow" barnyard ballad, but the viewer quickly gets past that if he accepts the new sensibilities of this modernized version, with its less stringent grammar.

But the beginning is plagued with a very obvious camera in frame. And the dance of the dust devils feels like nothing more than a time filler. And there is a product placement that draws the viewer away from the story. Overall, the first scene lacks magic. Granted Dorothy is not yet in a magical land, but it doesn't grab the audience's attention. Then, the Winkies dance in costumes ill-designed for dance.

Fear not. The best is yet to come. Indeed, this live performance exceeds expectations and gains momentum throughout the telecast. By the time we meet the Tin Man, "The Wiz" hits its stride.

With only an occasional misstep, the remainder of the show is stirring, clever and filled with great musical performances. ("Believe in Yourself"--a predictably strong musical number--does fall a little short due to straining on the high notes).

Another criticism is the inclusion of religious imagery in the dialogue and lyrics. This serves to undermine the story's message--look to yourself for strength.

I don't mean to sound too critical, because this is a show worth seeing. Take out that camera reveal, and this could be an annual favorite.

7/14/16: Received six Emmy nominations.

I wasn't sure what to expect from the show. Well I'm not familiar with the wizard of Oz. (Did I hear a "shame on you"?) I didn't like the story, not a fan of fairy tales. But the songs, the music and the performances were marvelous. I didn't know Elijah Kelley but man, he's got a great voice. I knew David Alan Grier from his "In Living Color" days but now he really impressed me. And Ne-Yo was PERFECT in his songs. Queen Latifah is brilliant. Who would have guessed 30 years earlier that this young rapper would become such a charismatic actress and singer. Amber Riley, perfect as always. Uzo Aduba, was a pleasant surprise. Shanice Williams, was good too. But to be honest I didn't like Mary J Blige.

I think the show is a must-see for the music and the performers.

I am not a theater expert or a theater critic. I watch TV to be entertained and oh boy, was I ever entertained with "The Wiz Live!" I didn't look for flaws. I didn't listen for missed notes or lyrics. I didn't scour sets and costumes for flaws. I certainly did not inspect dance routines for missteps. I didn't unfairly compare it to the original Broadway production, subsequent movie, or the beloved classic that I so dearly adore. I simply watched and I was enchanted with what NBC put before me.

No, this viewer won't pick apart the production. I will just say again that I was entertained and I am so very glad I had the privilege of watching NBC finally get it right!

This was the annual NBC network live presentation for the Holiday season.

"The Wiz" was conceived and presented on stage back in the 1970s as a black re-imagining of the classic "Wizard of Oz" story. It differs in mood and songs, with an emphasis on the more traditional black vibe.

I have long been a fan of the "Wizard of Oz" movie and was very entertained by this live production. The basic story is the same but the costuming is unique, and of course the songs.

Newcomer Shanice Williams, 18 and from New Jersey, is in the lead role as Dorothy Gale. She sings wonderfully and her acting is OK for someone new to stage productions.

I always enjoy seeing Queen Latifah and here she plays the key role of The Wiz. At first it seems that they have chosen a female to play a male part but as the story unfolds her character is indeed a female.

It was also fun to know that Stephanie Mills, who plays Auntie Em, was in the original all those years ago.

All in all a successful presentation by NBC.

Of the NBC live productions, 'The Wiz' is by far the best, which is saying a lot seeing as 'The Sound of Music' and particularly 'Peter Pan' fell completely flat.

Also think that it is a big improvement over the 1978 Sidney Lumet-directed film with Diana Ross and Michael Jackson. That did have a few good thing, such as Jackson, but generally it is down there with the worst film musicals with Ross being horribly miscast and the whole thing felt misconceived.

'The Wiz Live' is not perfect but entertained and was mostly well performed, far better than anticipated. The musical itself this reviewer likes a lot, there may be some bias though as someone who performed the backing vocals in our school production ten years ago and has fond memories of the experience. The songs, in a 1970s Motown style, are catchy with a great mix of the funny and the emotional, and are surprisingly accessible, and the story is a clever updated version of the classic 'Wizard of Oz' story.

Starting with the many good things, 'The Wiz' is by far the best-looking of the NBC live productions, 'Peter Pan' did look beautiful if a little confined sometimes in space while 'The Sound of Music' looked sparse and cheap. 'The Wiz' however is far more expansive in space and is bursting with colour with inspired use of video screen to create background sets. The costumes, apart from the cheap ones for the Winkies that are not right for dancing really, are beautifully designed and look great especially the breathtaking one for Glinda.

Choreography is full of energy, with a fantastic contribution by Cirque De Soleil who not only do some wonderful dancing and characterful acting for the Flying Monkeys and Poppy Girls but manage to solve potential problems with scene changes, was surprised at how well the tornado came off. The staging is similarly energetic and also boasts some very touching moments, though this reviewer has always found the ending rushed and abrupt and it's the case here. Less successful is the updated dialogue, with some jokes that badly jar and feel stale and out of date.

Musically, the production is mostly very good, with rousing and nuanced playing from the band, beautifully balanced and enthusiastic backing vocals and alert and sympathetic musical direction. Most of the performances are quite excellent, with standouts being Elijah Kelly's vulnerable and full-of-life Scarecrow, Ne-Yo's charming and sometimes witty Tin Man, David Allen Grier's purr-fect (pun intended) Lion, Amber Riley's sympathetic Addaperle and Stephanie Mills (a great Dorothy herself a long time ago) touching Aunt Em who makes the most out of "The Feeling We Once Had".

Unfortunately a few don't come off so well. Shanice Williams' inexperience does show in some rather one-dimensional acting and stiff and not-sure-of-the-steps dancing as Dorothy, though she does possess a good voice, especially in "Home" and "Ease On Down the Road". Uzo Aduba looks and acts positively angelic as Glinda, but while some of her singing is good she does sound strained and flat in "Believe in Yourself".

Mary J Blige and particularly Queen Latifah are more problematic. Mary J Blige sings well in the role of Evilene, though this viewer prefers a more gospel sound in "Don't Nobody Bring Me No Bad News", but her acting falls flat, Evilene should be menacing but also funny, Blige is neither and looks ill at ease with the menace being non-existent and the scenery-chewing being ham-fisted and unnatural. In a gender reversal, Latifah is all wrong in the title role, she shouts her way as well as sounding somewhat drunk in her introductory song and her acting feels like a bizarre comedy skit with flat line delivery.

Overall, while an uneven production 'The Wiz Live' was far better than anticipated. By far the best of the NBC Live production and superior to the film. 6/10 Bethany Cox

I was so excited to see the show live. As a cast member of the movie "The Wiz" it brought back such fond memories. This cast gave it a modern kick!!! Dorothy is such a delight. Once again I believed that Shanice Williams was really Dorothy it was so easy to really go along with her on the journey. And my heart was so pleased to see Stephanie Mills as Aunt Em boy did I miss seeing her. It has been so long. I am so happy for the children who are seeing it for the first time…and how it will play out in their lives. My life has been full of the fantastic dreams & the music of OZ. David Alan Grier as the lion was so comforting. Just what I would want a lion to be. And say "Hey" to Queen Latifah as the Wiz. I was really into her down to earth reaction to being found out.

Thank you to all in this "Live" cast. You gave me such a gift…taking me on that journey once again to OZ & back HOME again.

I am amazed at the reviewer who make the claim and that David Alan Grier as the lion was OK but not sure if he were Broadway material. That is laughable firstly because he was probably the best actor in the whole production of the Wiz live! And gave the necessary histrionics that were needed for this theatrical production. Secondly, he has been in several Broadway plays and musicals as the star and actually was nominated for a Tony for Best Male performance in his very first outing in a Broadway musical playing Jackie Robinson the famed baseball player. I feel that this production of The Wiz was flawed but had much to recommend it. Shanice is an up and coming star and has a wonderful voice. If she were only slightly occasionally off key, it was probably due to nerves. Anyone in their first production and a live televised one at that would probably have a case of the nerves. My main fault with this production is what it has been for the other NBC live productions: the producers should be less concerned with ratings by placing pop stars in the major roles and place more emphasis on the acting by getting solid, proved actors to play the lead roles. Mary J Blige is not an actress. Queen Latifah, although having starred in several films, was totally miscast as the Wiz. I thought the actor who played the scarecrow was quite weak. However Neyo as the tin-man proved to be one of the better actors and singers as well. Overall not bad! Certainly a better production, though not smooth in its execution, then the past two. Maybe they are getting better as they go and the next will far exceed even this one. We can only hope!

The singing is good, the choreography is good, the music arrangements are great, Stephanie Mills is good. The set is pretty bland and the acting by others leaves a lot to be desired. Some terrible amateur acting from background and chorus members.

He's the wizard!!!

Back in the year 1978 the world was introduced to a new kind of land of OZ, this time with a jazzy soul twist, based on the hit Broadway musical of the same name! Now today 37 years later we get to relive the magic and emotion all over again! Tonight NBC let us relive the magical trip down the yellow brick road, for a whole new generation. This is an event for the whole family to enjoy all together.

This star powered cast makes this trip worth while. This production opened to a beautiful set of the little farm house in Kansas we've all grown to know and love. The cameras set on Aunt Em; played by the extremely talented Stephanie Mills. Mills is a Broadway veteran who at age fifteen won the starring role as Dorothy in the hit Broadway show 'The Wiz'. I found my self tearing up as she sang her first note. This was so beautifully sung,, such a powerful voice.

A live stage version of the Tony award winning musical. Basically it's just "The Wizard of OZ' with an all black cast. It's done on a stage but no audience.

I've seen the original stage musical and the movie and love both but this is TERRIBLE! First of all they try to update it but adding in contemporary slang and social media. The "new" dialogue wasn't funny or cute--just annoying. When one of the witches pulled out a tablet to use I almost turned it off. Second all is the casting. Nobody is really bad. They can all sing and dance but their acting is WAY over the top. They start at 11 and keep on going. This works fine on stage but not on TV. It's too much. Queen Latifah especially gets loud. Mary J. Blige is lousy as Evilene. She has the show-stopping "Don't Nobody Bring Me No Bad News". She's OK singing but her acting is terrible. Her attempts at being evil are downright laughable. Constant commercial interruptions didn't help. This works as a PLAY with one interruption. Throwing in a commercial every 10 minutes disrupts any flow the show might have had. I turned it off during the last hour. I was bored and disgusted. Stick with the movie.

What a treat to watch all of these professionals. The dancing was amazing as were the acrobats. The choreography was very hip and interesting. It reminded me of the old black and white movies where the dancing was at least as important as the singing and the acting. There isn't enough of that in many of the musicals I have seen recently. The scenery changes were flawless as was the scenery itself. I loved the emerald dancers and would love to know a little more about who they were and if they are dancers on Broadway. The costumes were also fun. Dorthy's was probably the least inspired which I found kind of odd. Shenile just sealed her future.

This was such an amazing production, with superb acting all around. My favorites were Scarecrow and Tinman. But it's hard to pick faves since even the smaller parts like the Crows did a fantastic job. The actors did a fantastic job. And I loved the set and the costumes (except Dorothy's!)

For those complaining that The Wiz Live is nothing like The Wizard of Oz, please note it is not a remake of The Wizard of Oz, but of The Wiz - go look it up. And really, if you think a remake should stick exactly to the original, with no changes or updates, then you should probably stay away from remakes in general.

First of all, after seeing the original version of this amazing musical during its initial Broadway run in the mid-70s nearly 40 years ago which was one of the many incredible Broadway musicals to come out of that decade, and then seeing the most horrible (I can't say it enough) HORRIBLE vomit-inducing film version with 34-year-old Diana Ross in 1978 that was SO bad that it lost nearly half its budget, and then hearing that they were using a woman in the role of the Wiz this time around, I must admit that I went into this with more than a good deal of trepidation and very low expectations.

Well, other than Queen Latifah's performance of her two songs which were keyed so low compared to the original B'way version (sung by the still-amazing Andre DeShields) that she sounded like Bea Arthur and they lost all their energy and excitement, and the one ridiculously corny "new" song sung by Dorothy and her friends before leaving the Wiz's palace to try and do away with Evilene, EVERY SINGLE PERFORMANCE was flawless! All of the singing and dancing was done extremely well (although while Ms. Blige did do a fine job of acting and singing, she is certainly no gospel-singing Mabel King). The choreography was difficult yet fun and very well executed. But the main events were the costumes, wigs, makeup, sets, lighting, and special/video effects. For what was essentially a "stage" show, these items made a televised version of this show amazingly spectacular to watch. The one costume that really stood out for me was Glinda's golden spun-sugar gown near the end. While as a young child watching the 1939 version once a year on broadcast TV and seeing Billie Burke in that incredibly beautiful humongous pink sparkly gown and crazily-tall star-topped crown, I even took to drawing it once in awhile even though I had no skill in drawing. To me it was that beautiful and memorable. But this gown just took my breath away. It reminded me of something done with the help of CGI from last year's live-action Disney version of "Cinderella."

Most of the stand-out singing, dancing, and acting performances came from the four main characters, all of which were wonderful. But Uzo Aduba totally blew me away with her song, "If You Believe" as she sounded every bit as good as Dee Dee Bridgewater from the original B'way version which was absolutely shocking as I didn't even know Ms. Aduba could sing let alone have such great vocal chops.

However, I think the greatest flaw (and I hate to say it since I have always been one of his biggest fans, both of his writing and acting) was Harvey Fierstein's script. In fact, I almost stopped my DVR after the first four minutes in Kansas because the script was so far removed from the original. But I must compliment him highly on the touching scene when the foursome catches the "Wiz" in her bathrobe and she explains to each of them how they already have what they have been seeking, and how she came to be "The Wiz," as well as Dorothy's convincing speech to her about her being trapped in the dark, in secrecy, alone, and unloved. Very redeeming writing compared to much of the "updated" mediocre writing earlier.

Before I end this review, I must give Stephanie Mills her due. When she performed on Broadway she was merely 17. Now she is in her 50s, and believe it or not, her voice sounds EXACTLY the same as it did 40 years ago. In fact, I am listening to her version of "Home" from the Original Broadway Cast Recording at this very moment, and there is absolutely NO difference in the quality or strength of her voice in this new version. Kudos, Ms. Mills for hanging onto your amazing chops after all these years.

One more thing I have to mention to those who stated in the Message Boards that Shanice Williams was "too old" to play Dorothy. In the 1939 film version of "The Wizard of Oz" Judy Garland was 16, in the original Broadway version of "The Wiz" Stephanie Mills was 17, and Ms. Williams is only 19. In comparison, Diana Ross was 34 when she did the film version, so who was really too old to play Dorothy? And what difference is age in a performer, as long as they don't LOOK too old (as Ms. Ross definitely did in 1978). Just watch any of the four comedies on ABC on Wednesday nights and you will see a good number of young actors in their 20s playing high school and college students much younger than their actual ages. This has been going on in film and TV since forever.

In closing, an all-around surprisingly terrific "live" TV version of a great American Broadway Musical. I enjoyed it much more than I had expected.

The only spoiler that I have is that it's a great version of the movie. From the stage set / costumes/ singing/ acting/ personnel in the production, all came together like a moment in time that can't be replaced. I have always loved 'the Wiz' movie, from the original with Diana and MJ to the current with... well everyone that I love in our culture. This is the first time in a long time that I can't say anything bad about it. There's no reason not to endorse/support and completely embrace this production. I'm so filled with joy from the this play that I want to see it again. I would love for it to be on Broadway for a time. I will absolutely purchase the DVD/blu-ray (without hesitation). OK... I believe it's enough, but one more thank you for this piece of art.

I know the story from the 1939 movie--my favorite of all time--and a beautifully illustrated book. I have never seen a version of this story, where the cast is black and Dorothy is trying to return to Omaha, not Kansas. Or was she? I don't know what was invented for this production, and I didn't see the "Making Of" special until afterward. All I know is the crows were in the Scarecrow's big number. I do know some of the language used here could not have been in any of the 1970s versions, since those words didn't have those meanings way back then.

The first two live NBC productions had their problems. Until I read or heard other opinions, I didn't think anything was wrong with Carrie two years ago, except the other cast members were more talented than she was. Last year, there was one truly dismal performance and one uneven performance among the leads. This year, NBC had no weak links and, for the first time, the lead actress was fantastic. And she was a newcomer!

Elijah Kelley is quite a dancer. Could Michael Jackson have done quite as well way back then? Perhaps. I've never seen him in the role. I do know Jackson had that kind of talent in the 80s.

In the "Making Of" special, Ne-Yo is said to have delivered his lines with heart. That's certainly true.

Bad Principal to Bad Teacher had a Bad Series, in the eyes of most viewers, but I liked his show. But because others didn't agree with me, he was available to be a great Lion.

Common is anything but common. The Bouncer of Emerald City stands out and becomes a truly memorable character.

The original Dorothy is now Auntie Em, and very good too. Quite stern but loving, as she has to be. I'm not clear on whether Stephanie Mills played her sister, who tempted Dorothy in Oz, or who made Dorothy see her. This was something new to either this specific production or to the black version. Anyway, Mills is good in both roles if that is her.

When I saw the Good Witch, I saw a great if quirky character and did not see Mercedes from "Glee". In the "Making Of" special I immediately recognized her.

The Wiz is great too, in different ways. I've never seen a version where the group saw the actual person before that one scene, but what they did see at first was a flamboyant, confident and demanding ruler. Queen Latifah is great there and, of course, later. If you don't know the story, I won't give it away, but the later scenes are quite effective.

The Wicked Witch has a less prominent role here than in the 1939 movie. Mary J. Blige is deliciously evil and even more so than her ABC counterpart, but not quite on the level of Margaret Hamilton or ABC's most evil witch of all.

And then there is a fourth witch, another good witch. She is kind and less off-the-wall than the other one. Not in the 1939 movie, but presented in a different way in the book.

I'm not sure what the purpose was in having the farm hands, since they weren't in the original book and no mention is made of Dorothy thinking they were familiar either in Oz or later. I was wondering how they could get out of makeup to do the finale from the 1939 movie, but that's not what happened. Anyway, there is no Uncle Henry, so running a farm on her would have been quite a challenge for Em and Dorothy alone. The farm hands add something at the beginning.

I mentioned no weak links. As in the 1939 movie, everyone who has a line delivers it well, whether it is one line or many. Lots of other quirky characters add something. Several Munchkins and a couple of employees of the Wicked Witch are included. And the crows are very "Street".

The music is great even if it isn't entirely my taste, but I couldn't help but like the Scarecrow's number, which isn't quite disco but is the style that became disco back in the 70s. Some of the music is good to me, and some is good only to those who have that particular taste in music, which I don't.

And the dancers are very talented. Once again, not necessarily what I would like, but it is a fantastic production.

Visual effects are pretty spectacular as well. I learned a lot more when I saw the "Making Of" special, but so much of what goes on in the background is so real. I only saw one wire supporting a character who was up in the air.

Family friendly? A little less so than the 1939 movie, in which some the flying monkeys scared some kids. This one is not quite as scary, but does have three curse words, one for each hour, and one particularly bad one.

The best yet? Maybe. NBC should keep doing this.

I'd never seen the 1979 film The Wiz, thinking nothing could hold a candle to the 1939 classic. After all, since I didn't live through the '70s, I wasn't exactly eager to sit through a bunch of '70s songs. But, since I always like to watch the live post-Thanksgiving shows on television, I decided to check out The Wiz Live! Nothing with Queen Latifah could be bad, right?

Right! I was a little unprepared for Dorothy to be such a knockout, since I was used to the Judy Garland version. But once Shanice Williams took over, I forgot all about Judy. Cute as a button, great figure, powerful voice, and a fine dancer; I certainly hope she'll have a booming career ahead of her. The songs do sound '70s, but with Shanice performing them, it didn't take long to charm me into loving the musical.

The production values and special effects are mind-blowing. During the tornado, the house and Dorothy actually fly up in the air and spin around the stage! The sets are gorgeous, and the makeup and costumes are very detail-oriented. My hat is off to choreographer Fatima Robinson, who created entertaining, charming, and fitting dance numbers that continued to wow me throughout the show. The crows in "You Can't Win" made me believe they really had wings, the munchkins were cheerful and bubbly, the dancers pulled out all the stops in "A Brand New Day." In addition to Dorothy being cute as a button, her three supporting pals were also fantastic. Ne-Yo constantly used robotic movements as the Tin-Man, Elijah Kelley's bone-less Scarecrow movements were flawless, and David Alan Grier was a far cuter lion than Bert Lahr in 1939. Mary J. Blige, Uzo Abuda, and Amber Riley look like they're having a blast as the three remaining witches in Oz, each giving a show-stopping musical number when they're introduced. In an interesting casting choice, Queen Latifah plays the usual male role of the Wiz. She gets two songs, and during her entrance, she looks magnificent in her green get-up!

Usually, during a live performance there are some flaws. This performance of The Wiz is flawless. I couldn't believe I wasn't watching a real movie. Full of little touches, like using Stephanie Mills (the original Dorothy on Broadway) as Auntie Em, and a brand-new libretto from Harvey Fierstein that's modern and hilarious, every scene of this musical is entertaining. The intense high energy from everyone in the cast makes you feel like you're watching something really special - which you are! Next Thanksgiving, if you don't care to see the featured live production, ease on down the road and rent The Wiz Live! instead.

Not That Great. I was expecting more and this production felt rushed and felt extremely flat. Casting was horrible and the entire production looked cheap. In an attempt to be hip The Wiz Live lacked heart. It was not good on any level at all. It doesn't have any identity from the Wizard of OZ which. The Wiz Live will be enjoyed by 3 to 12yo for sure. There are better productions. Singing was off pitch, dancing looked clumsy, costumes looked scary, acting was horrible, sets were cheap and tacky. It was a nice attempt but NBC really missed the mark with this production. The Wiz with Diana Ross and Michael Jackson will always be the best adaptation of THE WIZ. Just skip The Wiz Live and just watch THE WIZ with Diana Ross. Its much more enjoyable and urban. It sets itself apart from Wizard of OZ copy cat versions.

I don't think I've ever actually seen The Wiz before. I do remember the commercials and all the interviews back when Michael Jackson's version was made, but don't recall seeing the entire movie. Perhaps it's time to check it out now. For a big-name production and, I'm sure a big financial commitment by NBC, this is a sad mess. Some of the songs have become iconic, but the renditions here show each performer trying to make his or her "mark" by screaming out the songs. Screaming may be in vogue right now, but it is not pleasing nor does it actually showcase a singer's talent. I found it so annoying, I had to force myself to sit through the entire production. The reason we enjoys musicals is so that we can live through the songs with the story. If I'm gritting my teeth and grimacing throughout, I'm not enjoying. Skip this version. Unfortunately another loss for NBC live productions.

The story of The Wiz should be light and airy. This one was so angry that I would have ended viewing if children had been present. We never saw Dorothy scowl before. Speaking of children, Dorothy, who is a child, had the shortest skirt NBC could get away with. I am appalled that, even with children, we cannot seem to have modest clothing. The actress did not have a slip on either. Her turns showed all the way up. This version is definitely not for children or anyone who appreciates fine theatre or their hearing.