Directed by
Bill Clark |
Writing Credits (in alphabetical order)
Bill Clark |
Cast
Produced by
Michael Berendt | ... | Associate Producer for Unlimited Pictures |
Claire Best | ... | executive producer |
Pippa Cross | ... | producer |
Janette Day | ... | executive producer |
Joanne Froggatt | ... | producer |
Julian Gleek | ... | executive producer |
Debbie Gray | ... | executive producer |
Ros Hubbard | ... | producer |
Phil Hunt | ... | executive producer |
Peter Lang | ... | executive producer |
Robert Little | ... | executive producer |
Mel Paton | ... | producer |
Diana Phillips | ... | executive producer |
Compton Ross | ... | executive producer |
Sam Tipper-Hale | ... | associate producer |
Music by
Paul Saunderson |
Cinematography by
Clive Norman |
Editing by
Carmela Iandoli |
Production Design by
David Bryan |
Art Direction by
Thomas Bryan | ... | (as Tom Bryan) |
Costume Design by
Alison McLaughlin |
Makeup Department
Nathaniel De'Lineadeus | ... | dental effects designer |
Freya Hargreaves | ... | silicone technician: Millennium FX |
Terri Hargreaves | ... | buyer: Millennium FX |
Martina Hawkins | ... | prosthetic effects administrator: Millennium FX |
Melissa Lackersteen | ... | make-up & hair designer |
Sammy Leigh | ... | make-up & hair assistant |
Chris Lyons | ... | special effects teeth |
Cliff Wallace | ... | prosthetic effects artist: Millennium FX |
Kate Walshe | ... | prosthetic effects producer: Millennium FX |
Production Management
Rebecca Pendarves | ... | production manager |
Second Unit Director or Assistant Director
Jem Karto | ... | second unit director (as Jem Mehmet) |
Dean Noutsos | ... | second assistant director |
Stuart Williams | ... | first assistant director |
Art Department
Amelia Bennett | ... | property master |
Eloise Gleek | ... | art department assistant |
Nicola Ray | ... | scenic artist |
Emma Rhodes | ... | graphic designer (as Emma de Mattos) |
Sound Department
Craig Barlow | ... | sound mixer |
Robin Cowap | ... | foley artist |
Adam Fletcher | ... | boom operator |
Lindsey Greensmith | ... | sound mixer |
Emma Heap | ... | foley artist |
Gemma Thorn | ... | re-recording mixer / supervising sound editor |
Special Effects by
Jocelyn Bennett-Snewin | ... | prosthetic effects sculptor: Millennium FX |
Claire Green | ... | mould maker: Millennium FX |
Cliff Wallace | ... | special effects makeup: sculptor |
Olivia Whitaker | ... | mould maker: Millennium FX |
Stunts
Vincent Keane | ... | stunt coordinator |
Camera and Electrical Department
Roy Bell | ... | second assistant camera |
Rana Darwish | ... | first assistant camera |
Ben Gregory-Ring | ... | stills photographer: dailies |
Sean McDonald | ... | best boy |
Casting Department
Sophie Pearson | ... | casting assistant |
Costume and Wardrobe Department
Maria Dagher | ... | costume assistant |
Editorial Department
Tom Chandler | ... | assembly editor |
Liam Shanagher | ... | colorist |
Leon Noordzij | ... | trailer editor (uncredited) |
Location Management
Curtis Burrell | ... | assistant location manager |
Music Department
Sam Clifford | ... | composer: theme music |
Jason Elliott | ... | score engineer / score mixer |
James Keo | ... | composer: theme music |
Marli Wren | ... | orchestrated by |
Script and Continuity Department
Katie Collins | ... | script supervisor |
Additional Crew
Goose Charlton | ... | assistant to the producers |
Rebecca Macdonald | ... | post production producer |
Christos Michaels | ... | legal services |
Daniel Rogers | ... | health and safety advisor |