Business as usual for festival unfolding on famous Paris avenue hit by two terror attacks in recent weeks.
Lauren Wolkstein and Christopher Radcliff’s thriller The Strange Ones has scooped the top prize at the sixth edition of France’s Us-focused Champs-Elysées Film Festival, which wan June 15-22.
The feature, starring Alex Pettyfer and James Freedson-Jackson as two brothers on a mysterious trip into the wilderness, premiered at SXSW earlier this year.
The American Independent Jury Prize comes with a €10,000 cash award for the French distributor of the film but, as it has yet to be acquired for France, the...
Lauren Wolkstein and Christopher Radcliff’s thriller The Strange Ones has scooped the top prize at the sixth edition of France’s Us-focused Champs-Elysées Film Festival, which wan June 15-22.
The feature, starring Alex Pettyfer and James Freedson-Jackson as two brothers on a mysterious trip into the wilderness, premiered at SXSW earlier this year.
The American Independent Jury Prize comes with a €10,000 cash award for the French distributor of the film but, as it has yet to be acquired for France, the...
- 6/23/2017
- ScreenDaily
Rooftop Films has announced its lineup for the 2017 Summer Series. This year’s series will feature more than 45 outdoor screenings in more than 10 venues, including films like Michael Showalter’s Sundance hit “The Big Sick” Ana Lily Amirpour’s “The Bad Batch,” (dates still Tbd).
The series kicks off on Friday, May 19 with “This is What We Mean by Short Films,” a collection of some of the most innovative, new short films of the past year. The screening will take place on the roof of The Old American Can Factory, in Gowanus, Brooklyn. The following night, Saturday, May 20, Rooftop will present a sneak preview screening of Zoe Lister-Jones’ 2017 Sundance entry, “Band Aid,” free and outdoors at House of Vans in Greenpoint, Brooklyn.
The entire lineup so far is below. Tickets are already for sale.
Friday, May 19
“This is What We Mean by Short Films”
Saturday, May 20
“Band Aid” (Zoe Lister-Jones)
Saturday,...
The series kicks off on Friday, May 19 with “This is What We Mean by Short Films,” a collection of some of the most innovative, new short films of the past year. The screening will take place on the roof of The Old American Can Factory, in Gowanus, Brooklyn. The following night, Saturday, May 20, Rooftop will present a sneak preview screening of Zoe Lister-Jones’ 2017 Sundance entry, “Band Aid,” free and outdoors at House of Vans in Greenpoint, Brooklyn.
The entire lineup so far is below. Tickets are already for sale.
Friday, May 19
“This is What We Mean by Short Films”
Saturday, May 20
“Band Aid” (Zoe Lister-Jones)
Saturday,...
- 5/5/2017
- by Graham Winfrey
- Indiewire
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.
Lineup Announcements
– Cardiff Animation Nights will be returning to run a dedicated animation strand at Cardiff Independent Film Festival (C.I.F.F.) for a second year this May. This year’s animation strand at C.I.F.F. will comprise three programs of animated short films in competition for the Best Animation Award, as well as an Animated Family Shorts program curated by renowned Cardiff-based studio Cloth Cat Animation, networking events, and an Animation Quiz run by the team at Skwigly Animation Magazine.
The competition program features animated short films from across Europe, Asia, North America, South America and Australia, including Mikey Hill’s The Orchestra, Anete Melece’s Analysis Paralysis, Chris Shepherd’s Johnno’s Dead, Ross Hogg’s Life Cycles and Alois Di Leo’s Way of Giants.
Lineup Announcements
– Cardiff Animation Nights will be returning to run a dedicated animation strand at Cardiff Independent Film Festival (C.I.F.F.) for a second year this May. This year’s animation strand at C.I.F.F. will comprise three programs of animated short films in competition for the Best Animation Award, as well as an Animated Family Shorts program curated by renowned Cardiff-based studio Cloth Cat Animation, networking events, and an Animation Quiz run by the team at Skwigly Animation Magazine.
The competition program features animated short films from across Europe, Asia, North America, South America and Australia, including Mikey Hill’s The Orchestra, Anete Melece’s Analysis Paralysis, Chris Shepherd’s Johnno’s Dead, Ross Hogg’s Life Cycles and Alois Di Leo’s Way of Giants.
- 4/13/2017
- by Kate Erbland
- Indiewire
Taken at face value, Mike Ott's California Dreams is a slowly-drawn portrait of ordinary people who harbor dreams of something better. It mixes documentary footage and staged scenes without demarcation. To what effect? That is left up to the viewer to decide. Frankly, the five subjects of the film -- who are sometimes actors and sometimes, perhaps, playing variations on themselves -- are not terribly compelling. Watching them perform auditions in the opening sequence is painful; has no one told these poor souls that they should focus on something other than acting? Well, maybe they have been informed, and they have chosen to hold on to their dreams anyway, in which case their resiliency is remarkable. Through one on one interviews that sometimes become uncomfortably...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 3/11/2017
- Screen Anarchy
Straight from Berlin, Mike Ott’s California Dreams has its North American premiere at the SXSW premiere on March 11 in the Visions Program. Courtesy of the filmmakers and the Film Sales Company, which is handling world sales, Filmmaker has this exclusive clip from the film. From the filmmakers: In this clip from Mike Ott’s comedy doc California Dreams, various subjects recite monologues at the beginning of the film – all in pursuit of their own dreams. Director Mike Ott’s film is about the dreams we all have — of being something else, or somewhere else, or someone else. Director Bio: […]...
- 3/9/2017
- by Filmmaker Staff
- Filmmaker Magazine - Blog
In Mike Ott’s California Dreams (which I reviewed here), five aspiring actors are shown giving auditions and later acting out scenes in a film-within-the-film. Although this nested film is supposed to be a fiction, and also looks like one thanks to the gorgeous work of cinematographer Mike Gioulakis, the script is drawn – or appears to be drawn – directly from the actors’ biographies. One of the fascinating aspects of California Dreams is that Ott never allows you to know for certain how much is real and how much is fabricated. It was therefore a pleasure to be able to […]...
- 2/15/2017
- by Giovanni Marchini Camia
- Filmmaker Magazine - Blog
Mike Ott’s latest feature “California Dreams” — receiving its World Premiere as part of the fledgling Critics’ Week program that runs concurrently with the main Berlin Film Festival — is one of those barely-there, micro American indies that is a little more SXSW than Sundance. The film — Ott’s sixth — places the audience in medias res of its hybrid fiction/non-fiction narrative, offering minimal orientation and ultimately resolution to the travails of a handful of marginal figures.
Continue reading Superficial ‘California Dreams’ Struggles To Find A Purpose [Berlin Review] at The Playlist.
Continue reading Superficial ‘California Dreams’ Struggles To Find A Purpose [Berlin Review] at The Playlist.
- 2/15/2017
- by Bradley Warren
- The Playlist
Mike Ott’s semi-documentary, about delusional people with dreams of making it big in Hollywood, is beautifully filmed but snickering and uncomfortable
Cory is an aspiring actor who is holding a yard sale to raise the cash he needs to fly to Berlin for an audition. Patrick is 28 and has never kissed a woman, unless you count his mother or grandmother. Neil is a budding screenwriter obsessed with Taco Bell. Carolan lives in her car but has already written her Oscar acceptance speech. And Kevin, who sports a custard-coloured mullet and runs a storage company, is confident about his own star quality. “When I walk into a room of 1,000 people, 999 of them are looking at me,” he says. “The one who isn’t is blind.”
This is the cast of California Dreams, a bittersweet comedy that occupies the grey area between documentary and scripted reality, and comes across like Napoleon Dynamite meets American Movie.
Cory is an aspiring actor who is holding a yard sale to raise the cash he needs to fly to Berlin for an audition. Patrick is 28 and has never kissed a woman, unless you count his mother or grandmother. Neil is a budding screenwriter obsessed with Taco Bell. Carolan lives in her car but has already written her Oscar acceptance speech. And Kevin, who sports a custard-coloured mullet and runs a storage company, is confident about his own star quality. “When I walk into a room of 1,000 people, 999 of them are looking at me,” he says. “The one who isn’t is blind.”
This is the cast of California Dreams, a bittersweet comedy that occupies the grey area between documentary and scripted reality, and comes across like Napoleon Dynamite meets American Movie.
- 2/13/2017
- by Ryan Gilbey
- The Guardian - Film News
In the age of Insta-celebrities, reality TV luminaries — and I use the word luminaries very loosely — and countless variations on American Idol, the dreams of many seem to have less to do with possessing any kind of innate talent than with simply becoming famous. This would seem like fertile ground for a docu-fiction project, and the early going of Mike Ott’s California Dreams appears to tap into this idea, as the director asks unknowns from several small towns in California who dream of becoming actors to audition for him with their favorite Hollywood scene.
All the aspiring actors that...
All the aspiring actors that...
- 2/12/2017
- by Boyd van Hoeij
- The Hollywood Reporter - Movie News
This year’s Berlin International Film Festival bows in Germany later this week and with it, one of Europe’s most exciting and singular film festivals. As ever, the annual fest is playing home to dozens of feature films and short offerings, with picks aplenty from both modern masters and fresh faces. The Berlinale often breeds some of indie film’s most unexpected and unique standouts, so if it’s at the fest, it’s likely worth a look.
Read More: 5 Exciting Films in the 2017 Berlin Film Festival Competition Lineup
Ahead, check out the 8 titles we are most excited to check out at this year’s festival.
“Have a Nice Day”
Expectations are high for this Chinese animated feature that marks the sophomore effort from director Liu Jiang, whose surreal debut “Piercing” offered an inventive look at modern day city life in China’s capital. If the gorgeous stills from...
Read More: 5 Exciting Films in the 2017 Berlin Film Festival Competition Lineup
Ahead, check out the 8 titles we are most excited to check out at this year’s festival.
“Have a Nice Day”
Expectations are high for this Chinese animated feature that marks the sophomore effort from director Liu Jiang, whose surreal debut “Piercing” offered an inventive look at modern day city life in China’s capital. If the gorgeous stills from...
- 2/8/2017
- by David Ehrlich, Eric Kohn and Kate Erbland
- Indiewire
Prize is worth $45,000 (€40,000) in post-production services and distribution support.
Colombian, New York-based director Margarita Jimeno’s hybrid fiction feature Otto – My Life is a Soundtrack, about a renowned artist who undergoes a spiritual awakening after a failed show, has won the fifth edition of Us in Progress in Paris.
The prize includes a post-production and distribution package worth $45,000 (€40,000).
The Us in Progress event showcased six independent Us works looking for final post-production services and a sales agent.
It took place June 7-10 as part of the Industry Days programme of the French-us focused Champs-Elysées Film Festival, running June 7-14 and...
Colombian, New York-based director Margarita Jimeno’s hybrid fiction feature Otto – My Life is a Soundtrack, about a renowned artist who undergoes a spiritual awakening after a failed show, has won the fifth edition of Us in Progress in Paris.
The prize includes a post-production and distribution package worth $45,000 (€40,000).
The Us in Progress event showcased six independent Us works looking for final post-production services and a sales agent.
It took place June 7-10 as part of the Industry Days programme of the French-us focused Champs-Elysées Film Festival, running June 7-14 and...
- 6/13/2016
- ScreenDaily
Industry Days 2016 includes the fifth edition of Us in Progress and the third edition of Paris Coproduction Village. Industry Days aims at becoming a reference in professional meetings for French and European producers, with a strong positioning towards the enhancement of emerging cinematography.
Paris Co-Production Village Unveils Its Project Selections
Organized by Les Arcs European Film Festival within the frame of the Champs-Elysées Film Festival Industry Days, Paris Co-production Village is a development and financing platform for feature projects selected worldwide.
For its third edition, which will take place June 8-10, 2016 in Paris, the 12 following projects have been selected:
-"Afronauts" by Frances Bodomo (2015 - short film « Afronauts » Sundance Ff, Berlinale, AFI Fest, Chicago Iff ; 2014 - short film "Boneshaker" Sundance Ff, SXSW Ff, Chicago Iff, Edinburgh Iff) produced by Nomadic Independence (USA).
-"Blood-Drenched Beard" by Aly Muritiba (2015 - "To My Beloved" San Sebastian Ff Horizontes Latinos, Official Competition Montreal World Film Festival; 2015 - "Tarantula" Venice Ff Orizonti) produced by Rt Features (Brazil).
-"The Bus to Amerika" by Derya Durmaz (2015 - short film "Mother Virgin No More" Berlinale Generations 14plus Short Film Competition) produced by Mars Production (Turkey).
-"Dark Lies the Island" by Ian Fitzgibbon (2011 - "Death of a Superhero" Toronto Iff, Jury and Audience Awards Les Arcs European Film Festival ; 2010 - "Perrier's Bountru" Toronto Iff, Seattle Iff) produced by Grand Pictures (Ireland).
-"God Exists, her Name is Petrunija" by Teona Strugar Mitevska (2012 - "The Woman Who Brushed Her Tears" Berlinale Panaroma Special; 2008 - "I am from Tito Veles" Berlinale Panorama Section, Special Jury Award Sarajevo Ff, Toronto Iff, Cannes Ff Acid selection) produced by Sisters and Brother Mitevski Production (Macedonia).
-"Golden Voices" by Evgeny Ruman (2015 - "The Man in the Wall" Rotterdam Iff, Best acting Award Odessa Iff; 2012 - "Igor & the Cranes' Journey" Toronto Iff, Special Mention Haifa Iff) produced by United Channel Movies (Israel).
-"Prince" by Sebastian Muñoz produced by Niña Niño Films (Chile) and Le Tiro Films (Argentina).
-"Remarkable Things During a Killing" by Joko Anwar (2015 - "A Copy of my Mind" Venice Iff, Toronto Iff, Busan Iff, Rotterdam Iff; 2012 - "Ritual" SXSW, Gerardmer Fantasy Ff) produced by Lo-Fi Flicks (Indonesia).
-"When the Waves are Gone" by Lav Diaz (2016 - "A Lullaby to the Sorrowful Mystery"Alfred Bauer Award Berlinale Official Competition; 2014 - "From What is Before" Golden Leopard Locarno Iff, Audience Award Sao paulo Iff) produced by Epicmedia (The Philippines).
Projets selected within the frame of the Focus Colombia :
"Almost Never Too Late" by Alfonso Acosta (2012 - "The Crack" Busan Iff, Sao Paulo Iff, Gerardmer Fantasy Ff, Neuchatel International Fantastic Ff) produced by Cabecitanegra Producciones.
-"The Stone" by Rafael Martinez Moreno (2015 - short film "Round Numbers" Zinebi Bilbao Official Selection; 2012 - short film "120 Minutes of Freedom", Bogota International Film Festival) produced by Miramar Entertainment.
-"The Tailor" by Cesar Heredia (2015 - short film "Elefante" Official Competition Cartagena Iff) produced by Corte Film, Tree House Film (Panama) and Diafragma (Colombia).
This selection aims at showing the diversity of world cinema, in terms of geography as well as a balance between newcomers and experienced directors. It includes:
- 1 American project, 1 Israeli project, 3 European projects, 2 Asian projects and 5 projects from Latin America including 3 projects part of the Colombian Focus
- 5 first feature films projects (marked with *)
Colombia is the guest country of this third edition
In partnership with Proimágenes Colombia, Paris Coproduction Village will present this year a « Colombian Focus », inviting 3 Colombian projects in development. A conference, organized with the support of the Cnc, will take place during the event and will discuss the improvement of the French-Colombian coproduction framework.
In addition, the 6 residents of Cannes Film Festival Cinéfondation will join the selection:
-"Feathers of a Father" by Omar El Zohairy (Egypt)
-"Fronteira" by Nuno Baltazar (Portugal)
-"Letters from the Land of the Tarahumara" by Federico Cecchetti (Mexico/France)
-"Tinnitus" by Gregorio Grazios (Brazil)
-"The Users" by Ivan Ikic (Serbia)
-"Disappearance" by Ali Asgari (Iran)
All these projects will benefit from one-to-one pre-scheduled meetings with producers, sales agents, distributors, from networking events, as well as seminars taught by leading film industry professionals.
Paris Coproduction Village is supported by the Cnc, Procirep and Cofiloisirs. It is organized in collaboration with our partners Cannes Cinéfondation, Ace, Cinando, Haf (Hong-Kong Asian Film Financing Forum), Variety, LatAm, Producers Network, Screen, Eave, Europa International, Cineuropa and Ecran Total.
The team behind Paris Coproduction Village is the team of Les Arcs European Film Festival, that is to say:
Pierre-Emmanuel Fleurantin, CEO
Jérémy Zelnik, Head of Industry
Alice Guilbaud, Coproduction Village Manager
Guillaume Calop, General Manager
Claire-Marine Piétriga, General Coordinator
Clémentine Larroudé, Head of Partnerships
Fabienne Silvestre-Bertoncini, Public and Institutional Relations
Us in Progress Unveils Its Project Selection
Us in Progress will take place in the scope of the 5th edition of Champs-Elysées Film Festival in Paris on June 8-10. The Program is a joint initiative between the American Film Festival in Wroclaw, the Champs-Elysées Film Festival in Paris and Black Rabbit Film in New York. It is the first and only industry event devoted to Us indies in Europe. The aim of the program is to present Us indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe.
For the 5th edition of Us in Progress within the scope of the Industry Days, 4 feature-length narrative films have been selected to compete for the Us in Progress Prize :
-"California Dreams" Directed by Mike Ott / Produced by Alex Gioulakis
-"Easy Living" Directed by Adam Keleman / Produced by Laura Wagner
-"Everything Beautiful is Far Away" Directed by Pete Ohs and Andrea Sisson / Produced by Andrea Sisson and Saul Germaine
-"Otto : My Life is a Soundtrack" Directed by Margarita Jimeno / Andrew Corkin and Sol Bondy
This year, we are also introducing documentaries at the Us in Progress Paris with the selection of 2 films:
-"Academy" Directed by Brent Chesanek / Produced by Andrew Renzi and Andrew Corkin
-"Whirlybird" Directed by Matt Yoka / Produced by Steve Holmgren, Erin Lee Carr, Greg Lanesey and Matt Radecki
For two days, the project holders will present their rough cuts to 40 top European sales agents, distributors, festivals programmers and producers. On the third day, they will get advices and feedbacks from the screenings through one-to-one meetings with the buyers.
The awarded film will get post-production, acquisition and promotion services offered by our partners : TitraFilm, Europa Distribution, Producers Network, Ciné +, Eaux Vives Productions, Indiewire-SydneysBuzz, Centre Phi, Kickstarter and a newcomer the Studios d’Arenberg (Arenberg Creative Mine).
Us in Progress involves two yearly get-togethers and the next edition will take place in Wroclaw in October 2016 in the scope of the American Film Festival. Us in Progress Wroclaw’s submissions starts from April 6th to August 31st.
Paris Co-Production Village Unveils Its Project Selections
Organized by Les Arcs European Film Festival within the frame of the Champs-Elysées Film Festival Industry Days, Paris Co-production Village is a development and financing platform for feature projects selected worldwide.
For its third edition, which will take place June 8-10, 2016 in Paris, the 12 following projects have been selected:
-"Afronauts" by Frances Bodomo (2015 - short film « Afronauts » Sundance Ff, Berlinale, AFI Fest, Chicago Iff ; 2014 - short film "Boneshaker" Sundance Ff, SXSW Ff, Chicago Iff, Edinburgh Iff) produced by Nomadic Independence (USA).
-"Blood-Drenched Beard" by Aly Muritiba (2015 - "To My Beloved" San Sebastian Ff Horizontes Latinos, Official Competition Montreal World Film Festival; 2015 - "Tarantula" Venice Ff Orizonti) produced by Rt Features (Brazil).
-"The Bus to Amerika" by Derya Durmaz (2015 - short film "Mother Virgin No More" Berlinale Generations 14plus Short Film Competition) produced by Mars Production (Turkey).
-"Dark Lies the Island" by Ian Fitzgibbon (2011 - "Death of a Superhero" Toronto Iff, Jury and Audience Awards Les Arcs European Film Festival ; 2010 - "Perrier's Bountru" Toronto Iff, Seattle Iff) produced by Grand Pictures (Ireland).
-"God Exists, her Name is Petrunija" by Teona Strugar Mitevska (2012 - "The Woman Who Brushed Her Tears" Berlinale Panaroma Special; 2008 - "I am from Tito Veles" Berlinale Panorama Section, Special Jury Award Sarajevo Ff, Toronto Iff, Cannes Ff Acid selection) produced by Sisters and Brother Mitevski Production (Macedonia).
-"Golden Voices" by Evgeny Ruman (2015 - "The Man in the Wall" Rotterdam Iff, Best acting Award Odessa Iff; 2012 - "Igor & the Cranes' Journey" Toronto Iff, Special Mention Haifa Iff) produced by United Channel Movies (Israel).
-"Prince" by Sebastian Muñoz produced by Niña Niño Films (Chile) and Le Tiro Films (Argentina).
-"Remarkable Things During a Killing" by Joko Anwar (2015 - "A Copy of my Mind" Venice Iff, Toronto Iff, Busan Iff, Rotterdam Iff; 2012 - "Ritual" SXSW, Gerardmer Fantasy Ff) produced by Lo-Fi Flicks (Indonesia).
-"When the Waves are Gone" by Lav Diaz (2016 - "A Lullaby to the Sorrowful Mystery"Alfred Bauer Award Berlinale Official Competition; 2014 - "From What is Before" Golden Leopard Locarno Iff, Audience Award Sao paulo Iff) produced by Epicmedia (The Philippines).
Projets selected within the frame of the Focus Colombia :
"Almost Never Too Late" by Alfonso Acosta (2012 - "The Crack" Busan Iff, Sao Paulo Iff, Gerardmer Fantasy Ff, Neuchatel International Fantastic Ff) produced by Cabecitanegra Producciones.
-"The Stone" by Rafael Martinez Moreno (2015 - short film "Round Numbers" Zinebi Bilbao Official Selection; 2012 - short film "120 Minutes of Freedom", Bogota International Film Festival) produced by Miramar Entertainment.
-"The Tailor" by Cesar Heredia (2015 - short film "Elefante" Official Competition Cartagena Iff) produced by Corte Film, Tree House Film (Panama) and Diafragma (Colombia).
This selection aims at showing the diversity of world cinema, in terms of geography as well as a balance between newcomers and experienced directors. It includes:
- 1 American project, 1 Israeli project, 3 European projects, 2 Asian projects and 5 projects from Latin America including 3 projects part of the Colombian Focus
- 5 first feature films projects (marked with *)
Colombia is the guest country of this third edition
In partnership with Proimágenes Colombia, Paris Coproduction Village will present this year a « Colombian Focus », inviting 3 Colombian projects in development. A conference, organized with the support of the Cnc, will take place during the event and will discuss the improvement of the French-Colombian coproduction framework.
In addition, the 6 residents of Cannes Film Festival Cinéfondation will join the selection:
-"Feathers of a Father" by Omar El Zohairy (Egypt)
-"Fronteira" by Nuno Baltazar (Portugal)
-"Letters from the Land of the Tarahumara" by Federico Cecchetti (Mexico/France)
-"Tinnitus" by Gregorio Grazios (Brazil)
-"The Users" by Ivan Ikic (Serbia)
-"Disappearance" by Ali Asgari (Iran)
All these projects will benefit from one-to-one pre-scheduled meetings with producers, sales agents, distributors, from networking events, as well as seminars taught by leading film industry professionals.
Paris Coproduction Village is supported by the Cnc, Procirep and Cofiloisirs. It is organized in collaboration with our partners Cannes Cinéfondation, Ace, Cinando, Haf (Hong-Kong Asian Film Financing Forum), Variety, LatAm, Producers Network, Screen, Eave, Europa International, Cineuropa and Ecran Total.
The team behind Paris Coproduction Village is the team of Les Arcs European Film Festival, that is to say:
Pierre-Emmanuel Fleurantin, CEO
Jérémy Zelnik, Head of Industry
Alice Guilbaud, Coproduction Village Manager
Guillaume Calop, General Manager
Claire-Marine Piétriga, General Coordinator
Clémentine Larroudé, Head of Partnerships
Fabienne Silvestre-Bertoncini, Public and Institutional Relations
Us in Progress Unveils Its Project Selection
Us in Progress will take place in the scope of the 5th edition of Champs-Elysées Film Festival in Paris on June 8-10. The Program is a joint initiative between the American Film Festival in Wroclaw, the Champs-Elysées Film Festival in Paris and Black Rabbit Film in New York. It is the first and only industry event devoted to Us indies in Europe. The aim of the program is to present Us indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe.
For the 5th edition of Us in Progress within the scope of the Industry Days, 4 feature-length narrative films have been selected to compete for the Us in Progress Prize :
-"California Dreams" Directed by Mike Ott / Produced by Alex Gioulakis
-"Easy Living" Directed by Adam Keleman / Produced by Laura Wagner
-"Everything Beautiful is Far Away" Directed by Pete Ohs and Andrea Sisson / Produced by Andrea Sisson and Saul Germaine
-"Otto : My Life is a Soundtrack" Directed by Margarita Jimeno / Andrew Corkin and Sol Bondy
This year, we are also introducing documentaries at the Us in Progress Paris with the selection of 2 films:
-"Academy" Directed by Brent Chesanek / Produced by Andrew Renzi and Andrew Corkin
-"Whirlybird" Directed by Matt Yoka / Produced by Steve Holmgren, Erin Lee Carr, Greg Lanesey and Matt Radecki
For two days, the project holders will present their rough cuts to 40 top European sales agents, distributors, festivals programmers and producers. On the third day, they will get advices and feedbacks from the screenings through one-to-one meetings with the buyers.
The awarded film will get post-production, acquisition and promotion services offered by our partners : TitraFilm, Europa Distribution, Producers Network, Ciné +, Eaux Vives Productions, Indiewire-SydneysBuzz, Centre Phi, Kickstarter and a newcomer the Studios d’Arenberg (Arenberg Creative Mine).
Us in Progress involves two yearly get-togethers and the next edition will take place in Wroclaw in October 2016 in the scope of the American Film Festival. Us in Progress Wroclaw’s submissions starts from April 6th to August 31st.
- 5/19/2016
- by Sydney Levine
- Sydney's Buzz
Works-in-progress event devoted to Us indies to take place in Paris June 8-10.
Us directors Mike Ott and Adam Keleman will present their upcoming films at the fifth edition of Us in Progress in Paris this June.
Running June 8-10, the programme is a joint initiative between the American Film Festival in Wroclaw, the Champs-Elysées Film Festival in Paris and Black Rabbit Film in New York.
Rough cuts of a selection of Us independent features are screened with the aim of finding them sales agents, festival homes and producers.
Benjamin Dickinson’s sci-fi comedy Creative Control, which took the top prize at the event in 2014, went on to to be sold, for example, by Philippe Bober’s Paris-based Coproduction Office.
Ott will present his hybrid work California Dreams revolving around auditions in which people perform scenes from their favourite films.
The director won the Polish round of Us in Progress in 2013 for his last film Lake Los Angeles.
[link...
Us directors Mike Ott and Adam Keleman will present their upcoming films at the fifth edition of Us in Progress in Paris this June.
Running June 8-10, the programme is a joint initiative between the American Film Festival in Wroclaw, the Champs-Elysées Film Festival in Paris and Black Rabbit Film in New York.
Rough cuts of a selection of Us independent features are screened with the aim of finding them sales agents, festival homes and producers.
Benjamin Dickinson’s sci-fi comedy Creative Control, which took the top prize at the event in 2014, went on to to be sold, for example, by Philippe Bober’s Paris-based Coproduction Office.
Ott will present his hybrid work California Dreams revolving around auditions in which people perform scenes from their favourite films.
The director won the Polish round of Us in Progress in 2013 for his last film Lake Los Angeles.
[link...
- 5/15/2016
- ScreenDaily
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