Mentors and teachers decide to send a group of girls to Russia to find and plant their main enemy, a male teacher from Russia.Mentors and teachers decide to send a group of girls to Russia to find and plant their main enemy, a male teacher from Russia.Mentors and teachers decide to send a group of girls to Russia to find and plant their main enemy, a male teacher from Russia.
Storyline
Did you know
- Alternate versionsThe UK release was cut, cut required to remove language in the title encouraging an interest in underage sex, in order to obtain an R18 classification. Cut made in line with BBFC Guidelines and policy, and the Video Recordings Act 1984. An uncut classification was not available.
- ConnectionsFeatured in Lolitas Anthology (2018)
Featured review
Herve Bodilis went to Budapest and slacked off to direct this 20th volume of the hit schoolgirl series, ruined by the usual Dorcel Defects. Even Anissa Kate as a mean headmistress can't save this baby.
Like too many Dorcel releases in recent years, this one has all dialog eliminated or suppressed, relying instead on Mickey-Mousing narration from heroine Alice, played by the unimpressive, plain little Daniella Rose, an unlikely prospect for Adult Entertainment. She's flat-chested, hence suitable jail-bait casting, but has nothing special about her on screen.
The "Making of" short subject has several contradictions with the story we get by narration. Alice is dropped off at the exclusive private school, according to her voice-over, by a business partner of her dad named David, but in the making-of it's noted he's her father. This apparent change in post-production is evidently to soften the next scene where David humps a hitchhiking girl, behavior not to be assigned arbitrarily to the heroine's father.
Similarly, that hitchhiker played by Alexis Brill is supposedly forced to walk 2 miles to a nearby town as punishment per narration, but I found that odd. Sure enough, in the "Making of" she has been expelled from school by Kate, making a lot more sense.
Instead of a story we have incidents of little import, basically generic sex scenes. By eliminating dialog and reducing the film to pantomime, it's little more than wall-to-wall sex with a phony pretense of characters (paper-thin) and narrative.
Alice's roommate Sandra, played by an overage but convincing Tiffany Doll, sneaks out after curfew to hump the teacher played by James Brossman, delivering her usual anal specialty. The latter-day Dorcel safe-sex proselytizing campaign has her even sucking his cock with a condom on it.
Three other schoolgirls, led by the wonderful, but too old-looking full- bosomed Jessyca Wilson, have a lesbian daisy chain in another room, and Kate, after administering a few half-hearted spankings to miscreant girls, humps Renato, the gym teacher, also anal-oriented as is her wont. Of course, the finale is our humble narrator Alice getting it in the rear, from reliable Brossman again.
A pretty crummy sex video, with the usual complement of pretty girls but about as mediocre as could be.
Like too many Dorcel releases in recent years, this one has all dialog eliminated or suppressed, relying instead on Mickey-Mousing narration from heroine Alice, played by the unimpressive, plain little Daniella Rose, an unlikely prospect for Adult Entertainment. She's flat-chested, hence suitable jail-bait casting, but has nothing special about her on screen.
The "Making of" short subject has several contradictions with the story we get by narration. Alice is dropped off at the exclusive private school, according to her voice-over, by a business partner of her dad named David, but in the making-of it's noted he's her father. This apparent change in post-production is evidently to soften the next scene where David humps a hitchhiking girl, behavior not to be assigned arbitrarily to the heroine's father.
Similarly, that hitchhiker played by Alexis Brill is supposedly forced to walk 2 miles to a nearby town as punishment per narration, but I found that odd. Sure enough, in the "Making of" she has been expelled from school by Kate, making a lot more sense.
Instead of a story we have incidents of little import, basically generic sex scenes. By eliminating dialog and reducing the film to pantomime, it's little more than wall-to-wall sex with a phony pretense of characters (paper-thin) and narrative.
Alice's roommate Sandra, played by an overage but convincing Tiffany Doll, sneaks out after curfew to hump the teacher played by James Brossman, delivering her usual anal specialty. The latter-day Dorcel safe-sex proselytizing campaign has her even sucking his cock with a condom on it.
Three other schoolgirls, led by the wonderful, but too old-looking full- bosomed Jessyca Wilson, have a lesbian daisy chain in another room, and Kate, after administering a few half-hearted spankings to miscreant girls, humps Renato, the gym teacher, also anal-oriented as is her wont. Of course, the finale is our humble narrator Alice getting it in the rear, from reliable Brossman again.
A pretty crummy sex video, with the usual complement of pretty girls but about as mediocre as could be.
Details
- Release date
- Country of origin
- Language
- Also known as
- Russian Institute 20: The New School Girl
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 16:9 HD
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