Directed by
| Slater Dixon | ||
Writing Credits (in alphabetical order)
| Hannah Barefoot | ||
| Slater Dixon | ||
Cast
| Hannah Barefoot | ... | Inna | |
| Aris Juson | ... | Joe | |
|
|
Josh Rice | ... | Waiter |
Produced by
| Guy Baker | ... | consulting producer |
| Hannah Barefoot | ... | producer |
| Slater Dixon | ... | executive producer |
| Jason Satterlund | ... | associate producer |
| Eric Stolberg | ... | associate producer |
Music by
| George Shaw | ||
Cinematography by
| Federico Verardi | ||
Editing by
| Slater Dixon | ||
Makeup Department
| Amber Arpin | ... | makeup artist |
Sound Department
| Beatriz Alcaraz | ... | boom operator |
| Christian Dolan | ... | sound |
| Zak Forsman | ... | dialogue editor |
| Reed Harvey | ... | sound editor / sound effects editor |
| Brandon Slavinski | ... | dialogue editor |
| Chip Sloan | ... | re-recording mixer |
| Eric Stolberg | ... | re-recording mixer |
Visual Effects by
| Adam C. Sager | ... | compositor |
Stunts
| Hannah Barefoot | ... | stunt performer |
| Aris Juson | ... | stunt coordinator / stunt performer |
Camera and Electrical Department
| Andy Barefoot | ... | production assistant |
| Patrick Blevins | ... | gaffer |
| Devin Conner | ... | production assistant |
| Trippe Davis | ... | first assistant camera |
| Jason Deymonaz | ... | still photographer |
| David R.D. Goodman | ... | grip (as David Goodman) |
| Levy Moroshan | ... | still photographer |
| Aaron Nelson | ... | best boy |
| Corey Rood | ... | production assistant |
Thanks
| Joseph Thomas Bailey | ... | special thanks |
| Andy Barefoot | ... | very special thanks |
| Brett Barron | ... | special thanks |
| Martin Bannon Beaudet | ... | special thanks |
| Alicia Butler | ... | special thanks |
| Patricia Cabrera | ... | very special thanks |
| Sonya Davis | ... | special thanks |
| Bruce Jennings | ... | special thanks |
| Kina Lyn | ... | special thanks |
| Marshall Potter | ... | special thanks |