We are in the Olympic year and season, and 'Tatami' (2023) directed by Zar Amir Ebrahimi and Guy Nattiv is the right movie for this season. It can be said that the (Olympic) spirit of sport and the relationship between sport and politics is at the heart of this film. It is a film by and about sports and it is also a political thriller, but above all it is a film about courage. The courage of women who fight to win what for their contemporaries in other countries is something natural - the freedom to be who they are and to live as they want, to compete in sports outside any political constraints and discrimination of any kind and to win when they are the best. I took the risk of missing part of the opening festivities of the Olympics to watch the film and I did not regret the decision, because 'Tatami' fascinated me and kept me nailed in my seat from the first to the last minute of viewing.
Leila Hosseini is an Iranian judoka competing for her country at the World Championships in Tbilisi. Maryam is her coach, a former performance judoka who almost won a medal at the Olympics but had to drop out of the competition to avoid facing an athlete from Israel. The same thing is happening to Leila now. She's in great shape and moving up through the competition, but so is an Israeli opponent with whom Leila has a friendly rivalry. As the chances of the two women meeting in the final stages of the competition increase, history seems to be repeating itself. Iran's Judo Association and the politicians behind it are asking the athlete and her coach to fake a medical problem in order to drop out of the competition. Leila refuses, despite the fact that her family (who supports her) is under threat back home in Iran. Maryam hesitates. If Leila continues, there is no turning back, she will be forced to take the road of exile.
Sports sequences and scenes in the locker and training rooms of the competition alternate at a fast pace. We watch the fights on the tatami and we admire the huge physical and concentration efforts that the athletes have to invest in order to reach the top. At the same time, political and personal drama develop. For Zar Amir Ebrahimi this is a first feature film that she is directing, together with the Israeli Guy Nattiv. She also plays the role of Maryam, and together with Arienne Mandi, who plays the role of Leila, creates two memorable portraits of brave and dignified women who face a dictatorial regime in their desire to represent their country in the competition with dignity and sportsmanship. Chosing exile is an extremely difficult decision and Zar Amir Ebrahimi, who had to make it herself years ago, knows the dilemmas very well. In addition to well-known Iranian filmmakers who create in their country under conditions that are sometimes very difficult, Iranian cinema in exile manages, through international co-productions like this one, to offer another facet of Iranian film art. 'Tatami' is an excellent political and psychological thriller and a wonderful film about courage and dignity.
Leila Hosseini is an Iranian judoka competing for her country at the World Championships in Tbilisi. Maryam is her coach, a former performance judoka who almost won a medal at the Olympics but had to drop out of the competition to avoid facing an athlete from Israel. The same thing is happening to Leila now. She's in great shape and moving up through the competition, but so is an Israeli opponent with whom Leila has a friendly rivalry. As the chances of the two women meeting in the final stages of the competition increase, history seems to be repeating itself. Iran's Judo Association and the politicians behind it are asking the athlete and her coach to fake a medical problem in order to drop out of the competition. Leila refuses, despite the fact that her family (who supports her) is under threat back home in Iran. Maryam hesitates. If Leila continues, there is no turning back, she will be forced to take the road of exile.
Sports sequences and scenes in the locker and training rooms of the competition alternate at a fast pace. We watch the fights on the tatami and we admire the huge physical and concentration efforts that the athletes have to invest in order to reach the top. At the same time, political and personal drama develop. For Zar Amir Ebrahimi this is a first feature film that she is directing, together with the Israeli Guy Nattiv. She also plays the role of Maryam, and together with Arienne Mandi, who plays the role of Leila, creates two memorable portraits of brave and dignified women who face a dictatorial regime in their desire to represent their country in the competition with dignity and sportsmanship. Chosing exile is an extremely difficult decision and Zar Amir Ebrahimi, who had to make it herself years ago, knows the dilemmas very well. In addition to well-known Iranian filmmakers who create in their country under conditions that are sometimes very difficult, Iranian cinema in exile manages, through international co-productions like this one, to offer another facet of Iranian film art. 'Tatami' is an excellent political and psychological thriller and a wonderful film about courage and dignity.