I really liked this movie. The story was quite touching and avoided a lot of the sentimentality and schmaltz that you often see from Hallmark movies. The characters seemed real and the dialog was very natural. Kellie Martin's performance as widow Annie was superb. You really felt the pain of her loss, her concern for her family and her growing attraction for James. Kavan Smith as her love interest James was great too. He really made you believe that this rich, successful heir to a fortune was just a nice, ordinary guy who truly wanted to connect with Annie and her children without any ulterior motives. The chemistry between the two was wonderful. Their attraction seemed very genuine and unforced.
I liked how Annie's daughter Ella was a bratty, sullen teenager. Sure, there were times you felt like slapping her upside the head, but she was much more like what you would expect a 14-year old who had lost her father to act than the saccharine sweet teens that you often see in Hallmark movies. Annie's 7-year old Milo was quite believable, too. A boy that age who had lost his dad would immediately latch onto a nice man who showed him some attention and who could play the role of a father figure for him.
I thought the initial venom from Annie when James almost ran into her was a little over-the-top. Of course, this is part of the rom-com formula. The leads usually need to start out as quasi-enemies, and, more often than not, the initial enmity is done badly and seems forced. I'm glad that it didn't continue for very long. Otherwise, I found their interactions with each other very believable and enjoyable.
The whole supernatural thing with the phone messages beyond the grave from Annie's late husband Andre wasn't done very well, and could have been eliminated from the plot, in my opinion. This was a heartwarming drama about relationships, not The Twilight Zone, and that plot element really seemed out of place to me. Other movies of this genre have used the plot device of having the widow/widower having imaginary conversations with their dead spouse. That's a little cheesy, too, but would have worked much better in this story than the phone message thing, where the messages were cryptic, one-word utterances.
Otherwise, I loved this movie. It had a lot more emotional depth than most Hallmark movies and the dialog was natural and realistic, avoiding the stilted "Hallmark-speak" that you get in many of their films. I highly recommend it.
I liked how Annie's daughter Ella was a bratty, sullen teenager. Sure, there were times you felt like slapping her upside the head, but she was much more like what you would expect a 14-year old who had lost her father to act than the saccharine sweet teens that you often see in Hallmark movies. Annie's 7-year old Milo was quite believable, too. A boy that age who had lost his dad would immediately latch onto a nice man who showed him some attention and who could play the role of a father figure for him.
I thought the initial venom from Annie when James almost ran into her was a little over-the-top. Of course, this is part of the rom-com formula. The leads usually need to start out as quasi-enemies, and, more often than not, the initial enmity is done badly and seems forced. I'm glad that it didn't continue for very long. Otherwise, I found their interactions with each other very believable and enjoyable.
The whole supernatural thing with the phone messages beyond the grave from Annie's late husband Andre wasn't done very well, and could have been eliminated from the plot, in my opinion. This was a heartwarming drama about relationships, not The Twilight Zone, and that plot element really seemed out of place to me. Other movies of this genre have used the plot device of having the widow/widower having imaginary conversations with their dead spouse. That's a little cheesy, too, but would have worked much better in this story than the phone message thing, where the messages were cryptic, one-word utterances.
Otherwise, I loved this movie. It had a lot more emotional depth than most Hallmark movies and the dialog was natural and realistic, avoiding the stilted "Hallmark-speak" that you get in many of their films. I highly recommend it.