Two young girls get mistreated in this "par for the course" pair of Pure Taboo scenes. "Pointless" would be high praise for these examples, both written by house hack "Midnight".
Maya Woulfe takes a home pregnancy test, and reveals she's knocked up to her stepbrother AJ. DIrcectors Casey Calvert and Eli Cross/Bryn Pryor maintain a serious mood here, but it's merely a quick set-up of bro AJ being mean and nasty, only willing to help her get an abortion if she f*cks him.
So Maya does, completely stepping out of character and enjoying it. Two sex workers as actors having mechanical sex is the result, and no plot twists to follow. The duo's acting is as robotic as their sex was.
A different approach is taken by director Kay Brandt for a scene titled "A Taste of the Good Old Days". Old guys, represented by veteran actors Marcus London and Jack Vegas watch sports on TV, which from the soundtrack appears to be soccer (with a Brit-accented commentator) but all they talk about is the sexy (and unseen) cheerleaders, not credible at all.
As they yearn for their youth when they caroused and had plenty of women (now they're long-married), the nostalgia is interrupted by teen Judy Jolie arriving to visit London's daughter (who also goes unseen).
London has an idea, so he and Vegas ask Judy if they can take her home safely, but instead stop off at Vegas's house and quickly ask her to have a threesome. Midnight's script glosses over the situation, as JJ immediately says yes, greatly enjoys being humped by a couple of old farts and is even satisfied during the scene's nonending.
Uninteresting stuff, especially the scene dealing so boringly with the since ultra-hot topic of abortion and access to same.
Maya Woulfe takes a home pregnancy test, and reveals she's knocked up to her stepbrother AJ. DIrcectors Casey Calvert and Eli Cross/Bryn Pryor maintain a serious mood here, but it's merely a quick set-up of bro AJ being mean and nasty, only willing to help her get an abortion if she f*cks him.
So Maya does, completely stepping out of character and enjoying it. Two sex workers as actors having mechanical sex is the result, and no plot twists to follow. The duo's acting is as robotic as their sex was.
A different approach is taken by director Kay Brandt for a scene titled "A Taste of the Good Old Days". Old guys, represented by veteran actors Marcus London and Jack Vegas watch sports on TV, which from the soundtrack appears to be soccer (with a Brit-accented commentator) but all they talk about is the sexy (and unseen) cheerleaders, not credible at all.
As they yearn for their youth when they caroused and had plenty of women (now they're long-married), the nostalgia is interrupted by teen Judy Jolie arriving to visit London's daughter (who also goes unseen).
London has an idea, so he and Vegas ask Judy if they can take her home safely, but instead stop off at Vegas's house and quickly ask her to have a threesome. Midnight's script glosses over the situation, as JJ immediately says yes, greatly enjoys being humped by a couple of old farts and is even satisfied during the scene's nonending.
Uninteresting stuff, especially the scene dealing so boringly with the since ultra-hot topic of abortion and access to same.