Overcrowded and generally undistinguished Republic musical. Nonetheless, it does have its moments, like the opening hook with Frazee frazzling the boys, or McLaglen's feisty fireman spicing up the screen. Too bad the rather frantic musical scenes don't reach highlight status; after all, the flick has its hopes as a musical. And what's with the many distracting characters just popping in and out without any set-up -- I wish we got to know some better. Then too, what's the big deal between Boston and New York that takes up too much dialogue time. After all, there are many other states sitting among audiences then and now.
The plot itself turns on which guy Frazee will end up with, Ellison or Marshall. Frazee is aptly lively and sweet, but her two suitors are on the forgettably bland side. (Good thing Ellison went on to matinee cowboy movies.) And get a look at the fully-clothed calendar girl so scandalous for 1900; a Playboy version it ain't, but then styles and mores do change.
Anyway, I think the screenplay could have used a lot of sorting-out and a better musical score, if that were possible given scheduling demands. As is, the flick's overall obscurity is not surprsing. All in all, it's not surprising that Republic specialized in cheap cowboy flicks during this same period. So, "Hi-Yo, Silver"!
The plot itself turns on which guy Frazee will end up with, Ellison or Marshall. Frazee is aptly lively and sweet, but her two suitors are on the forgettably bland side. (Good thing Ellison went on to matinee cowboy movies.) And get a look at the fully-clothed calendar girl so scandalous for 1900; a Playboy version it ain't, but then styles and mores do change.
Anyway, I think the screenplay could have used a lot of sorting-out and a better musical score, if that were possible given scheduling demands. As is, the flick's overall obscurity is not surprsing. All in all, it's not surprising that Republic specialized in cheap cowboy flicks during this same period. So, "Hi-Yo, Silver"!