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Black Tights (1960)
10/10
Four ballets in one film in sophisticated contrast to each other
9 July 2021
Two of them are comedies, while the second and fourth are great tragedies. Everyone of them is perfect in choreography, dancing performances, impersonations, color and direction - nothing can be said against any of them. The music is originally mixed, it is both modern and classical, the most modern is in the second "Cyrano de Bergerac", while the best is in the third, "Widow for 24 Hours", which also presents the best solo ballet performance by Cyd Charisse, a very original comedy ballet, offering all kinds of typical Parisian delights, like both can-can, tango, strip tease and perhaps the best music of the whole. The fourth, "Carmen" is all Bizet. All four of them present excellent pas-de-deux, while "Cyrano de Bergerac", the second and the longest of the four, even presents a spectacular pas-de-trois, as Cyrano and Christian de Neuvillette, Roxane's two lovers, partner her expertly letting her believe them to be only the handsome Christian, while they perform this treat in marvelous communion, Cyrano always taking her over from behind, while she only sees Christian. It's a gripping and great drama, probably all made up by Edmond Rostand, but as a story it is immortal, and this ballet is a great illustration of it. Roland Petit is the choreographer and leading dancer in all four of them except the first, where Dirk Sanders makes the most impressing performance. Moira Shearer as Roxane, which is interesting to note, made this film in the same year as she made the ill-fated and unjustly notorious "Peeping Tom" with Michael Powell, who launched her in the greatest of all ballet films, "The Red Shoes" of 1948. Zizi Jeanmaire, leading in the first and last segment, is impressing as a dancer with very striking legs, but with her forced sensuality she makes almost a vulgar impression. An important detail is the great Danish dancer Henning Kronstam's short but striking appearance as Escamillo In the "Carmen" ballet. Cyd Charisse though is the jewel in the crown here, while perhaps the greatest surprise is, that the director was Terence Young, later world famous for launching the James Bond films.
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