This is a good initial overview, but misses too many scenes. The focus, as usual, is on Argentine and Mexican musicians, with an occasional nod to other countries. At times it is insightful, knowledgeable, and fair; they cover acts that were hits across the continent; and musicians that were clear innovators or influencers. Those parts were the best. They also cover the general history of Hispanic America, and many items that were relatable across countries. And they provide insights as to why rock bands from some countries got more exposure than their contemporaries from other countries; certain producers and etc.
But when they talk about generic bands that were not hits outside of their country (and misportrayed as 'everyone' was listening to them locally), it becomes annoying. Why not focus on acts from other countries that were more enduring in those cultures?
I wish they do a 2nd season or a follow-up series, and cover Brazil; Chicano rock; the ska rock, punk, pop rock, and political rock of Peru, Chile, and Central America; metal, post-rock, jazz rock, as well as the class division that created new musical genres (e.g. psychedelic rock fused with huayno becomes the super-popular andean chicha).
But when they talk about generic bands that were not hits outside of their country (and misportrayed as 'everyone' was listening to them locally), it becomes annoying. Why not focus on acts from other countries that were more enduring in those cultures?
I wish they do a 2nd season or a follow-up series, and cover Brazil; Chicano rock; the ska rock, punk, pop rock, and political rock of Peru, Chile, and Central America; metal, post-rock, jazz rock, as well as the class division that created new musical genres (e.g. psychedelic rock fused with huayno becomes the super-popular andean chicha).