Plenty of reviews of "Two-Fisted Law" show up here and they cover the film well. I normally don't submit reviews for run-of-the-mill, much reviewed B-westerns, but I herewith wish to recognize and emphasize the skilled directing and camera work performed by director D. Ross Lederman. The framing, angling, and camera racking is a marvel to witness, and I will be watching the film again merely to enjoy a return visit to this component. Right from the opening scene, where the film's skullduggery is established, the viewer is signalled that he or she can anticipate a well-composed and directed film.
The movie's second scene is truly remarkable for a B-Western, as it captures and portrays straightforwardly, and with unaffected poignancy, the predicament that Tim McCoy and his two friends find themselves in. This happens not only because of the well-delivered scripted words and the portrayals by McCoy, Wallace MacDonald, and John Wayne, but very much also because of the camera's measured, gentle, and involved recording of the action. The scene goes on for several minutes, with dramatic and reflective emotions on display. This scene then segues to a scene where McCoy further discusses his predicament with actress Alice Day's character. Although Miss Day is not the most polished of actresses, the weighty pathos portrayed by the four characters in scenes two and three is so deftly established that the viewer totally becomes eager for wanting to witness all the action to come, whatever it may be.
The film then moves into the anticipated action and resolution mode, and does it well, too, as might be expected. The cinematic treats are not over, however, as one more beautifully performed extended dramatic scene towards the end unspools, this one involving Wheeler Oakman and Walter Brennan. Retreating to a bench in front of the saloon, the two men have a weighty discussion bearing on their actual survival, acted well and captured magnificently.
Very much enjoyed, this little two-fisted western film has a lot to enjoy for the film buff. Please have a look!
The movie's second scene is truly remarkable for a B-Western, as it captures and portrays straightforwardly, and with unaffected poignancy, the predicament that Tim McCoy and his two friends find themselves in. This happens not only because of the well-delivered scripted words and the portrayals by McCoy, Wallace MacDonald, and John Wayne, but very much also because of the camera's measured, gentle, and involved recording of the action. The scene goes on for several minutes, with dramatic and reflective emotions on display. This scene then segues to a scene where McCoy further discusses his predicament with actress Alice Day's character. Although Miss Day is not the most polished of actresses, the weighty pathos portrayed by the four characters in scenes two and three is so deftly established that the viewer totally becomes eager for wanting to witness all the action to come, whatever it may be.
The film then moves into the anticipated action and resolution mode, and does it well, too, as might be expected. The cinematic treats are not over, however, as one more beautifully performed extended dramatic scene towards the end unspools, this one involving Wheeler Oakman and Walter Brennan. Retreating to a bench in front of the saloon, the two men have a weighty discussion bearing on their actual survival, acted well and captured magnificently.
Very much enjoyed, this little two-fisted western film has a lot to enjoy for the film buff. Please have a look!