No wonder 1917 is getting awards by the truckloads- it is a fine war movie. Not only because it makes you abhor war, like every good war movie does. Also because it is without being overtly gritty, a very realistic portrayal of those lowest in the pecking order- the infantry-man. And also for the fact that technically- it is a marvel.
It is also a very different kind of war movie. Thank god to the title, it did not need a prologue, or any character build up. We straightaway jump into the odd mix of silence and mayhem that trench warfare was in the First World War. We learn that the Germans have made a strategic withdrawal and are waiting to pounce on unsuspecting British forces chasing them, with the obvious mcguffin being telegram wires cut. The task of stopping the pursuing British forces from attacking the artillery reinforced Germans falls upon two Lance Corporals- Blake and Schofield, and they literally have to go through hell to succeed. Shades of another war epic from Spielberg I say, along with some inspiration from Tolkien of course.
"They're walking into a trap. Your orders are to deliver a message calling off tomorrow morning's attack. If you fail, it will be a massacre"
The plot is based on a true story told by director Sam Mendes' grandfather. And Mendes goes all in to make 1917 an experience like no other. For people unfamiliar with WW1, a large part of the war was fought through two opposing trenches- the land between them known as No Man's land. Last time we saw No Man's land in a big budget mainstream release, it was Wonder Woman's launch pad. Grim, but still comicky. In 1917, the opening tracking shot has to be admired not only for the authenticity of the sets, but also the way Mendes is able to show change in attitude and morale of the soldiers as we get closer to the trench frontline. No man's land is hell itself though- dead horses with files buzzing around, dead soldiers hung up on fences or caked in the mud, craters that much rather be euphemistically called death pits, prowling aircraft waiting to machine gun stragglers, and the rats that are constantly feasting on still festering bodies- there is death everywhere even if the enemy has long left.
"You are in no man's land. Which never moves, which never changes, which never grows older, but remains forever, icy and silent."
Blake and Schofield somehow make it through initially because they have each other. The loss of Blake at midpoint in addition to what he has already experienced strengthens Schofield's resolve further as he is on a race against time. And all throughout there are scenes that pay homage to past war classics- the encounter with a German sniper is reminiscent of Enemy at The Gates, the touching moment with the baby calls out to Ayer's 2014 tank classic -Fury, while the knife battle in the shadows again doffs its hat to Saving Private Ryan. It is to Mendes' credit that he makes Schofield's Frodo like journey believable till the end, even as he put his life one final time by sprinting through the battlefield to prevent the homicide.
The two main leads do not have come with loads of experience, but they do an excellent job. Pity that the script did not allow for a Game of Thrones reunion. In fact this is perhaps the only film in 2019 where everything comes together in a perfect symphony- music, cinematography, realistic sets, CGI, acting and the script.
The list of Oscar nominations for 1917 is a testament- Best Picture, Best Director, Best Original Screenplay, Best Original Score, Best Sound Editing, Best Sound Mixing, Best Cinematography, Best Makeup and Hairstyling, and Best Visual Effects. The best part is that unlike Joker, this is no award baiting movie. This just has a honest story to tell, and Mendes tells that with honesty and style, and that is why it is my pick for all the awards it has got nominated for.
This is a mesmerizing movie. Technically brilliant, and shot in a way that kind of immerses the viewer the way Dunkirk never could. Sorry Nolan.
Here is a bet- watch the movie, and if you are not running in your mind as Schofield makes his final dash, I will pay for your ticket.
It is also a very different kind of war movie. Thank god to the title, it did not need a prologue, or any character build up. We straightaway jump into the odd mix of silence and mayhem that trench warfare was in the First World War. We learn that the Germans have made a strategic withdrawal and are waiting to pounce on unsuspecting British forces chasing them, with the obvious mcguffin being telegram wires cut. The task of stopping the pursuing British forces from attacking the artillery reinforced Germans falls upon two Lance Corporals- Blake and Schofield, and they literally have to go through hell to succeed. Shades of another war epic from Spielberg I say, along with some inspiration from Tolkien of course.
"They're walking into a trap. Your orders are to deliver a message calling off tomorrow morning's attack. If you fail, it will be a massacre"
The plot is based on a true story told by director Sam Mendes' grandfather. And Mendes goes all in to make 1917 an experience like no other. For people unfamiliar with WW1, a large part of the war was fought through two opposing trenches- the land between them known as No Man's land. Last time we saw No Man's land in a big budget mainstream release, it was Wonder Woman's launch pad. Grim, but still comicky. In 1917, the opening tracking shot has to be admired not only for the authenticity of the sets, but also the way Mendes is able to show change in attitude and morale of the soldiers as we get closer to the trench frontline. No man's land is hell itself though- dead horses with files buzzing around, dead soldiers hung up on fences or caked in the mud, craters that much rather be euphemistically called death pits, prowling aircraft waiting to machine gun stragglers, and the rats that are constantly feasting on still festering bodies- there is death everywhere even if the enemy has long left.
"You are in no man's land. Which never moves, which never changes, which never grows older, but remains forever, icy and silent."
Blake and Schofield somehow make it through initially because they have each other. The loss of Blake at midpoint in addition to what he has already experienced strengthens Schofield's resolve further as he is on a race against time. And all throughout there are scenes that pay homage to past war classics- the encounter with a German sniper is reminiscent of Enemy at The Gates, the touching moment with the baby calls out to Ayer's 2014 tank classic -Fury, while the knife battle in the shadows again doffs its hat to Saving Private Ryan. It is to Mendes' credit that he makes Schofield's Frodo like journey believable till the end, even as he put his life one final time by sprinting through the battlefield to prevent the homicide.
The two main leads do not have come with loads of experience, but they do an excellent job. Pity that the script did not allow for a Game of Thrones reunion. In fact this is perhaps the only film in 2019 where everything comes together in a perfect symphony- music, cinematography, realistic sets, CGI, acting and the script.
The list of Oscar nominations for 1917 is a testament- Best Picture, Best Director, Best Original Screenplay, Best Original Score, Best Sound Editing, Best Sound Mixing, Best Cinematography, Best Makeup and Hairstyling, and Best Visual Effects. The best part is that unlike Joker, this is no award baiting movie. This just has a honest story to tell, and Mendes tells that with honesty and style, and that is why it is my pick for all the awards it has got nominated for.
This is a mesmerizing movie. Technically brilliant, and shot in a way that kind of immerses the viewer the way Dunkirk never could. Sorry Nolan.
Here is a bet- watch the movie, and if you are not running in your mind as Schofield makes his final dash, I will pay for your ticket.