For those interested in the social and cultural influences of certain religions in modern society, Worlds Apart offers an interesting, realistic perspective of a Jehovah's Witness girl trying to reconcile her faith, whilst involving herself in a relationship with a "non-believer" older boy.
It's quite a simple storyline presented by co-writer/director Niels Arden Oplev and clearly based on a true Danish story, but enhanced by the even-handed observations of the practices of this closed religious group, which has followers around the world.
Sara Dahl (Rosalinde Mynster) is seventeen years old and has been raised in a family of strict Jehovah's Witnesses. Sara follows the tenets of the faith and often joins her family to witness local people door to door in hopes of attracting new converts. Despite the Dahl family's devotion to their church, domestic matters are complicated when her father (Jens Jorn Spottag) is unfaithful to her mother (Sarah Boberg), and though contrite, she's unwilling to forgive him. In one of the more unsettling scenes in the movie, the 3 Dahl children vote to stay in the family home with the father, knowing this will lead to the mother leaving home as she wasn't prepared to forgive his transgressions. Sara, being the oldest child and a business college student, becomes the stand-in mother for her siblings, before meeting Teis (Pilou Asbaek), a boy she is immediately attracted too, at a dance club. Adding an extra layer of intriguing complexity to the story (without spoiling), is that we soon find out the eldest Dahl sibling, a son Jonas, has been expelled from his local church and then family, for "reading the wrong materials", questioning the Elders decisions and not repenting for these actions.
Worlds Apart is a well-directed, well-acted movie, illuminating the conventions of a religious group, that whilst being well-known, is frequently regarded by many in mainstream society, as one supporting character observes, as a "sect", As such it is frequently charged with indoctrination and manipulation of its adherents, by the powerful and influential Elders of the church branches. Ultimately Sara does make a contentious decision (as the real life person did), but we are reminded through the playing out of the narrative, that this may well mean she will have to contend with life-changing factors affecting her social and familiaral networks. It is a challenging, provocative, yet entertaining film that is recommended for those drawn to discussions of fundamentalist thinking and ideals.
It's quite a simple storyline presented by co-writer/director Niels Arden Oplev and clearly based on a true Danish story, but enhanced by the even-handed observations of the practices of this closed religious group, which has followers around the world.
Sara Dahl (Rosalinde Mynster) is seventeen years old and has been raised in a family of strict Jehovah's Witnesses. Sara follows the tenets of the faith and often joins her family to witness local people door to door in hopes of attracting new converts. Despite the Dahl family's devotion to their church, domestic matters are complicated when her father (Jens Jorn Spottag) is unfaithful to her mother (Sarah Boberg), and though contrite, she's unwilling to forgive him. In one of the more unsettling scenes in the movie, the 3 Dahl children vote to stay in the family home with the father, knowing this will lead to the mother leaving home as she wasn't prepared to forgive his transgressions. Sara, being the oldest child and a business college student, becomes the stand-in mother for her siblings, before meeting Teis (Pilou Asbaek), a boy she is immediately attracted too, at a dance club. Adding an extra layer of intriguing complexity to the story (without spoiling), is that we soon find out the eldest Dahl sibling, a son Jonas, has been expelled from his local church and then family, for "reading the wrong materials", questioning the Elders decisions and not repenting for these actions.
Worlds Apart is a well-directed, well-acted movie, illuminating the conventions of a religious group, that whilst being well-known, is frequently regarded by many in mainstream society, as one supporting character observes, as a "sect", As such it is frequently charged with indoctrination and manipulation of its adherents, by the powerful and influential Elders of the church branches. Ultimately Sara does make a contentious decision (as the real life person did), but we are reminded through the playing out of the narrative, that this may well mean she will have to contend with life-changing factors affecting her social and familiaral networks. It is a challenging, provocative, yet entertaining film that is recommended for those drawn to discussions of fundamentalist thinking and ideals.