Jennifer Jones was a star I knew well from visits to the cinema with my family during the 1950's: "The Man in the Grey Flannel Suit", "The Barretts of Whimpole Street", "Love is a Many Splendored Thing" and "A Farewell to Arms".
I cut in on her at a certain stage in her career. She was a bit older than my mum, and although I liked her she didn't have the effect on a prepubescent lad that Yvette Mimieux or Tuesday Weld were having.
It wasn't until later, when we got television, that I saw the movies she made earlier in her career; "Song of Bernadette, "Duel in the Sun", "Portrait of Jennie", "Carrie" and this one: Vincente Minnelli's "Madame Bovary". What an absolute stunner she was.
Emma Bovary (Jennifer Jones) is the beautiful daughter of a poor French family, but she has an overactive imagination fostered by romantic novels.
She marries a country doctor Charles Bovary (Van Heflin) who she doesn't really love hoping to advance her standing in society and pursue her romantic dreams. However she soon outspends her husband's capacity to earn. In an era before credit cards, she maxes-out on credit notes.
Emma attracts men like moths to a flame, and cheats on her husband who still loves her despite everything. There are tears before the final fade out.
The film is bookended with the trial of Gustave Flaubert who wrote the original novel. Apparently the story so outraged the French hierarchy that they took old Gustave to court. He got off and of course the book became a bestseller.
The filmmakers used the trial to allow Gustave (James Mason) to narrate the story - quoting passages of Flaubert's prose. Although narration can be a lazy device in film, in this case, Mason's mellifluous voice puts us in the picture quickly. More importantly, Emma is seen sympathetically despite being hopelessly self-focused.
Two actors added the final touch of class to the 1949 version. Van Heflin is such a nice guy here that we are waiting for someone to smack Emma to her senses. Louis Jordan gives another variation on that smooth roué he played in "Letter to an Unknown Woman" - a not dissimilar drama.
Composer Miklos Rozsa surpassed himself with the score. With its beautiful main theme for Emma and flowing melodies it sweeps you along.
A 2014 version did away with narration. It's more low-key, but quite good with a totally different vibe to the Minnelli version. It was filmed in France and is more explicit with a fair bit of nudity. Jennifer Jones was fortunate that her movie career was in an era where she didn't have to worry about getting in shape for that kind of thing.
I cut in on her at a certain stage in her career. She was a bit older than my mum, and although I liked her she didn't have the effect on a prepubescent lad that Yvette Mimieux or Tuesday Weld were having.
It wasn't until later, when we got television, that I saw the movies she made earlier in her career; "Song of Bernadette, "Duel in the Sun", "Portrait of Jennie", "Carrie" and this one: Vincente Minnelli's "Madame Bovary". What an absolute stunner she was.
Emma Bovary (Jennifer Jones) is the beautiful daughter of a poor French family, but she has an overactive imagination fostered by romantic novels.
She marries a country doctor Charles Bovary (Van Heflin) who she doesn't really love hoping to advance her standing in society and pursue her romantic dreams. However she soon outspends her husband's capacity to earn. In an era before credit cards, she maxes-out on credit notes.
Emma attracts men like moths to a flame, and cheats on her husband who still loves her despite everything. There are tears before the final fade out.
The film is bookended with the trial of Gustave Flaubert who wrote the original novel. Apparently the story so outraged the French hierarchy that they took old Gustave to court. He got off and of course the book became a bestseller.
The filmmakers used the trial to allow Gustave (James Mason) to narrate the story - quoting passages of Flaubert's prose. Although narration can be a lazy device in film, in this case, Mason's mellifluous voice puts us in the picture quickly. More importantly, Emma is seen sympathetically despite being hopelessly self-focused.
Two actors added the final touch of class to the 1949 version. Van Heflin is such a nice guy here that we are waiting for someone to smack Emma to her senses. Louis Jordan gives another variation on that smooth roué he played in "Letter to an Unknown Woman" - a not dissimilar drama.
Composer Miklos Rozsa surpassed himself with the score. With its beautiful main theme for Emma and flowing melodies it sweeps you along.
A 2014 version did away with narration. It's more low-key, but quite good with a totally different vibe to the Minnelli version. It was filmed in France and is more explicit with a fair bit of nudity. Jennifer Jones was fortunate that her movie career was in an era where she didn't have to worry about getting in shape for that kind of thing.