THE BABY'S ROOM is another strong contender in the short series of Spanish made-for-TV ghost stories released under the banner of 'Films to Keep You Awake'. Previously I'd watched BLAME, a quite wonderful exploration of abortion, so I was looking forward to seeing this one. It's not quite up there with the standard of that movie, mainly thanks to the rather predictable storyline, but it IS still a good, well-made film, and far better than many American 'haunted house' movies of recent years.
The storyline starts off predictably enough: a young couple move into a creepy old house and strange events befall them. There are a combination of two factors here, one of which I liked, the other I didn't care for as much. The element I liked was that the ghostly events are played out from the past, and the only way to see them is through a baby monitor, which acts as some kind of 'gateway' between realities. This leads to plenty of creepy moments as the protagonist witnesses slayings and strangers on the tiny black-and-white monitor although the rooms are empty to his own eyes. It reminded me a lot of the THIRTEEN GHOSTS films, in which the characters could only see spirits through some special glasses; the idea is much the same and handled just as well on a much lower budget (in comparison with the Hollywood remake, at least).
The other plot strand involves nobody believing the protagonist. I found this pretty tired. There is one neat change, a role reversal which sees the husband dismissed as neurotic rather than the wife, but otherwise this is typical stuff we've seen done dozens of times before. Still, the film boasts good acting, from both the two lead actors and the amusing character actors who make up the supporting cast. The restrained direction from Alex de la Iglesia – the guy who made the outrageous DAY OF THE BEAST, of all things – also wins points and it's one of those films where the low budget works in its favour, adding to the mystery and atmosphere. Not a classic, by any means, but this has the same kind of style you'll find in bigger and better films like THE ORPHANAGE.
The storyline starts off predictably enough: a young couple move into a creepy old house and strange events befall them. There are a combination of two factors here, one of which I liked, the other I didn't care for as much. The element I liked was that the ghostly events are played out from the past, and the only way to see them is through a baby monitor, which acts as some kind of 'gateway' between realities. This leads to plenty of creepy moments as the protagonist witnesses slayings and strangers on the tiny black-and-white monitor although the rooms are empty to his own eyes. It reminded me a lot of the THIRTEEN GHOSTS films, in which the characters could only see spirits through some special glasses; the idea is much the same and handled just as well on a much lower budget (in comparison with the Hollywood remake, at least).
The other plot strand involves nobody believing the protagonist. I found this pretty tired. There is one neat change, a role reversal which sees the husband dismissed as neurotic rather than the wife, but otherwise this is typical stuff we've seen done dozens of times before. Still, the film boasts good acting, from both the two lead actors and the amusing character actors who make up the supporting cast. The restrained direction from Alex de la Iglesia – the guy who made the outrageous DAY OF THE BEAST, of all things – also wins points and it's one of those films where the low budget works in its favour, adding to the mystery and atmosphere. Not a classic, by any means, but this has the same kind of style you'll find in bigger and better films like THE ORPHANAGE.