I have been tempted by the Belock/Everest Records/Todd AO link up in terms of LPs, Around the World in Eighty Days, and highlights from Mike Todd's Broadway shows and the Night in Venice, where I think one part of it was filmed in Todd AO. You can hear the front 5 channel sound compressed into remarkable standard 2 channel stereo on the 80 Days LP.
I know the 6 channel Todd AO sound was Westrex and entirely independent of Belock recording but the later development of 8 channels held the possibility of rear stereo effects, the 6 channel format having mono rear sound, but in this case of smello vision one of these channels was also used to steer the scent effects.
I have spotted a Scent of Mystery soundtrack LP from Everest Records and wonder whether it is worth getting in terms of quality of the music on this film.
This may have been a cinematic dead end. But the real bad thing that happened was the tragedy of Mike Todd's premature death in that plane accident.
This is a most interesting discussion and I thank the others for their helpful comments, especially the guy who speaks from first hand experience and who commented on the great sound...that's why I am curious about whether it supplied rear stereo and what the prospects of the LP. I imagine this all predates any form of dolby encoding so the notion of being able to extract a pro logic surround sound from a two track stereo source did not exist.
I know the 6 channel Todd AO sound was Westrex and entirely independent of Belock recording but the later development of 8 channels held the possibility of rear stereo effects, the 6 channel format having mono rear sound, but in this case of smello vision one of these channels was also used to steer the scent effects.
I have spotted a Scent of Mystery soundtrack LP from Everest Records and wonder whether it is worth getting in terms of quality of the music on this film.
This may have been a cinematic dead end. But the real bad thing that happened was the tragedy of Mike Todd's premature death in that plane accident.
This is a most interesting discussion and I thank the others for their helpful comments, especially the guy who speaks from first hand experience and who commented on the great sound...that's why I am curious about whether it supplied rear stereo and what the prospects of the LP. I imagine this all predates any form of dolby encoding so the notion of being able to extract a pro logic surround sound from a two track stereo source did not exist.