The title of my review (if IMDb permits) is taken from a quote by Salvador Dali in 1969 regarding rumors of a Dali-Lorca affair. The full quote, epitomizing Dali's unbridled humor and arrogance is as follows:
"He was homosexual, as everyone knows, and madly in love with me. He tried to screw me twice... I was extremely annoyed, because I wasn't homosexual, and I wasn't interested in giving in. Besides, it hurts. So nothing came of it. But I felt awfully flattered vis-à-vis the prestige. Deep down I felt that he was a great poet and that I owe him a tiny bit of the Divine Dali's a(..)hole."
And with that, let's now talk about the movie.
Although vividly denied by Dali, speculation of a romance between Dali & Lorca is the story of "Little Ashes". This is important to note up front, because if you're looking for a film that delves into the passion & inspiration behind Dali's art, Lorca's poetry and Buñuel's films, you'll be disappointed. This is mostly a straightforward love story with only a few substantial references to the 3 young men's creations (Lorca recites 2 poems, Dali displays 1 painting, and we get no more than 5 sec of Buñuel's film references, including the infamous slashed eyeball scene from "Un Chien Andalou").
What makes this film separate from any other generic forbidden love story is the interesting portrayal of the characters. Whether historically accurate or not, their personalities jump out of the screen at you, particularly Dali played by Rob Pattinson a.k.a. the Twilight studmuffin. Pattinson's Dali is decidedly NOT a studmuffin but instead a very awkward, dorky kid which instantly reminded me of some of Johnny Depp's early roles ("Benny & Joon", "Edward Scissorhands", "Don Juan Demarco"). But fused with his dorkiness is an overbearing arrogance which comes to the surface more frequently as the film progresses.
"Little Ashes", however, is not about Dali and certainly not about Buñuel (who is really a minor character) but is mostly from Lorca's perspective. In that respect, it's fitting that the affair (which never happened, according to Dali) would be exaggerated and poetic. If you noticed in the Dali statement I quoted, he did admit that Lorca was "madly in love" with him, and that is what the film portrays in a very poetic and sentimental way.
Although I was initially disappointed because I wanted to see more of Dali's art & creativity, I liked the forbidden, one-sided love story because it was well done and made good use of recognizable characters & events in history. Thus you could say I liked it in the end (uh, which is more than we can say for Dali. Heh heh).
"He was homosexual, as everyone knows, and madly in love with me. He tried to screw me twice... I was extremely annoyed, because I wasn't homosexual, and I wasn't interested in giving in. Besides, it hurts. So nothing came of it. But I felt awfully flattered vis-à-vis the prestige. Deep down I felt that he was a great poet and that I owe him a tiny bit of the Divine Dali's a(..)hole."
And with that, let's now talk about the movie.
Although vividly denied by Dali, speculation of a romance between Dali & Lorca is the story of "Little Ashes". This is important to note up front, because if you're looking for a film that delves into the passion & inspiration behind Dali's art, Lorca's poetry and Buñuel's films, you'll be disappointed. This is mostly a straightforward love story with only a few substantial references to the 3 young men's creations (Lorca recites 2 poems, Dali displays 1 painting, and we get no more than 5 sec of Buñuel's film references, including the infamous slashed eyeball scene from "Un Chien Andalou").
What makes this film separate from any other generic forbidden love story is the interesting portrayal of the characters. Whether historically accurate or not, their personalities jump out of the screen at you, particularly Dali played by Rob Pattinson a.k.a. the Twilight studmuffin. Pattinson's Dali is decidedly NOT a studmuffin but instead a very awkward, dorky kid which instantly reminded me of some of Johnny Depp's early roles ("Benny & Joon", "Edward Scissorhands", "Don Juan Demarco"). But fused with his dorkiness is an overbearing arrogance which comes to the surface more frequently as the film progresses.
"Little Ashes", however, is not about Dali and certainly not about Buñuel (who is really a minor character) but is mostly from Lorca's perspective. In that respect, it's fitting that the affair (which never happened, according to Dali) would be exaggerated and poetic. If you noticed in the Dali statement I quoted, he did admit that Lorca was "madly in love" with him, and that is what the film portrays in a very poetic and sentimental way.
Although I was initially disappointed because I wanted to see more of Dali's art & creativity, I liked the forbidden, one-sided love story because it was well done and made good use of recognizable characters & events in history. Thus you could say I liked it in the end (uh, which is more than we can say for Dali. Heh heh).