Based on the triple rettondon murders that shocked England in the mid 1990's this retelling takes liberty with some of the facts and changes the names of the people it's based upon (something Bonded by Blood and Rise of the Footsoldier didn't) Jason Locke, a psychotic ex-convict recently released is driven around his old manor by a young cabbie called Billy Reynolds, he finds that in his absence all of his old friends and associates have got rich and successful, he sets about getting back on top with the help of his crew, Billy, and his long suffering wife.
As the deranged Locke, Sean Bean rises above an underwritten character and gives a (at times) excellent performance, the script holds him back from really digging anything too deep out of his character but he handles the material well, Tom Wilkinson is used sparingly but to great effect and Alex Kingston is great as the wife whose not all she seems.
Direction is straghtforward and doesn't detract, the editing is great and the crisp cinematography captures the seedy underbelly of the Essex underworld to good effect.
Not a bad way to spend a couple of hours, 7/10
As the deranged Locke, Sean Bean rises above an underwritten character and gives a (at times) excellent performance, the script holds him back from really digging anything too deep out of his character but he handles the material well, Tom Wilkinson is used sparingly but to great effect and Alex Kingston is great as the wife whose not all she seems.
Direction is straghtforward and doesn't detract, the editing is great and the crisp cinematography captures the seedy underbelly of the Essex underworld to good effect.
Not a bad way to spend a couple of hours, 7/10