This Italian motion picture achieved notorious fame, comparable to the equally famous and more recent Italian movie 'La Vita è Bella'.
Like that one, this one is also very good in its first half, but after that it becomes a movie of bad taste. That's really too bad, because this movie (and 'La Vita à Bella') had potential to be something big.
'Nuovo Cinema Paradiso' can be considered a homage both to cinema and films. It shows us the pinnacle of the cinema as an industry of entertainment and as an escape for those who go there to watch the movies, making them forget the hard reality of poverty and war. Besides the cinema's success, it also shows its progress, its bankrupt, its decadence and its sad ending.
This is a very simple film. However, simplicity doesn't necessary mean something bad. Plus, the brilliant and memorable soundtrack by Ennio Morricone adds lots of emotion to the film, particularly in its first half, which is without a doubt the best part of the movie.
One of the biggest charms of this movie is the fascination and enthusiasm of Salvatore (whose nickname is "Toto") on the cinema and the projectionist job. He wins the friendship of the local projectionist, Alfredo, who also teaches him all about that job. As you can tell, "Toto" is a very intelligent kid and a very quick learner. Plus, he is mischievous, cute and hilarious.
Of course, even the first half has its minor faults, such as the pranks of bad taste - for example, that pig who spits to the audience and the prank with a bug on the sleepy guy. Pranks aside, I also don't like at times the behavior of Salvatore's mother: she slaps him a number of times.
As for the good of the first half, well, just about most of it. And this without forgetting Salvatore's dumb classmate. He's a poor dumb kid who doesn't know what 5x5 is. Whenever he answers that question is hilarious, as each answer is dumber than the previous one. In the 3rd time, he goes as far as replying «Natale!» (which is "Christmas" in Italian) - when he said that, I practically died of laughter!
As for the 2nd half of the movie, most of it is wrong and seems quite rushed and forced. Salvatore is no longer charming as a grown up. The love story between Salvatore and the girl of his dreams is frustrating in all ways, not to mention that it's ridiculous that Salvatore spends entire months waiting for her to open the window as a sign that she fell in love for him. There is no comedy or charm as in the 1st half. An animal is stabbed. Salvatore joins the army. And Alfredo's attitude later is puzzling: forcing Salvatore to leave that town forever, never look back, never return (not even to visit, going as far as saying that if he returns he won't receive him in his house), never let nostalgia hit him and never to even write or think about them.
I clearly prefer "Toto" as a child than as a teen or as an adult. "Toto" is far more charming as a child. In fact, the moment he grows up, for some reason the movie looses its initial greatness.
Phillipe Noiret gives a great performance as Alfredo, but little Salvatore Cascio steals the show as little "Toto".
I never saw the Director's Cut version. And frankly, I've got no interest in watching it. It's about 30 minutes longer, making it a too long movie and it certainly makes one view the film differently, as many of the mysteries are revealed (which might not be a very good idea). I saw the shorter version which isn't even that short, as it is nearly 2 hours long. But I can handle a movie of 2 hours.
Like that one, this one is also very good in its first half, but after that it becomes a movie of bad taste. That's really too bad, because this movie (and 'La Vita à Bella') had potential to be something big.
'Nuovo Cinema Paradiso' can be considered a homage both to cinema and films. It shows us the pinnacle of the cinema as an industry of entertainment and as an escape for those who go there to watch the movies, making them forget the hard reality of poverty and war. Besides the cinema's success, it also shows its progress, its bankrupt, its decadence and its sad ending.
This is a very simple film. However, simplicity doesn't necessary mean something bad. Plus, the brilliant and memorable soundtrack by Ennio Morricone adds lots of emotion to the film, particularly in its first half, which is without a doubt the best part of the movie.
One of the biggest charms of this movie is the fascination and enthusiasm of Salvatore (whose nickname is "Toto") on the cinema and the projectionist job. He wins the friendship of the local projectionist, Alfredo, who also teaches him all about that job. As you can tell, "Toto" is a very intelligent kid and a very quick learner. Plus, he is mischievous, cute and hilarious.
Of course, even the first half has its minor faults, such as the pranks of bad taste - for example, that pig who spits to the audience and the prank with a bug on the sleepy guy. Pranks aside, I also don't like at times the behavior of Salvatore's mother: she slaps him a number of times.
As for the good of the first half, well, just about most of it. And this without forgetting Salvatore's dumb classmate. He's a poor dumb kid who doesn't know what 5x5 is. Whenever he answers that question is hilarious, as each answer is dumber than the previous one. In the 3rd time, he goes as far as replying «Natale!» (which is "Christmas" in Italian) - when he said that, I practically died of laughter!
As for the 2nd half of the movie, most of it is wrong and seems quite rushed and forced. Salvatore is no longer charming as a grown up. The love story between Salvatore and the girl of his dreams is frustrating in all ways, not to mention that it's ridiculous that Salvatore spends entire months waiting for her to open the window as a sign that she fell in love for him. There is no comedy or charm as in the 1st half. An animal is stabbed. Salvatore joins the army. And Alfredo's attitude later is puzzling: forcing Salvatore to leave that town forever, never look back, never return (not even to visit, going as far as saying that if he returns he won't receive him in his house), never let nostalgia hit him and never to even write or think about them.
I clearly prefer "Toto" as a child than as a teen or as an adult. "Toto" is far more charming as a child. In fact, the moment he grows up, for some reason the movie looses its initial greatness.
Phillipe Noiret gives a great performance as Alfredo, but little Salvatore Cascio steals the show as little "Toto".
I never saw the Director's Cut version. And frankly, I've got no interest in watching it. It's about 30 minutes longer, making it a too long movie and it certainly makes one view the film differently, as many of the mysteries are revealed (which might not be a very good idea). I saw the shorter version which isn't even that short, as it is nearly 2 hours long. But I can handle a movie of 2 hours.