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7/10
Overlong and a little slow, but a sumptuous and absorbing film
25 May 2010
I was really interested in seeing this film, I am intrigued by the story of the Romanovs and when I saw the cast I was like it looks as though I was in for a good film. When I did see it, I was impressed. It isn't perfect though, for one thing at 165 or so minutes it is too long, consequently some scenes felt drawn out and very padded. Pacing was a problem too, I am not saying that Nicholas and Alexandra is the only film to suffer from this problem because it isn't, but there are moments where the film does drag. Finally, there were moments towards the end where it could have done with more drama. The Romanovs's deaths especially could have been chilling, instead whereas I felt sad and angry at how any family could be killed in such a way, the actual scene itself wasn't quite as powerful as it could have been.

Flaws aside, Nicholas and Alexandra is sumptuous to look at. The cinematography looks fabulous and fluid, the costumes are colourful and lush and the scenery and buildings are both imposing and beautiful. The score is also beautiful, there are some parts in the film when there is no music and even no dialogue(not a problem at all, merely an observation), but regardless when the music was playing it was rich and sensitive. I also liked the quality of the script, it was thoughtful and intelligent, with a film like this that's what it needed to be. The direction is solid, and the story while some scenes could have done with more drama as I have mentioned already is still absorbing. The strongest asset though is the cast, Michael Jayston and Janet Suzman are both wonderful as the Tsar and Tsarina, Alexandra is the more interesting character but both actors did superbly. Tom Baker is a very charismatic and cunning Rasputin, and the ever great Laurence Olivier is impeccable as Witte.

Overall, not absolutely superb but it is absorbing and it looks great. Plus it has the benefits of being impeccably acted by a strong cast and a good script. 7/10 Bethany Cox
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