Nothing Special   »   [go: up one dir, main page]

    Release CalendarTop 250 MoviesMost Popular MoviesBrowse Movies by GenreTop Box OfficeShowtimes & TicketsMovie NewsIndia Movie Spotlight
    What's on TV & StreamingTop 250 TV ShowsMost Popular TV ShowsBrowse TV Shows by GenreTV News
    What to WatchLatest TrailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily Entertainment GuideIMDb Podcasts
    OscarsCannes Film FestivalStar WarsAsian Pacific American Heritage MonthSummer Watch GuideSTARmeter AwardsAwards CentralFestival CentralAll Events
    Born TodayMost Popular CelebsCelebrity News
    Help CenterContributor ZonePolls
For Industry Professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign In
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Cast & crew
  • User reviews
  • Trivia
  • FAQ
IMDbPro
Gary Cooper and Patricia Neal in The Fountainhead (1949)

Review by moonspinner55

The Fountainhead

7/10

Integrity and ego, interchangeable here...

Ayn Rand adapted her bestseller about a brilliant but penniless architect, a "foolish visionary" who builds angular, futuristic designs without compromise (and without much business), going from tragedy to triumph with his talents and never losing his self-respect in the bargain. Rand's story is not just about peer pressure, but the pressure to sell out completely--mind, body and soul. Still, her second-half plot twist, with the architect designing a building for low-income families but allowing a struggling colleague to take the credit, isn't worked out satisfactorily. Rand's writing fails to help us see the difference between the character's integrity and ego when his designs are challenged (it is assumed we will automatically side with him once he resorts to drastic measures), and Gary Cooper as an actor doesn't have enough dimensions to suggest he is anything but heroic. Still, when he's on trial and acting as his own legal counsel (!), Cooper gives a six-minute speech that left me thinking he was losing his mind--but the viewer is meant to cheer his rebelliousness against the soulless, robotized masses. Director King Vidor, apparently one of the robots, decided in post-production to remove the speech in the courtroom, but Rand and Warner Bros. successfully sided against him. Now, there's a bit of life imitating art! *** from ****
  • moonspinner55
  • Jun 29, 2007

More from this title

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb app
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb app
For Android and iOS
Get the IMDb app
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.