The book "Myra Breckinridge" is marvelous, and so is its nutty sequel "Myron" (which takes place on the set during the making of the Maria Montez movie "Siren of Atlantis" and, in its original published version, is a diatribe against censorship and finds new ways to use the name Rehnquist). The movie, a big flop in 1970, is not marvelous, but starts intriguingly and still has an aura of the forbidden about it (it was rated X; in 1970 that wasn't a liability, it could be a marketing scheme). The Fox Movie Channel showed the film recently in widescreen and I watched it (the latest in several viewings ) and I failed to notice exactly when it begins to unravel.
In spite of its ultimately depressing and sleazy tone, the movie does have some lovely things in it: the winking girl who pops up in various scenes throughout, Raquel Welch's game, amusing performance, an intriguing visual style, the usage of old movie clips to comment on the action in a meta-cinematic manner (my favorite is the brief glimpse of Marilyn Monroe in the unfinished "Something's Got To Give," a glimpse that could have been furthered), a bizarre underused supporting cast of excellent Old Hollywood character actors (Jim Backus, Kathleen Freeman, Grady Sutton, Andy Devine, John Carradine, etc.) and a short appearance by Genevieve Waite, the star of the director's previous, and only, hit film "Joanna." Waite is also the mother of Bijou Phillips and the ex-wife of John Phillips, of The Mamas and The Papas. (John Phillips wrote the song "A Secret Place" that was used in the film.) I wish I could have been a fly on the wall when the movie was being made. Rex Reed, one of the stars in the film, WAS a fly on the wall and wrote about the fiasco in Playboy magazine. Then he went on The Mike Douglas Show and gave out his Christmas list. To everyone who saw the movie "Myra Breckinridge" he gave a case of amnesia.
I agree with another comment here that the movie has finally caught up with its audience, but only if you know a little something about Old Hollywood and really love cinema.
In spite of its ultimately depressing and sleazy tone, the movie does have some lovely things in it: the winking girl who pops up in various scenes throughout, Raquel Welch's game, amusing performance, an intriguing visual style, the usage of old movie clips to comment on the action in a meta-cinematic manner (my favorite is the brief glimpse of Marilyn Monroe in the unfinished "Something's Got To Give," a glimpse that could have been furthered), a bizarre underused supporting cast of excellent Old Hollywood character actors (Jim Backus, Kathleen Freeman, Grady Sutton, Andy Devine, John Carradine, etc.) and a short appearance by Genevieve Waite, the star of the director's previous, and only, hit film "Joanna." Waite is also the mother of Bijou Phillips and the ex-wife of John Phillips, of The Mamas and The Papas. (John Phillips wrote the song "A Secret Place" that was used in the film.) I wish I could have been a fly on the wall when the movie was being made. Rex Reed, one of the stars in the film, WAS a fly on the wall and wrote about the fiasco in Playboy magazine. Then he went on The Mike Douglas Show and gave out his Christmas list. To everyone who saw the movie "Myra Breckinridge" he gave a case of amnesia.
I agree with another comment here that the movie has finally caught up with its audience, but only if you know a little something about Old Hollywood and really love cinema.