The film Ferry 2 fails to capture the charm and strength that made the Undercover series and the first Ferry movie so beloved. The storyline feels completely disconnected, with little to no relation to the original plot. What remains is an overused concept that comes across as forced rather than innovative.
One of the film's major weaknesses is its casting. The younger actors, particularly Aiko Beemsterboer, deliver performances that are unconvincing and shallow, making every scene she's in feel artificial. Similarly, Jonas Smulders, who plays the rival mob boss, is a poor casting choice. His character lacks the intensity and menace expected of a crime boss, leaving no lasting impression.
The script and direction also fall short. The final scenes are so implausible that they feel entirely out of place within the story. While the previous installments maintained a certain level of realism and suspense, Ferry 2 comes across as a failed attempt to keep the franchise alive.
Overall, Ferry 2 is a letdown. Fans of the series and the first film will likely find this sequel disappointing and disjointed. Sometimes, it's better to end a story on a high note rather than milk it dry and lose what made it special in the first place.
One of the film's major weaknesses is its casting. The younger actors, particularly Aiko Beemsterboer, deliver performances that are unconvincing and shallow, making every scene she's in feel artificial. Similarly, Jonas Smulders, who plays the rival mob boss, is a poor casting choice. His character lacks the intensity and menace expected of a crime boss, leaving no lasting impression.
The script and direction also fall short. The final scenes are so implausible that they feel entirely out of place within the story. While the previous installments maintained a certain level of realism and suspense, Ferry 2 comes across as a failed attempt to keep the franchise alive.
Overall, Ferry 2 is a letdown. Fans of the series and the first film will likely find this sequel disappointing and disjointed. Sometimes, it's better to end a story on a high note rather than milk it dry and lose what made it special in the first place.