Grumpy farm guy wants to keep his land, and the money folk trying to take it are all treated as reprehensibly greedy slickers (even though the money people are behaving reasonably and the farm guy is belligerent, violent, and unreasonable). Just once, it would be nice to see one of these movies where the hero is the banker... just trying to do his job and even help the farm guy, while the farm guy is recognized as an intractable jerk (No disrespect to the farming community, it's just that the banking community has had to endure such a beating from these sorts of films, that it would only be fair turnabout!) That said, this film is pretty solid for the genre. While the countryside bears more resemblance to California than Texas, it's still pretty and beautifully shot. By contrasting the three leads' different approaches, the movie actually addresses the fundamental flaw in these movies. The heroine wants to update her father's farming practices, while he is married to tradition. And I may not be a Hallmark Channel kind of guy, but it nice to see a project that is morally clean without totally whitewashing its issues.
The production's greatest strength, though, is the casting of Jennie Garth, Lance Henriksen, and M.C. Gainey. Fine actors all; it's nice to see them cast in roles with the complexity that thespians of their talent deserve. And they all look halfway plausible with the horseriding, as well.
All in all, I wouldn't watch it again, but it certainly is better than a lot of the stuff you might run across on the Hallmark Channel.
The production's greatest strength, though, is the casting of Jennie Garth, Lance Henriksen, and M.C. Gainey. Fine actors all; it's nice to see them cast in roles with the complexity that thespians of their talent deserve. And they all look halfway plausible with the horseriding, as well.
All in all, I wouldn't watch it again, but it certainly is better than a lot of the stuff you might run across on the Hallmark Channel.