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Review of Kapo

Kapo (1960)
Jarringly realistic, for 1959
8 January 2005
This Italian film, following the travails of a young Jewish girl in a Nazi work camp, is successful due mainly to its realistic sets, and the performances of Strasberg and Terzieff. Supporting cast members also shine throughout the film. The whole concept of the "kapo" is new to me, and it added a further dimension to the horrific Nazi experience not covered in films such as "Sophie's Choice" and "The Pianist." Deservedly, it was nominated for an Academy Award (Best Foreign Language Film) in 1960. Strangely enough, most filmographies of Strasberg fail to highlight her incredible performance in this film. Certainly, it must have reflected her performance as Anne Frank on Broadway. The same year as "Kapo," George Stevens released his film version of "Anne Frank," starring Millie Perkins, who took the role once Audrey Hepburn turned it down. Certainly, Strasberg must have been considered.

A "kapo" was a prisoner of a concentration camp that watched over the other prisoners in a specified group. A kapo received better clothing, food, and was not required to work. 2001's "The Grey Zone" would be an appropriate double-feature with this film.
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