Well it's hard to say I loved a film like this, with so much darkness in the scenes and darkness in the script. And yet I did love this little dusky descent into childhood.
The waters of the hungry canal, ominous and omnipresent are set off nicely against the clearer, redemptive waters of baths throughout this film. William Eadie as James is tremendous throughout, most especially in his scenes with young John Miller's Kenny.
Unlike Mike Leigh's "All or Nothing" which I recently saw, this film I think had more than a little leavening in its bleak peak at the underclass. Despite rarely going ten minutes without a strong feeling of apprehension washing over me, there were enough warm flashes of affection to make this feel more like we were seeing people, and not statistics brought to life.
I'm not sure how Lynne Ramsay did it, but whenever the kids laughed, it felt genuine. It would have been interesting to be on the set. The interchanges between James and his Da made me think of animals, like a pack of lions and the eldest male just cannot do right by his father. Of course the father is flawed here, but thankfully it is not one of those television sitcom Dad's...devoid of any redemptive features.
The whole cast was tremendous really...from Tommy Flanagan's scarred sweet Da to the four schoolboys of the apocalypse to Lynne Ramsay Jr's transparent purity. Through the murkiness of the film, we can see the hope glimmering just below the surface, you only hope those characters in the film's flow can see it as well.
If you feel like I do that sorrow is an inescapable element to this world, but not one to be rinsed off and left far away from our dreams, cinematic and otherwise, I highly recommend you see this film. From the trajectory of Ramsay, Sr's shorts included on the DVD (and her take on Morvern Callar) I look forward, albeit with apprehension still, to her next work.
8/10
The waters of the hungry canal, ominous and omnipresent are set off nicely against the clearer, redemptive waters of baths throughout this film. William Eadie as James is tremendous throughout, most especially in his scenes with young John Miller's Kenny.
Unlike Mike Leigh's "All or Nothing" which I recently saw, this film I think had more than a little leavening in its bleak peak at the underclass. Despite rarely going ten minutes without a strong feeling of apprehension washing over me, there were enough warm flashes of affection to make this feel more like we were seeing people, and not statistics brought to life.
I'm not sure how Lynne Ramsay did it, but whenever the kids laughed, it felt genuine. It would have been interesting to be on the set. The interchanges between James and his Da made me think of animals, like a pack of lions and the eldest male just cannot do right by his father. Of course the father is flawed here, but thankfully it is not one of those television sitcom Dad's...devoid of any redemptive features.
The whole cast was tremendous really...from Tommy Flanagan's scarred sweet Da to the four schoolboys of the apocalypse to Lynne Ramsay Jr's transparent purity. Through the murkiness of the film, we can see the hope glimmering just below the surface, you only hope those characters in the film's flow can see it as well.
If you feel like I do that sorrow is an inescapable element to this world, but not one to be rinsed off and left far away from our dreams, cinematic and otherwise, I highly recommend you see this film. From the trajectory of Ramsay, Sr's shorts included on the DVD (and her take on Morvern Callar) I look forward, albeit with apprehension still, to her next work.
8/10