Review by spirochaete

I saw this movie nearly three years ago, when it first came out in Singapore (was living there at the time) and I thoroughly loved it. I'm excited that it's finally come to the US (if only in video).

The story is, well, predictable (except the subplot with Ah Hock's brother). But that's alright. So is most of Hollywood. What makes this movie such a gem is the earnestness of the acting--the fun the actors really seem to be having making this movie.

The film uses some of Singapore's unique talents (it's too bad Steven Lim isn't doing that much acting any more or that Medaline Tan hasn't been seen in a while). Take the dance instructor, for example--he's probably Singapore's most famous transvestite (you see him in his more usual role in a short cameo). Goei's subtlety in showcasing aspects of Singapore that are not its more renowned is especially appealing. Singapore hasn't always been as clean, well-run, and efficient as it is now.

Don't get me wrong. You don't have to be Singaporean to enjoy this movie (I'm not). Enjoy the Singlish that is unabashedly used throughout. Enjoy the fun (if not technically amazing) dancing. Enjoy the wonderful soundtrack, full of disco classics re-recorded by Singaporean bands (although you can't always tell). Enjoy the fact that a company of Singaporeans have made a film worthy of hollywood without any of hollywood in it. It's a blast.