Okay, the chemistry between Welles and Hayworth was not great, and, to put an end to the "even though they were married" lines, they divorced two weeks after the release of the film. However, as a film-noir and a piece of Orson Welles' body of work, this film is top notch.
Its biggest flaw, besides Welles accent, is that the beginning of the movie is very slow. However, it is necessary for the ending to payoff. It's unfortunate that the current world is moving at light speed, and that movies are chastised for taking ample time to develop their world. A modern example of length being put to good use is The Count of Monte Cristo. Still, that film doesn't compare to "Shanghai".
Once the trial, which is often hilarious, begins, the movie reaches the heights of greatness. It all climaxes with a visually stunning ending in the mirror room of a fun house and a fantastic performance by Hayworth.
The film sticks with you.
Also recommended: The Third Man
Its biggest flaw, besides Welles accent, is that the beginning of the movie is very slow. However, it is necessary for the ending to payoff. It's unfortunate that the current world is moving at light speed, and that movies are chastised for taking ample time to develop their world. A modern example of length being put to good use is The Count of Monte Cristo. Still, that film doesn't compare to "Shanghai".
Once the trial, which is often hilarious, begins, the movie reaches the heights of greatness. It all climaxes with a visually stunning ending in the mirror room of a fun house and a fantastic performance by Hayworth.
The film sticks with you.
Also recommended: The Third Man