Franchot Tone and Maureen O'Sullivan are in love, but also enmeshed in unsuccessful marriages. The demands of their work together--he as a doctor, she as a nurse--draw them closer together as the plot unfolds, as do the failings in their personal lives, but these two noble healthcare professionals have enough on their hands and avoid straying into the messy business of an affair.
There aren't any surprises in this picture, but there are exceptional performances from everyone involved and the script is tight and the plot engrossing. This picture is very similar to "Men In White" (1934), which starred Clark Gable and Myrna Loy, being about the dilemma a young surgeon can face making hard choices between personal and professional demands. But whereas the earlier picture sometimes came across as rather heavy-handed, with working in the hospital seeming unrelievedly oppressive, this picture is a bit lighter in treatment and makes good use of Leonard Penn's role as the irresponsible surgeon, Tony Woolcott, a dramatic foil to Tone's straight-and-true Meighan.
Virginia Bruce is perfect as the high society playgirl who at first falls madly in love with Tone, but soon tires of his dedication to his work. Her beautiful face--especially her eyes--are center stage when that's all we see of her in her hospital bed. Tone and O'Sullivan are beautiful together as they convincingly play at being apart--it is impossible not to fall in love with Maureen O'Sullivan!
Franchot Tone fans (myself included) who have been looking for a picture that allows this fine actor a starring role--finally!--to match his talents will enjoy this sentimental soap opera.
There aren't any surprises in this picture, but there are exceptional performances from everyone involved and the script is tight and the plot engrossing. This picture is very similar to "Men In White" (1934), which starred Clark Gable and Myrna Loy, being about the dilemma a young surgeon can face making hard choices between personal and professional demands. But whereas the earlier picture sometimes came across as rather heavy-handed, with working in the hospital seeming unrelievedly oppressive, this picture is a bit lighter in treatment and makes good use of Leonard Penn's role as the irresponsible surgeon, Tony Woolcott, a dramatic foil to Tone's straight-and-true Meighan.
Virginia Bruce is perfect as the high society playgirl who at first falls madly in love with Tone, but soon tires of his dedication to his work. Her beautiful face--especially her eyes--are center stage when that's all we see of her in her hospital bed. Tone and O'Sullivan are beautiful together as they convincingly play at being apart--it is impossible not to fall in love with Maureen O'Sullivan!
Franchot Tone fans (myself included) who have been looking for a picture that allows this fine actor a starring role--finally!--to match his talents will enjoy this sentimental soap opera.