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Izrail Bograd in The End of St. Petersburg (1927)

Review by JohnSeal

The End of St. Petersburg

10/10

They don't make 'em like they used to

The End of St Petersburg was another landmark of Soviet realist cinema, as good as if not better than Battleship Potemkin, Strike, or Storm Over Asia. It's incredibly powerful, with many absolutely stunning montage sequences that make today's quick cut edits look like like child's play in comparison. The language of cinema was invented in Russia and Germany by artists like Pudovkin, Eisenstein, Murnau, and Lang. Anyone interested in cinema history needs to see films like this one to appreciate how weak our current crop of auteurs truly are.
  • JohnSeal
  • Dec 13, 1999

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