The beginning of this picture, from the jazzy opening credits and into the next reel or so, is rather engaging. At its best, it is stylish in that French New Wave Meets American Beatnik kind of way, frequent in popular culture of the time. The dialogue is peppered with hepcat slang and frank references to narcotics
and so-called "deviant" sexuality. This is daring stuff for a 1965 release from MGM. Beautiful widescreen black-and-white photography from Robert Burks,
who had by then done several Hitchcock films. The steady hand of director
Ralph Nelson keeps the picture moving, often punctuated by moments of
unexpected brutality. PC this is not! The story itself is popcorn stuff, perhaps best not explored too deeply, but a great cast helps to enliven the material. By
today's standards, the character played by Ann-Margret would never be
depicted in such a fashion as seen here. (At one point, she apologizes after
being slapped around.) But hey, she's under the seductive spell of Alain Delon, a Frenchman playing an Italian. No, it's not "The Asphalt Jungle". Neither is it a total waste of time, as it's often described as being. It's a good example of a mid- '60s studio potboiler, capably and professionally (and sometimes artfully)
handled by all parties concerned. If your bag lies elsewhere, go on and fetch it, then. I'm rewinding the tape so I'll be ready to watch "Once a Thief" again soon.
and so-called "deviant" sexuality. This is daring stuff for a 1965 release from MGM. Beautiful widescreen black-and-white photography from Robert Burks,
who had by then done several Hitchcock films. The steady hand of director
Ralph Nelson keeps the picture moving, often punctuated by moments of
unexpected brutality. PC this is not! The story itself is popcorn stuff, perhaps best not explored too deeply, but a great cast helps to enliven the material. By
today's standards, the character played by Ann-Margret would never be
depicted in such a fashion as seen here. (At one point, she apologizes after
being slapped around.) But hey, she's under the seductive spell of Alain Delon, a Frenchman playing an Italian. No, it's not "The Asphalt Jungle". Neither is it a total waste of time, as it's often described as being. It's a good example of a mid- '60s studio potboiler, capably and professionally (and sometimes artfully)
handled by all parties concerned. If your bag lies elsewhere, go on and fetch it, then. I'm rewinding the tape so I'll be ready to watch "Once a Thief" again soon.