Director Clarence Brown does a tremendous job in presenting Juano Hernandez as a dignified man living within a southern community steeped in Jim Crow. Hernandez is falsely accused of murder and is resigned to the fact that this prejudice will lead to his incarceration or worse.
The movie is full of surprises and, happily, ends on a positive note. One of the major movies on racial or cultural prejudice of the era, it was done after Gentlemen's Agreement (1947), Crossfire (1947), but precedes Sidney Poitier's No Way Out (1950) by a year. Clearly, the only other movie that touched on this issue beforehand was the first version of Imitation of Life (1934).
This era was a time when the motion picture industry was struggling with this issue and showed an earnest attempt at portraying this problem with dignity. Hernandez's role as Lucas Beauchamp was no ordinary role for a black actor during this time when the movie industry was still under the control of whites. All in all, this is one of the greats.
Great supporting acting from David Brian, Claude Jarman, Jr. and Elizabeth Patterson.
The movie is full of surprises and, happily, ends on a positive note. One of the major movies on racial or cultural prejudice of the era, it was done after Gentlemen's Agreement (1947), Crossfire (1947), but precedes Sidney Poitier's No Way Out (1950) by a year. Clearly, the only other movie that touched on this issue beforehand was the first version of Imitation of Life (1934).
This era was a time when the motion picture industry was struggling with this issue and showed an earnest attempt at portraying this problem with dignity. Hernandez's role as Lucas Beauchamp was no ordinary role for a black actor during this time when the movie industry was still under the control of whites. All in all, this is one of the greats.
Great supporting acting from David Brian, Claude Jarman, Jr. and Elizabeth Patterson.